Sell or Auction Your Vincent van Gogh Autograph Letter Signed for up to Over $300,000 or More at Nate D. Sanders Auctions
FREE ESTIMATE. To buy, auction, sell or consign your Vincent van Gogh autograph letter signed that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Free Appraisal, Auction or Sell Your Vincent van Gogh Autograph Letter Signed

Below is a recent realized price for a Vincent van Gogh autograph letter signed. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Vincent van Gogh Autograph Letter Signed. Sold for Over $300,000.
Here are some related items we have sold:
Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.
Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.

E.H. Shepard Artwork of Winnie-the-Pooh and Piglet, Likely Made for “The House at Pooh Corner” in “The World of Pooh” — Artwork by Shepard Is Very Scarce as Made for a Winnie-the-Pooh Book
Enchanting and scarce artwork of Winnie-the-Pooh and Piglet by E.H. Shepard, the illustrator chosen by A.A. Milne to bring his literary characters to life. Original Shepard artwork from Winnie-the-Pooh is scarce in its own right, here even more so as from one of the Milne books, well-known by fans as from Chapter 8 of “The House at Pooh Corner”, titled “In Which Piglet Does a Very Grand Thing”. Pooh and Piglet are shown in front of Owl’s tree house on that notoriously blustery day.
Large artwork measuring 8″ x 7.5″ is rendered in watercolor, pencil and ink, likely created by Shepard for “The World of Pooh”, a collection of Winnie-the-Pooh stories published in 1957 that included “The House at Pooh Corner”. It is one of the only color Winnie-the-Pooh illustrations made by Shepard in finished form, rather than a rough draft, that has ever come to auction. A smaller watercolor, titled “Christopher Robin’s Braces”, made for a magazine without content from one of the books, sold for over $100,000 in 2013. Interestingly, this artwork features titling in Italian on Owl’s sign, perhaps for an Italian edition of the book. Artwork on Winsor & Newton watercolor board measures 10.5″ x 8.875″. Minute uniform toning but overall near fine with bright coloring. Accompanied by original frame backing, signed by Shepard with his address and his handwritten title, “House at Pooh Corner / ‘A very grand thing’ / The trouble at Owls House”. Backing also contains a sticker from F.W. Charman & Sons, who exhibited Shepard’s work in Haslemere, England in 1965 where this piece was sold. Sold for $85,000.

Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.

Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”
French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing. Sold for $65,959.

Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.

Norman Rockwell Art “Mr. Apple”
Norman Rockwell art “Mr. Apple” (Homage to Rene Magritte), Oil on canvas, 13″ x 17 3/8″ inches, Signed “Norman Rockwell.” Painted June 1970, Stockridge, Massachusetts Includes letters of provenance: 1.) TLS “Norman,” dated 6/11/1970 on his personal stationery where he writes, in part: “I must tell you that I got the two apples, and I haven’t eaten them, but I have put them in the refrigerator so they will keep bright and shiny…It will be fun doing such a unique painting.” 2.) ALS in full, nd, on his personal stationery where he handwrites, “Dear Mr. Blum – Here it is! I really enjoyed painting Mr. Apple. I sure hope you like it. The painting may still be wet when you get it. But do not varnish it for a couple of months. If you use [sic] a fine mastic varnish it will preserve it forever. Cordially, Norman Rockwell.” Painting also includes two other letters of provenance describing the reason for Rockwell completing the work (it was done as a label for United Vintners), and tracing its path of ownership in very fine detail from the studio of Rockwell to its current state in our archives. This Rockwell original has never before been exhibited, and never before been offered to the public. The picture shown here does not do justice to the vibrance and color of the painting. A rare chance to have an original signed Norman Rockwell piece hanging on your wall. An excellent original of Norman Rockwell art. Sold for $33,722.

