Sell or Auction Your William Penn Engraving John Boydell June 12 1775 for up to Over $8,000 or More at Nate D. Sanders Auctions
FREE APPRAISAL. To buy, auction, sell or consign your William Penn engraving John Boydell June 12 1775 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Free Appraisal, Auction or Sell Your William Penn Engraving John Boydell June 12 1775
Below is a recent realized price for a WIlliam Penn engraving by John Boydell June 12 1775. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
William Penn Engraving John Boydell June 12 1775. Sold for Over $8,000.
The following are some related items we have sold:
81 Beautiful Hand-Colored Aquatints by Karl Bodmer Depicting the American Frontier in the 1830s — Contained in the Illustrated Travelogue “Prince of Wied’s Travels in the Interior of North America”
Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.
Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.
Complete Set of 80 Hand-Colored Lithographs of “The Aboriginal Port Folio” by James Otto Lewis From 1835-1838 — Extremely Scarce Complete Set
Very scarce complete set of the “Aboriginal Port Folio”, containing 80 hand-colored lithographs by Native American visual chronicler James Otto Lewis, whose travels to various treaty ceremonies during the early 19th century produced lasting portraits of Native American leaders and customs. Lewis was the first to create such artwork, preceding McKenney & Hall by several years. Philadelphia: George Lehman and Peter S. Duvall, 1835-1838.
After painting portraits of members from the Sioux, Potawatomi, Winnebago, Fox, Shawnee, Miami, and Iowa tribes, Lewis brought his paintings to Philadelphia for lithography, releasing them by subscription in 10 installments of 8 lithographs apiece. Each installment grew more scarce as subscriptions trailed off with the impending publication of the more comprehensive (and more formally posed) “History of the Indian Tribes of North America” by McKenney & Hall, whose portrait artist Charles Bird King even copied some of Lewis’ paintings. As a result, the full collection of 80 lithographs of “The Aboriginal Port Folio” is so scarce that only five to ten copies are known to exist. To make matters worse, Lewis’ original paintings were destroyed in the Smithsonian fire in 1865.
This set is in very good to near fine condition, with only minor scattered foxing affecting some sheets. In addition to the 80 pictorial lithographs, set also includes the lithograph title page and three leaves of advertisements, making it a truly complete set. Lithographs each measure 11.5″ x 18.125″, housed in three-quarter red morocco clamshell case with custom lettering to spine. One of the few visual remembrances of this important collection preserved for history. Sold for $84,000.
Currier & Ives Hand-Colored Lithograph Measuring — 19th Century Print Remains Boldly Colored
Beautiful Currier & Ives hand-colored lithograph entitled “The Life of a Hunter. ‘A tight fix’”. Produced in 1861 on wove paper, lithograph measures 28″ x 21.5″, framed to 39″ x 32.25″. Very well-preserved with deep, rich colors. A few small repaired tears to margin, with two extending slightly into the image at top and bottom right, though nearly indiscernible; also with faint discoloration to margins, else near fine condition. A rare lithograph so well preserved by the storied print makers. Sold for $31,680.
Jasper Johns “Between the Clock and the Bed” Lithograph
Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.
Scarce campaign broadside for John Bell and Edward Everett, the candidates for the Constitutional Union party in the 1860 Presidential campaign. Lithograph is the scarcest of 19th century Currier and Ives broadsides, hand-colored by the storied print makers, and with full margins not usually found on this broadside. Strong unionists who believed that slavery was protected by the U.S. Constitution, the candidacy of Bell and Everett split the southern vote, effectively giving the election to Abraham Lincoln. Their campaign banner reads at top, ”Liberty and Union Now and Forever One and Inseparable / No North, No South, No East, No West, Nothing But the Union”. With Currier and Ives copyright in 1860 at bottom, which also reads, ”Grand National Union Banner for 1860 / The Candidates and Their Platform”. The candidates’ names of John Bell, of Tennessee and Edward Everett of Massachusetts are also featured in the banner. Broadside is hand-colored by Currier and Ives, with unfaded rich, dark colors. Lithograph measures 13.5” x 18”, with original borders. Expert restoration including rice paper backing, though no restoration to the coloring except to a small spot of scuffing just below the tassels between the red velvet curtains. Some foxing to margins. Overall in very good to near fine condition. Sold for $12,600.
Pablo Picasso Signed “Modele nu et Sculptures” Etching — From the Desirable Vollard Suite of Etchings
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.
Hand-Colored “Grey Fox” Lithograph From the 1843 Edition of John James Audubon’s “The Viviparous Quadrupeds of North America” — Measures 28″ x 21.75″
Original hand-colored lithograph of “Canis (Vulpes) Virginianus, Grey Fox”, plate XXI, from John James Audubon’s “The Viviparous Quadrupeds of North America”. Philadelphia: J.T. Bowen, 1843. Lithograph measures 28″ x 21.75″. Very light soiling and wear to margins and slight fading, overall in very good plus condition. A beautiful example from Audubon’s masterpiece. Sold for $3,000.
John Audubon 1846 “The Cougar” Lithograph From “The Viviparous Quadrupeds of North America” — Measures 20″ x 26″
Gorgeous lithograph by John Woodhouse Audubon of “The Cougar, Male”, published in “The Viviparous Quadrupeds of North America”. Philadelphia: J.T. Bowen, 1846. Printed and hand-colored by Bowen, lithographed plate is number XCVI. Measures 20″ x 26″. Minute foxing and small spot of discoloration at lower margin. Overall a stunning example in near fine condition. Sold for $1,400.
FREE APPRAISAL. To buy, auction, sell or consign your William Penn engraving John Boydell June 12 1775 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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