Sell or Auction Your Oscar Wilde Autograph Letter Signed Oscar Only for up to Over $12,500 or More at Nate D. Sanders Auctions
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Free Appraisal, Auction or Sell Your Oscar Wilde Autograph Letter Signed Oscar Only
Below is a recent realized price for an Oscar Wilde autograph letter signed Oscar only. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Oscar Wilde Autograph Letter Signed Oscar Only. Sold for Over $12,500.
Here are some prices we have realized for Oscar Wilde items:
Oscar Wilde Handwritten Signed Poem Excerpt from “The Garden of Eros”
Oscar Wilde handwritten excerpt from his poem “The Garden of Eros”, rare in Wilde’s hand. Beautifully penned stanza reads in full,
“Spirit of Beauty! tarry still awhile
They are not dead, thine ancient votaries,
Some few there are to whom thy radiant smile
Is better than a thousand victories”
Signed “Oscar Wilde / June 26 ’82.” Each slip measures 6.625″ x 4″, originally part of a bifolium document separated along the natural fold line in order to be displayed. Triple-matted along with a photo of Wilde to a size of 24.25″ x 10.5″. Light browning at edges, overall in very good condition. Sold for $4,600.
Oscar Wilde Autograph Letter Signed — “…I have been writing, and I have an idea that some of my letters have gone astray…”
Oscar Wilde autograph letter signed, undated though circa 1890, on letterhead bearing his “16, Tite Street” address. Wilde writes to John Knowles, editor of “The Nineteenth Century: “…I do not know if you have yet sent me a cheque for my last article, as I have been writing, and I have an idea that some of my letters have gone astray. Kindly let me know if it has been sent, and I will make enquiries…Oscar Wilde.” 2pp. on card-style stationery measuring 4.75″ x 6.5″. Heavily toned on first page; in good condition with dark writing. Sold for $3,600.
Rare Oscar Wilde Autograph Letter Signed — “…from his affectionate friend and kingman…”
Oscar Wilde autograph letter signed by renowned playwright and Victorian iconoclast Oscar Wilde. Written to his brother-in-law, perhaps accompanying a gift to him, letter reads in full, “An April day / Otho Lloyd / from his affectionate friend and kingman the writer Oscar Wilde”. Written in bold black ink, taking up an entire page measuring 6.25″ x 8.25″. Even toning, else near fine. An excellent example of Wilde’s holograph, ideal for framing. Sold for $3,336.
Oscar Wilde Signed “The Ballad of Reading Gaol” — Rare
Oscar Wilde autograph on a hardcover “The Ballad of Reading Gaol.” Leonard Smithers: London: 1898. “The Ballad of Reading Gaol” is a poem by Oscar Wilde written while in exile after his release from prison in 1897. Wilde was, of course, incarcerated after being convicted of homosexual offenses in 1895 and sentenced to two years’ hard labor. The finished poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. Nice, dark “Oscar Wilde” signature in fountain pen on title page, with Wilde’s characteristic paraph. Some foxing throughout and cracked joint, else very good condition. Sold for $2,780.
Oscar Wilde Autograph Letter Signed — ”…Be at Vaudeville Theatre…”
Oscar Wilde autograph letter signed, arranging the logistics for a friend to visit the Theatre. Composed upon his personal stationery at 16 Tite Street in Chelsea, dating the letter to the 1880s, Wilde writes in full, ”Dear Arthur, Be at Vaudeville Theatre – 8.30 tomorrow (Saturday) evening – a box, and Miss Temple await you – If you can’t come, telephone. / Ever yrs / Oscar Wilde”. Letter measures 4.5” x 7”. Uniform toning, a few moisture marks, and light creasing, overall very good condition. Sold for $1,650.
The following are some additional literary items we have sold:
Exceedingly Rare First Printing Dust Jacket of “The Great Gatsby” — Scarce Jacket Houses First Printing of the Classic Novel
Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s “The Great Gatsby”, with the nearly impossible to find first printing dust jacket, showing the lowercase “j” in “Jay Gatsby” on the rear flap hand-corrected in ink, indicative of the first printing. New York: Charles Scribner’s Sons, 1925. Designed by artist Francis Cugat, the dust jacket echoes the romantic tone of the novel, with hints of loss and opulence at its core, showing a pair of feminine eyes, with two nude figures in her irises, gazing over a Coney Island carnival. Fitzgerald’s reaction to the jacket was captured in a 1924 letter to editor Maxwell Perkins, “For Christ’s sake, don’t give anyone that dust jacket you’re saving for me. I’ve written it into the book.” It is perhaps one of the few instances where the jacket design actually influenced the novel, and is one of the scarcest first printing jackets in modern literature.