Rembrandt Peale’s Painting of “Napoleon”
1812 portrait of Napoleon Bonaparte Rembrandt Peale painting, noted American Neoclassical painter and son of acclaimed artist Charles Willson Peale. Painted by the famed portrait artist who captured the likenesses of nearly all of the important statesmen of the 18th century, including George Washington and Thomas Jefferson. This compelling 22.5″ x 27.5″ oil on canvas comes with a fascinating backstory. Since Bonaparte was unwilling to sit for any artists, Peale spent hours sketching the Emperor on public occasions, such as during the procession of deputies in the Champ de Mars where Bonaparte sat still for hours on end. Contrary to the famously romanticized, larger than life interpretations of the French dictator by such artists as Jacques-Louis David, here Peale offers a very human-scale Bonaparte. Peale employs a palette of muted burgundies and blacks, soft lighting and an echo of the background wine-colored drapery in Bonaparte’s scarf. Painting comes with a transcript of the letter Peale gave to artist Thomas Hollingsworth Morris, original owner of the portrait, datelined Philadelphia, 26 January 1858. Letter reads as follows: “Dear Sir, The Portrait you allude to, is an Original Study of the Head of Napoleon Bonaparte, which I made in Paris, in the Year 1812 (not when he was 1st Consul)–but Emperor). It was the result of many paintings, after seeing him at Reviews & other occasions – for he had decided never to sit to any Artist, after the design to assassinate him by Cerachi [sic] the Sculptor who was making a Bust of him–The same Cerachi who was in this Country & made a Bust of our Washington, which is more like Cerachi himself than like Washington. He was guilliotined [sic]. This Head, the effort of repeated Memories, David the Emperor’s Painter thought a good likeness. I am sorry you did not subscribe your address, as I should like to see this Portrait again when I visit Baltimore. Respectfully Yours, Rembrandt Peale (signed).” An excellent portrait of the legendary military genius by an American master portraitist. Excellent Rembrandt Peale painting. Sold for $32,000.

Ludwig Bemelmans painting for his ”Madeline” series of children’s books, illustrating a scene here for ”Madeline and the Bad Hat”. Rendered in mixed media on board, signed ”Bemelmans” at lower right. Painting measures 31.75” x 19”, with vividly rich colors. Back of board is stamped by the Hammer Galleries, who originally sold Bemelmans’ work for him, with an additional stamp reading ”Sketch for MADELINE And the Bad Hat by LUDWIG BEMELMANS”. Additional provenance includes sale by the Lenox Hill Neighborhood Association, Inc. in its 16 January 1987 auction. With frame, painting measures 40.5” x 28.5”. Some toning to board consistent in color with the scene, support for painting is bowed, and a small amount of surface cracking on the water. Overall in very good plus condition. Sold for $28,000.

”Addams Family” cartoonist and creator Charles Addams original 1946 painting personally owned by Ray Bradbury. True to Addams’ whimsical and macabre tone, painting depicts a landscape scene at twilight with a Gothic mansion overlooking a shore, and with ghoulish creatures and spirits ascending towards the house. Signed, ”Chas Adams” at upper right. Mixed media on illustration board was selected to be the cover image for Bradbury’s book, ”From the Dust Returned”, which was released in 2001. Painting measures 17” x 12” and is matted and framed to an overall size of 24” x 19”. Chip to frame, otherwise near fine. With a COA from the Ray Bradbury estate. Sold for $25,000.

Norman Rockwell Art Work Portrait of Nixon
1960 signed Norman Rockwell art being a portrait of Richard Nixon, done for the cover of the “Saturday Evening Post.” Charcoal on paper drawing measuring 16″ x 20.75″. Signed to lower right with the artist’s initials, “NR.” This portrait was a study for the 5 November 1960 cover of the Saturday Evening Post, which appeared amidst the presidential race one week after Rockwell’s cover portrait of Kennedy. In addition to Nixon and Kennedy, Rockwell was commissioned to paint portraits of Presidents Eisenhower and Johnson, as well as several foreign heads of state. For his many “vivid and affectionate portraits of our country,” the artist was awarded the Presidential Medal of Freedom in 1977, the highest honor given to an American civilian. Nixon portrait is in very good condition, with pinholes scattered along the edges, and remnants of adhesive from scotch tape scattered along the extreme edges. Corners of sheet fit into tissue pockets on backing. This study is all the more exceptional as it is the only remaining item from the Nixon-Rockwell portrait session, beyond the final portrait itself. Kennedy’s portrait, on the other hand, was lithographed in a limited edition of 2,500 and is therefore far more common than this portrait, which poignantly captures the subject’s personality that Rockwell is so famous for. Accompanied by 5 November 1960 copy of Saturday Evening Post featuring portrait on cover. Rare and inexpensive Saturday Evening Post cover Norman Rockwell art. Sold for $24,000.

