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Piezas de Historia Natural Antonio Parra 1787. Sold for nearly $40,000.
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81 Beautiful Hand-Colored Aquatints by Karl Bodmer Depicting the American Frontier in the 1830s — Contained in the Illustrated Travelogue “Prince of Wied’s Travels in the Interior of North America”
Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.
Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.
Scarce collection of 63 photographs from Carleton Watkins’ groundbreaking publication, ”Yosemite Valley: Photographic Views of the Falls and Valley of Yosemite in Mariposa County, California”. San Francisco, 1863. One of the most complete collections, lot comprises a total of 63 photographs, with two of the title page and map, and 61 of the Yosemite Valley, each measuring 11.625” x 7.5”. Scarce as such.
Lured out to California for the Gold Rush, Watkins soon turned his pursuits to photography, a calling for which he was naturally gifted. In 1861, he traveled to Yosemite outfitted with both mammoth-plate and stereoscopic cameras to make the first photographic narrative of the majestic valley, with these photographs the result. They were so impactful, after having been shared amongst Congressmen and Abraham Lincoln, that the Yosemite Grant Act was passed in 1864, a precursor to the creation of the U.S. National Park System in 1872.
Interestingly, no complete accounting of Watkins’ Yosemite photos from 1863 is documented, but next to a collection of 65 photographs, this grouping is the most complete at 63 photographs. Only a handful of other collections even claim more than 50 photographs. The views are exquisite, capturing the rock formations, foliage and natural water sources of the Valley as they appeared in 1861, yet unspoiled by overcrowding. Watkins’ ability to capture the depth of the images – with distant mountains hovering over meadows and streams, is particularly beautiful, aided by the use of his two camera systems.
Photographs retain superb contrast and tonality, all disbound in a period brown morocco gilt slipcase, tooled in gilt on the cover, ”Watkins’ Yosemite Gallery.” Overall in very good to near fine condition. Sold for $112,500.
Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.
Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.
Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.
Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”
French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing. Sold for $65,959.
Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.
Guy Carleton Wiggins Painting of New York City in Winter
Guy Carleton Wiggins painting in his quintessential style of New York City in winter. Entitled ”Snow Storm at The Plaza”, oil on canvas board is signed ”Guy Wiggins NA” at lower right. Also signed and titled on the reverse. Measures 16” x 11.75”, in an early frame measuring 16” x 20”. No restoration. An excellent example of Wiggins’ impressionistic work, in very good condition. Sold for $20,000.
Thomas Hart Benton Oil Painting on Paper — “Construction Workers” — Circa 1923
Thomas Hart Benton oil painting entitled “Construction Workers”. 9″ x 6.75″ oil on paper, circa 1923. Benton, a leader of the regionalist movement, was a muralist, social critic and teacher of other artists, including Jackson Pollock. His subject matter honored everyday American life, often ordinary people, such as these workers, in the throes of hard work. Provenance: William Neuse, New York (acquired directly from the artist). Sold for $20,900.
Jasper Johns “Between the Clock and the Bed” Lithograph
Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.
Pablo Picasso Signed “Modele nu et Sculptures” Etching — From the Desirable Vollard Suite of Etchings
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.
One of the most important books on the history of America (cited by Borba de Moraes, Howes, Sabin and Wing), the 1671 first edition of ”America: Being the Latest and Most Accurate Description of the New World”. Privately printed in London by the author, Arnoldus Montanus, and edited by John Ogilby. In ”America” Montanus goes into great detail of the new continents, with dozens of engravings of Native Americans, species of animals and reptiles, and the landscapes and settlements in the new world, accompanied by text. The book covers speculation regarding the earliest voyages to America, along with later recorded voyages and the settlements of New Netherlands/New York, New England, Hudson’s Bay, Labrador, Canada, Nova Scotia, Maryland, Virginia, (including Captain Smith’s capture and rescue by Pocahontas), Carolinas, Florida and California, plus accounts of Mexico and nearby islands, even including Australia and New Zealand. 674pp. book contains 75 original engravings (64 copper plates within the text and 9 plates throughout), lacking the maps and 28 engravings, which is typical as this edition is almost never found with all plates intact. All text is complete except for missing pages 445-446. Large format book measures 10” x 15”. Bound in original full leather boards, with some loss of leather to covers, cracking along spine and front board detached. Interior text is near fine and very readable. An important and fascinating addition to early knowledge of the American continent. Sold for $9,375.
John J. Audubon Grey Fox 28″ x 21.75″ 1843 Lithograph
Original hand-colored lithograph of “Canis (Vulpes) Virginianus, Grey Fox”, plate XXI, from John James Audubon’s “The Viviparous Quadrupeds of North America”. Philadelphia: J.T. Bowen, 1843. Lithograph measures 28″ x 21.75″. Very light soiling and wear to margins and slight fading, overall in very good plus condition. A beautiful example from Audubon’s masterpiece. Sold for $3,000.
Darwin’s “First Words”
London: Baldwin & Cradock, 1827-35 and Henry Bohn 1846. 2,202pp., 7 volumes of 11. Bound in six volumes, (the first and second volumes bound as one). Contains Mandibulata portion of work only, plus one supplementary volume (lacks four volumes of Haustellata). Contains 47 hand-colored engraved plates, bound from arts in quarter morocco, gilt rules, lettering to spines. Plain-paper sides, marbled endpapers. Bindings worn, rubbed, scuffed at head, tail of spines. Two volumes lacking .5″ piece at spine’s head. Volume VI split at head, tail of hinges. Covers detached on Volume I. Endpapers, title pages foxed, small embossed library stamp to top corner of title pages. Toning to pages, occasional light pencil note, tick to margins. Bindings tight. Good. Sold for $2,040.
John Audubon 1846 Cougar 20″ x 26″ Lithograph
Gorgeous lithograph by John Woodhouse Audubon of “The Cougar, Male”, published in “The Viviparous Quadrupeds of North America”. Philadelphia: J.T. Bowen, 1846. Printed and hand-colored by Bowen, lithographed plate is number XCVI. Measures 20″ x 26″. Minute foxing and small spot of discoloration at lower margin. Overall a stunning example in near fine condition. Sold for $1,400.
Consign your Piezas de Historia Natural Antonio Parra 1787 at Nate D. Sanders Auctions. Send a description of your item and images of your item to us at [email protected].
FREE APPRAISAL. To buy, auction, sell or consign your Piezas de Historia Natural Antonio Parra 1787 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Piezas de Historia Natural Antonio Parra 1787