For the book itself, every first printing point is present: 1925 printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; “chatter” appears on page 60; “northern” appears on page 119; “it’s” printed on line 16 of page 165; “sick in tired” found on page 205; “Union Street station” mistyped on line 7-8 of page 211. Bound in teal cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Book runs 218pp., and measures 5.5″ x 7.75″. Minor shelf wear and discoloration to half-title page, overall in very good plus condition for book. Light chipping to spine of jacket, and small losses on spine and upper front portion expertly restored, as well as light edgewear. Also in very good plus condition. Housed in custom blue morocco slipcase. A very seldom-encountered true first printing of an enduring classic. Sold for $84,000.
Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s ”The Great Gatsby,” published by Charles Scribner’s Sons: New York: 1925, with the nearly impossible to find first printing dustjacket. Every point is present: 1925 is printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; ”chatter” appears on page 60; ”northern” appears on page 119; ”it’s” is printed on line 16 of page 165; ”sick in tired” is found on page 205; ”Union Street station” is mistyped on line 7-8 of page 211. Bound in dark green cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Francis Cugat’s scarce original unrestored first printing dustjacket has the lowercase ”j” in ”jay Gatsby” on the back panel hand-corrected in ink. Sold for $50,000.
F. Scott Fitzgerald Lot of Two Extraordinary, Unpublished & Handwritten Poems: “…Tenderest evidence, thumb-print of lust…”
Incredible grouping of F. Scott Fitzgerald original prose, written for Helen Hayes’ daughter Mary MacArthur, who died of polio at the young age of 19. Here, the already famous author pens two lyrical poems, dated 1931 and 1937. At the time he writes the first poem, Fitzgerald was completing “Tender is the Night” while caring for his ailing wife, Zelda, whose mental illness had left her hospitalized in 1930. Fitzgerald handwrites the first, shorter poem in green ink. Inscribed “For Mary MacArthur”, it reads in full: “‘Oh Papa — / My Papa — / Say Papa’ / So! / ‘Is Papa / Your Papa / My Papa?’ / No! / So Spoke You / Why Joke You? Just For To-day / Our Word Is / (Like Birdie’s) / Plenty To Say”. Signed, “F. Scott Fitzgerald / Feb. 13th 1931”. The second, lengthier poem appears on the verso of the same sheet, titled, “Addenda (seven years later)”. Reads in full, “What shall I do with this bundle of stuff / Mass of ingredients, handful of grist / Tenderest evidence, thumb-print of lust / Kindly advise me, O psychologist / She shall have music — we pray for the kiss / of the god’s on her forehead, the necking of fate / How in the hell shall we guide her to this / ‘- Just name her Mary and age her till eight.’ / What of the books? Do we feed her our bread / of the dead, that was left in their tombs long ago / Or should all the fervor and freshness be wed / To next year’s inventions? Can anyone know? / How shall we give her that je ne sais quoi – / Portions of mama that seem to be right / Salted with dashes of questionable pa? / ‘- Age her till eight and then save me a bite.’ / Solve me this dither, O wisest of lamas, / Pediatrician – beneficent buddy / Tell me the name of a madhouse for mammas / Or give me the nursery – let her have the study / How can I pay back this heavenly loan / Answer my question and name your own fee / Plan me a mixture of Eve and St. Joan / ‘- Put her in pigtails and give her to me.’” Signed, “F. Scott Fitzgerald, Nyack 1937”. Sheet measures 7″ x 8″ with poem to front and longer prose poem to verso. From the estate of Helen Hayes. An extraordinary collection, adding to the catalogue raisonne of Fitzgerald’s known works. Sold for $30,875.
