Sell or Auction Your Ralph Waldo Emerson Signed CDV for up to Over $2,000 or More at Nate D. Sanders Auctions
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Ralph Waldo Emerson Signed CDV. Sold for Over $2,000.
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Ralph Waldo Emerson Nicely Matted and Framed Signed 1860 Essay, ”Worship” From the Well-Regarded Collection, ”The Conduct of Life”
Prolific 19th Century poet and essayist Ralph Waldo Emerson ”Worship” essay signed. Essay is from his 1860 groundbreaking work, ”The Conduct of Life”, and deals with notions of Christian love and worship, which Emerson approached from a Transcendentalist angle as one of America’s foremost thinkers of the time. Essay is not titled and is missing the last few lines, reading: ”This is he, who, felled by foes, Sprung harmless up, refreshed by blows: He to captivity was sold, But him no prison-bars would hold: Though they sealed him in a rock, Mountain chains he can unlock: Thrown to lions for their meat, The crouching lion kissed his feet: Bound to the stake, no flames appalled, But arched o’er him an honoring vault. This is he men miscall Fate, Threading dark ways, arriving late, But ever coming in time to crown / The truth, and hurl wrongdoers down. He is the oldest, and best known, More near than aught thou call’st thy own…” Signed at bottom, ”R. Waldo Emerson” in browning ink. ”R” of his name has a minor ink blot. Matted and framed to an overall size of 22” x 19”, essay on one sheet has some minor toning and scattered pinholes. Overall, very good to near fine. Sold for $715.
Exceedingly Rare First Printing Dust Jacket of “The Great Gatsby” — Scarce Jacket Houses First Printing of the Classic Novel
Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s “The Great Gatsby”, with the nearly impossible to find first printing dust jacket, showing the lowercase “j” in “Jay Gatsby” on the rear flap hand-corrected in ink, indicative of the first printing. New York: Charles Scribner’s Sons, 1925. Designed by artist Francis Cugat, the dust jacket echoes the romantic tone of the novel, with hints of loss and opulence at its core, showing a pair of feminine eyes, with two nude figures in her irises, gazing over a Coney Island carnival. Fitzgerald’s reaction to the jacket was captured in a 1924 letter to editor Maxwell Perkins, “For Christ’s sake, don’t give anyone that dust jacket you’re saving for me. I’ve written it into the book.” It is perhaps one of the few instances where the jacket design actually influenced the novel, and is one of the scarcest first printing jackets in modern literature.
For the book itself, every first printing point is present: 1925 printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; “chatter” appears on page 60; “northern” appears on page 119; “it’s” printed on line 16 of page 165; “sick in tired” found on page 205; “Union Street station” mistyped on line 7-8 of page 211. Bound in teal cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Book runs 218pp., and measures 5.5″ x 7.75″. Minor shelf wear and discoloration to half-title page, overall in very good plus condition for book. Light chipping to spine of jacket, and small losses on spine and upper front portion expertly restored, as well as light edgewear. Also in very good plus condition. Housed in custom blue morocco slipcase. A very seldom-encountered true first printing of an enduring classic. Sold for $84,000.
Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s ”The Great Gatsby,” published by Charles Scribner’s Sons: New York: 1925, with the nearly impossible to find first printing dustjacket. Every point is present: 1925 is printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; ”chatter” appears on page 60; ”northern” appears on page 119; ”it’s” is printed on line 16 of page 165; ”sick in tired” is found on page 205; ”Union Street station” is mistyped on line 7-8 of page 211. Bound in dark green cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Francis Cugat’s scarce original unrestored first printing dustjacket has the lowercase ”j” in ”jay Gatsby” on the back panel hand-corrected in ink. Sold for $50,000.