Guy Carleton Wiggins Painting of New York City in Winter
Guy Carleton Wiggins painting in his quintessential style of New York City in winter. Entitled ”Snow Storm at The Plaza”, oil on canvas board is signed ”Guy Wiggins NA” at lower right. Also signed and titled on the reverse. Measures 16” x 11.75”, in an early frame measuring 16” x 20”. No restoration. An excellent example of Wiggins’ impressionistic work, in very good condition. Sold for $20,000.

Thomas Hart Benton Oil Painting on Paper — “Construction Workers” — Circa 1923
Thomas Hart Benton oil painting entitled “Construction Workers”. 9″ x 6.75″ oil on paper, circa 1923. Benton, a leader of the regionalist movement, was a muralist, social critic and teacher of other artists, including Jackson Pollock. His subject matter honored everyday American life, often ordinary people, such as these workers, in the throes of hard work. Provenance: William Neuse, New York (acquired directly from the artist). Sold for $20,900.

Jasper Johns “Between the Clock and the Bed” Lithograph
Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.

Pablo Picasso Signed “Modele nu et Sculptures” Etching
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.

Andy Warhol Large Signed Poster of Marilyn Monroe
Andy Warhol signed poster from his acclaimed show at the Tate Gallery in London in 1971, depicting one of his famous images of Marilyn Monroe. The pop artist gained worldwide notoriety for his legendary Marilyn diptych recreations, with reproductions of various colors of this same silk-screened image hanging in museums around the world. Warhol signs in black marker to the bottom right of the commemorative poster from the show, which ran from 17 February through 28 March 1971. Measures 20” x 30”. Faint tape stains to top. Very good plus. Sold for $8,319.

Check signed ”Jackson Pollock” in black ink. Check from the Osborne Trust Company, East Hampton, NY is dated 16 March 1953 and made out in hand by Pollock to the Director of Internal Revenue in the amount of $41. Signatures of this reclusive artist who struggled with alcoholism for most of his life are virtually non-existent. Three years after signing this check Pollack perished in a car wreck. Measures 6.25” x 2.75”. Standard bank cancellations. Near fine. Sold for $4,375.

Claude Monet autograph letter signed, dated 21 June 1907, mentioning his intention to see an exhibition of Paul Cezanne’s work, likely the first posthumous retrospective at the Salon d’Automne in 1907. Upon his ”Giverny near Vernon, Eure” letterhead, and written in Monet’s characteristic purple ink, letter translates in full,
”Dear Sir, I am quite upset that I was unable to take advantage of your good thought, but I was away (which I rarely am) and I was unaware of your your [sic] letter until my return, but I will not deprive myself of the pleasure of coming to see your Cezanne exhibition.
With all my thanks for thinking of me, please believe in my sincere sympathies / Claude Monet”.
Two page letter measures 5.25” x 8”, on different leaves of bifolium, card-style stationery. Stamp of previous owner, otherwise near fine condition. Sold for $3,750.

Andy Warhol Twice-Signed Iconic Campbell’s Soup Can
Andy Warhol signed Campbell’s soup can, made famous by Warhol with his 1962 artwork ”Campbell’s Soup Cans”. The pop artist signs ”Andy Warhol” in black felt tip on the tomato soup label, as well as ”Andy” on the metal top of the can. Accompanied by an LOA from Daniel J. Elmergreen, caretaker in the 1980s for art patron Frank Weinstein’s home, where this can originates. In the LOA, Elmergreen writes that Warhol would often go into the cupboards of his friends’ homes to sign ”iconic brands”. Can measures 4” tall and 2.625” in diameter. Bottom lid has hole punctured, so can is empty. Rusting to metal and some discoloration to label, which is still firmly attached to the can. Overall in very good condition, rare as twice-signed and with provenance attesting to the personal nature of signatures. Sold for $3,750.