Exceptional Ernest Hemingway autograph letter and signed envelope, one day after catching the 500 lb. marlin in Bimini that inspired ”The Old Man and the Sea”, apocryphal until this letter which documents for the first time in Hemingway’s own words not only the size of the marlin, but also its attack by sharks, similar to the plot of Hemingway’s novel. Letter is accompanied by a photo of Hemingway and his friend, Henry Strater, with the half-eaten marlin. Dated 8 May (identified as 1935 by the “Hemingway Letters Project”), Hemingway writes to Erl Roman, the fishing editor of the ”Miami Herald”, describing the catch in detail, the attack by the sharks, and also mentioning that he is sending some photos to Roman. Letter in pencil reads in part,
”Will make this very short on acct. Bill Fagen leaving May 8 / Dear Erl: Yesterday May 7 Henry H. STRATER, widely known painter of OGUNQUIT Maine, Pres. Maine Tuna Club, fishing with me on Pilar landed Blue Marlin which weighed 500 lbs on tested scales after all of meat below anal fin had been torn away by sharks when fish was brought to gaff– Had him ready to take in when sharks hit him– Fish 12 feet 8 1/2 inches– Tail 48 inch spread–girth 62 in. (will send all other exact measurements when have chance to use Steel tape on him). Fish hooked off Bimini, hooked in corner of mouth, never layted, jumped 18 times clear, brought to boat in an hour such a heavy fish jumped hell out of himself. We worked him fast our system. Had him at boat when shark hit him. Strater has football knee, went out of joint, had hell with it, we wouldnt handline fish, he got him up himself, in one hour 40 minutes, we got him over the roller after Some lifting boy, all blood drained, meat gone below anal fin to tail, but fish completely intact, Fred Parke is mounting it–“
Two page autograph letter is accompanied by an envelope signed in pencil, addressed in Hemingway’s hand to ”Erl Roman Esq. / Miami Herald / Miami / Fla.” and signed by Hemingway on the verso, ”E. Hemingway / Yacht Pilar / Bimini / B.W.I.”
Importantly, Hemingway’s account of the marlin catch differs from other anecdotal stories of it, one of which describes Hemingway using a ”machine gun” on the shark, which purportedly attracted more sharks to the feeding frenzy. It’s likely Hemingway left out this detail, as Strater would blame its use on attracting more sharks to the marlin, depriving Strater of a world record marlin catch. “Old Man and the Sea” has been noted by Hemingway scholars as most likely inspired by this particular 7 May 1935 trip, including Michael Culver in his biography “Sparring in the Dark: Hemingway, Strater and The Old Man and the Sea”.
Letter measures 8.5” x 11”, envelope measures approximately 6.25” x 3.625” and photo, which is a modern reproduction, measures 7.75” x 9.75”. Letter is uniformly toned with some chipping along edges, and small piece of tape at very top. Envelope has some foxing and torn edge from opening. Both items are in very good condition. A remarkable letter in Hemingway’s own words of a legendary fishing adventure that inspired one of his most popular, Pulitzer-Prize winning novels. Sold for $28,000.
Ayn Rand First Edition, Signed Copy of “Anthem”
Hardcover with dustjacket. Caldwell, Idaho: The Caxton Printers, LTD.: 1953. Copy given to Nathaniel Branden, her purported protege and lover. Signed and inscribed by Rand in blue ink, “To Barbara and Nathan – – who are now fully my children – to mark your first six-months wedding anniversary – Ayn / July 14, 1953.” Book, which measures 6″x 8.5″, runs 105pp. Thinly-veiled sci-fi-ish allegory supports Rand’s classic Objectivist thesis regarding the subjugation of the ego for the greater whole of society. Dust jacket in near fine condition with minor chips at top. Slight cloth board spotting and very mild toning to interior. A near-perfect signed Ayn Rand first edition copy. Our most expensive Ayn Rand first edition that we have handled. Sold for $22,500.
James Joyce Autograph and an Henri Matisse Autograph in a Scarce Limited Edition of “Ulysses”
Scarce copy of “Ulysses” rare book by James Joyce, illustrated by Henri Matisse. New York: The Limited Editions Club: 1935. Number 297 of a limited edition run of 1500 copies. One of only 250 such copies signed by both Joyce and Matisse. Boldly signed by the author and illustrator on limitation page. Full brown buckram boards with gilt embossing to front cover and backstrip. Large octavo measures 9″ x 11.5″. Volume runs 420pp. with an introduction by Stuart Gilbert and illustrations by Henri Matisse including 20 reproductions of preliminary drawings and six original soft-ground etchings. In 1935 George Macy, founder of the fledgling Limited Editions Club, made the bold decision to commission Matisse to illustrate Joyce’s controversial and previously banned masterpiece, “Ulysses.” Matisse, understanding that Joyce’s work parodied the original eighteen episodes of the “Odyssey,” chose to create his 26 full-page illustrations as actual illustrations of Homer’s original work. Matisse later signed all 1500 of Macy’s limited edition, however, as legend has it, when Joyce realized that Matisse had been working from Homer’s “Odyssey” rather than his novel, he refused to sign any more than the 250 copies he had already signed making this double-signed edition exceedingly rare. Rare book without original slipcase, else fine condition. Sold for $14,460.
FREE ESTIMATE. To buy, auction, sell or consign your Oscar Wilde autograph letter signed Oscar only that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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