F. Scott Fitzgerald Lot of Two Extraordinary, Unpublished & Handwritten Poems: “…Tenderest evidence, thumb-print of lust…”
Incredible grouping of F. Scott Fitzgerald original prose, written for Helen Hayes’ daughter Mary MacArthur, who died of polio at the young age of 19. Here, the already famous author pens two lyrical poems, dated 1931 and 1937. At the time he writes the first poem, Fitzgerald was completing “Tender is the Night” while caring for his ailing wife, Zelda, whose mental illness had left her hospitalized in 1930. Fitzgerald handwrites the first, shorter poem in green ink. Inscribed “For Mary MacArthur”, it reads in full: “‘Oh Papa — / My Papa — / Say Papa’ / So! / ‘Is Papa / Your Papa / My Papa?’ / No! / So Spoke You / Why Joke You? Just For To-day / Our Word Is / (Like Birdie’s) / Plenty To Say”. Signed, “F. Scott Fitzgerald / Feb. 13th 1931”. The second, lengthier poem appears on the verso of the same sheet, titled, “Addenda (seven years later)”. Reads in full, “What shall I do with this bundle of stuff / Mass of ingredients, handful of grist / Tenderest evidence, thumb-print of lust / Kindly advise me, O psychologist / She shall have music — we pray for the kiss / of the god’s on her forehead, the necking of fate / How in the hell shall we guide her to this / ‘- Just name her Mary and age her till eight.’ / What of the books? Do we feed her our bread / of the dead, that was left in their tombs long ago / Or should all the fervor and freshness be wed / To next year’s inventions? Can anyone know? / How shall we give her that je ne sais quoi – / Portions of mama that seem to be right / Salted with dashes of questionable pa? / ‘- Age her till eight and then save me a bite.’ / Solve me this dither, O wisest of lamas, / Pediatrician – beneficent buddy / Tell me the name of a madhouse for mammas / Or give me the nursery – let her have the study / How can I pay back this heavenly loan / Answer my question and name your own fee / Plan me a mixture of Eve and St. Joan / ‘- Put her in pigtails and give her to me.’” Signed, “F. Scott Fitzgerald, Nyack 1937”. Sheet measures 7″ x 8″ with poem to front and longer prose poem to verso. From the estate of Helen Hayes. An extraordinary collection, adding to the catalogue raisonne of Fitzgerald’s known works. Sold for $30,875.
Exceptional Ernest Hemingway autograph letter and signed envelope, one day after catching the 500 lb. marlin in Bimini that inspired ”The Old Man and the Sea”, apocryphal until this letter which documents for the first time in Hemingway’s own words not only the size of the marlin, but also its attack by sharks, similar to the plot of Hemingway’s novel. Letter is accompanied by a photo of Hemingway and his friend, Henry Strater, with the half-eaten marlin. Dated 8 May (identified as 1935 by the “Hemingway Letters Project”), Hemingway writes to Erl Roman, the fishing editor of the ”Miami Herald”, describing the catch in detail, the attack by the sharks, and also mentioning that he is sending some photos to Roman. Letter in pencil reads in part,
”Will make this very short on acct. Bill Fagen leaving May 8 / Dear Erl: Yesterday May 7 Henry H. STRATER, widely known painter of OGUNQUIT Maine, Pres. Maine Tuna Club, fishing with me on Pilar landed Blue Marlin which weighed 500 lbs on tested scales after all of meat below anal fin had been torn away by sharks when fish was brought to gaff– Had him ready to take in when sharks hit him– Fish 12 feet 8 1/2 inches– Tail 48 inch spread–girth 62 in. (will send all other exact measurements when have chance to use Steel tape on him). Fish hooked off Bimini, hooked in corner of mouth, never layted, jumped 18 times clear, brought to boat in an hour such a heavy fish jumped hell out of himself. We worked him fast our system. Had him at boat when shark hit him. Strater has football knee, went out of joint, had hell with it, we wouldnt handline fish, he got him up himself, in one hour 40 minutes, we got him over the roller after Some lifting boy, all blood drained, meat gone below anal fin to tail, but fish completely intact, Fred Parke is mounting it–“
Two page autograph letter is accompanied by an envelope signed in pencil, addressed in Hemingway’s hand to ”Erl Roman Esq. / Miami Herald / Miami / Fla.” and signed by Hemingway on the verso, ”E. Hemingway / Yacht Pilar / Bimini / B.W.I.”
Importantly, Hemingway’s account of the marlin catch differs from other anecdotal stories of it, one of which describes Hemingway using a ”machine gun” on the shark, which purportedly attracted more sharks to the feeding frenzy. It’s likely Hemingway left out this detail, as Strater would blame its use on attracting more sharks to the marlin, depriving Strater of a world record marlin catch. “Old Man and the Sea” has been noted by Hemingway scholars as most likely inspired by this particular 7 May 1935 trip, including Michael Culver in his biography “Sparring in the Dark: Hemingway, Strater and The Old Man and the Sea”.
Letter measures 8.5” x 11”, envelope measures approximately 6.25” x 3.625” and photo, which is a modern reproduction, measures 7.75” x 9.75”. Letter is uniformly toned with some chipping along edges, and small piece of tape at very top. Envelope has some foxing and torn edge from opening. Both items are in very good condition. A remarkable letter in Hemingway’s own words of a legendary fishing adventure that inspired one of his most popular, Pulitzer-Prize winning novels. Sold for $28,000.
Ayn Rand First Edition, Signed Copy of “Anthem”
Hardcover with dustjacket. Caldwell, Idaho: The Caxton Printers, LTD.: 1953. Copy given to Nathaniel Branden, her purported protege and lover. Signed and inscribed by Rand in blue ink, “To Barbara and Nathan – – who are now fully my children – to mark your first six-months wedding anniversary – Ayn / July 14, 1953.” Book, which measures 6″x 8.5″, runs 105pp. Thinly-veiled sci-fi-ish allegory supports Rand’s classic Objectivist thesis regarding the subjugation of the ego for the greater whole of society. Dust jacket in near fine condition with minor chips at top. Slight cloth board spotting and very mild toning to interior. A near-perfect signed Ayn Rand first edition copy. Our most expensive Ayn Rand first edition that we have handled. Sold for $22,500.