French Artist Edouard Manet Autograph Letter Signed
Edouard Manet autograph letter signed, “E. Manet”. Letter is dated in pencil “octobre 1878”. Its text, written in French, translates to, “My Dear Fanny, Here are a few addresses: ‘Camille – 10 rue Germain-Pilon / Andrea – 29 Boulevard Clichy / Aline – 4 rue Duphot’. Single-page letter measures 4.5″ x 6.75”. Toning and a crease through center, else near fine. Originally from the R.M. Smythe Autumn sale, held 16 November 2000, lot 286. Sold for $3,036.

Pablo Picasso Signed 14.75” x 22.5 Poster — 1961
Pablo Picasso signed anniversary poster. In bold orange crayon, the artist’s intriguing autograph dedication appears on the upper right in French, ”For George / [one illegible word] / Your / Friend / Picasso / The / 11. / 11. / 61.” Poster is a large print of the front page of the ”Le Patriote de Nice Et Du Sud-Est” periodical, dated 25 October 1961. Headline reads, ”A tes 20 ans, Pablo!”. Measures 14.75” x 22.5”. Mounted and framed to an overall size of 24” x 31”. Toning and creasing, overall very good. Sold for $2,342.

Edouart Manet autograph letter signed, nicely framed with a photo of the artist by Nadar (Felix Tournachon), circa 1878. Composed on Manet’s letterhead with his studio address ”4 Rue Sint Petersbourg”, he writes on behalf of his friend, the satirical writer Hyppolite Babou. Letter translates from French, ”Saturday My dear friend: Would you occupy yourself a bit regarding a manuscript of Hyppolite Babou which he sent to the Republic ten days ago. He begged me to write a word and ask for an answer. Edouard Manet”. Letter, mounted to paper, measures 4” x 6.25”. Photo measures 2.75” x 4.25”, all framed to 14.25” x 12”. Very good condition, beautifully presented. Sold for $2,250.

Charles Lewis Tiffany cabinet photo signed, dated 15 April 1892. Here, the entrepreneurial jeweler who built the famous ”Tiffany & Co.” empire poses at an older age with a silvered beard. He signs the photo, ”Feby 15, 1892 My eightieth birthday C. L. Tiffany.” Cabinet card has original Sarony photography studio imprint in gilt to base as well as to the verso. Measures 4.25” x 6.5” with some foxing and toning, else very good condition. Sold for $1,875.

Pablo Picasso Autograph From 1916 — With University Archives COA
Pablo Picasso autograph, signed in Paris on 27 June 1916. In fountain pen, Picasso signs a page of an autograph album for his friend, the film director Harry Lachman, “Picasso 27 Juin 1916 / Paris”. Page measures 5.5″ x 7.25″, also signed by opera singer Marguerite Beriza on verso. Mild uniform toning, overall very good condition. With University Archives COA. Sold for $1,730.


Mary Cassatt Autograph Letter Signed Mentioning Degas
Mary Cassatt autograph letter signed, a rare missive by the Impressionist painter, and with content regarding artwork by Edward Degas, her friend and collaborator. Dated 2 November, Cassatt writes in black fountain pen upon a card embossed with her Parisian address of 10, rue de Marignan, where she lived from 1887 until her death in 1926. Letter translates from French, “Sir, I have not forgotten our meeting at [?] and I will be very happy to be on the committee. My Degas are in Auvergne, otherwise I would have brought them to you. / I am always at home after 4:30 and would be happy to see you with Mr. [?] whenever you would like to come. / Please know, sir, that I have only the best impression of you. / Mary Cassatt”. Card measures 5.5″ x 3.5″, with writing on front and verso. Near fine condition. Sold for $1,500.

FREE ESTIMATE. To buy, auction, sell or consign your Vincent van Gogh autograph letter signed that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
We offer the following for your Vincent van Gogh autograph letter signed:
- Appraise Vincent van Gogh autograph letter signed.
- Auction Vincent van Gogh autograph letter signed.
- Consign Vincent van Gogh autograph letter signed.
- Estimate Vincent van Gogh autograph letter signed.
- Sell Vincent van Gogh autograph letter signed.