James Joyce Autograph and an Henri Matisse Autograph in a Scarce Limited Edition of “Ulysses”
Scarce copy of “Ulysses” rare book by James Joyce, illustrated by Henri Matisse. New York: The Limited Editions Club: 1935. Number 297 of a limited edition run of 1500 copies. One of only 250 such copies signed by both Joyce and Matisse. Boldly signed by the author and illustrator on limitation page. Full brown buckram boards with gilt embossing to front cover and backstrip. Large octavo measures 9″ x 11.5″. Volume runs 420pp. with an introduction by Stuart Gilbert and illustrations by Henri Matisse including 20 reproductions of preliminary drawings and six original soft-ground etchings. In 1935 George Macy, founder of the fledgling Limited Editions Club, made the bold decision to commission Matisse to illustrate Joyce’s controversial and previously banned masterpiece, “Ulysses.” Matisse, understanding that Joyce’s work parodied the original eighteen episodes of the “Odyssey,” chose to create his 26 full-page illustrations as actual illustrations of Homer’s original work. Matisse later signed all 1500 of Macy’s limited edition, however, as legend has it, when Joyce realized that Matisse had been working from Homer’s “Odyssey” rather than his novel, he refused to sign any more than the 250 copies he had already signed making this double-signed edition exceedingly rare. Rare book without original slipcase, else fine condition. Sold for $14,460.
First Edition, Third Printing of F. Scott Fitzgerald’s Second Novel, “The Beautiful and Damned” — With a Charming Inscription to Actor Edward Everett Horton
Signed and inscribed first edition, third printing of F. Scott Fitzgerald’s “The Beautiful and Damned.” New York: Charles Scribner’s Sons: 1922. Fitzgerald’s second novel paints a vivid portrait of the Eastern elite during the Jazz Age in America. Copy is inscribed by Fitzgerald on the front free endpaper: “This book oddly enough is responsible from its title for the phrase ‘beautiful and dumb.’ I doubt if it has any other distinction. For Edward Everett Horton from F. Scott Fitzgerald / Encino 1939.” In publisher’s original green cloth boards with some soiling. Includes a later printing dustjacket from the A.L. Burt edition with minor wear. Very good condition. Sold for $10,781.
Charles Dickens 1859 Signed Copy of His Weekly Magazine Featuring “Christmas Tales”
Extra 1859 “Christmas Tales” edition of Dickens’ weekly magazine, “Household Words,” which was published every Wednesday from 1850-59. Signed with Dickens’ full signature & typical paraph on the title page. Dickens also initials “C.D.” in pencil beside his contributions to the magazine, which included “A Christmas Tree” and “What Christmas Is, as We Grow Older.” Includes a 1933 note from owner Walter Browne stating that “this volume of Christmas Tales by Charles Dickens is specially autographed by him for ‘Pa Browne’ who had the leaflet sent up to him, & he kindly signed it – ‘Pa’ Browne died in 1882…” With frontispiece portrait and ownership inscription of “Mr Russell Browne, York, 1859” on verso of the title. Very good condition. Sold for $7,200.
Oscar Wilde Handwritten Signed Poem Excerpt from “The Garden of Eros”
Oscar Wilde handwritten excerpt from his poem “The Garden of Eros”, rare in Wilde’s hand. Beautifully penned stanza reads in full,
“Spirit of Beauty! tarry still awhile
They are not dead, thine ancient votaries,
Some few there are to whom thy radiant smile
Is better than a thousand victories”
Signed “Oscar Wilde / June 26 ’82.” Each slip measures 6.625″ x 4″, originally part of a bifolium document separated along the natural fold line in order to be displayed. Triple-matted along with a photo of Wilde to a size of 24.25″ x 10.5″. Light browning at edges, overall in very good condition. Sold for $4,600.
Scarce Leo Tolstoy Autograph on Signed Vintage Photo Postcard — With PSA/DNA COA
Very rare autograph by the Russian literary genius, Leo Tolstoy. Tolstoy signs his name, “Leo Tolstoi” below his image on a striking postcard capturing the writer as an elderly man. The card verso is postmarked in Russian for 1909, one year before his death. The recipient is a Herrn Richard Stern in Vienna, Austria. Postcard measures 3.5″ x 5.5″ with some silvering to photo and slight wear to the edges. Very good condition. Scarce. With PSA/DNA COA. Sold for $3,500.
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