Sell or Auction Your Night Skies 1982 Pre ET Extra Terrestrial Script for up to $5,000 or More at Nate D. Sanders Auctions

FREE APPRAISAL. To buy, auction, sell or consign your Night Skies 1982 pre ET Extra Terrestrial script that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).

Sell Your Night Skies 1982 Pre ET Extra Terrestrial Script 

E.T. the Extra-Terrestrial is a 1982 American science fiction film produced and directed by Steven Spielberg, and written by Melissa Mathison. It tells the story of Elliott, a boy who befriends an extraterrestrial, dubbed E.T., who is stranded on Earth. The film stars Dee Wallace, Peter Coyote, and Henry Thomas.

The concept was based on an imaginary friend Spielberg created after his parents’ divorce. In 1980, Spielberg met Mathison and developed a new story from the failed project Night Skies. Night Skies is an unproduced science fiction horror film that was in development in the late 1970s. Steven Spielberg conceived the idea after Close Encounters of the Third Kind. Instead, material developed at the time was used in Poltergeist and E.T. the Extra-Terrestrial.

Night Skies 1982 Pre ET Extra Terrestrial Script. Sold for $5,000.

Consign your Night Skies 1982 pre ET Extra Terrestrial script  at Nate D. Sanders Auctions. Send a description and images to us at [email protected].

Here are some items we have sold in the past at Nate D. Sanders Auctions:

H.R. Giger Hand-Painted Model of Space Jockey & the Derelict Spaceship From ”Alien” — Measures Over 3 Feet by 3 Feet, Personally Owned by 20th Century Fox Executive Peter Beale

Scarce model from the 1979 film ”Alien” of the famed ”Space Jockey” character aboard the ”Derelict Spaceship”, designed and hand-painted by H.R. Giger. One of the most recognizable scenes in sci-fi cinema, the haunting Space Jockey aka The Pilot, found dead aboard the alien spaceship, was conceived and designed by famed Swiss surrealist painter, sculptor and visual effects artist H.R. Giger, whose work on ”Alien” won an Academy Award in 1980.

The enormous Space Jockey and cavernous spaceship are quintessential Giger, renowned for human-machine melded beings called biomechanoids; the walls of the spaceship appear to be either vertebrae from a once living creature, or cogs in a vast industrial machine system, or perhaps both. Space Jockey is fused into his command station and wears either a mask, or has a elephantine trunk extending from his face. In the ”Alien” set — which was built based on this model — Space Jockey sits 26 feet tall, dwarfing the characters of Kane, Dallas and Lambert who find him dead, his rib cage blasted open, serving as foreshadowing to what awaits the crew later in the film.

So pivotal was the scene — establishing the world of the Alien creature and serving as ground zero for the film’s mythology — that Ridley Scott insisted upon its construction, despite the enormous cost of building the life-size (or larger than life) set. Space Jockey so enthralled the audience of ”Alien”, that the character would even go on to serve as a critical and central story point in Scott’s ”Promethus”, the ”Alien” origin story released in 2012.

The model is reportedly one of only three or four known to exist and comes from the collection of Peter Beale, former 20th Century Fox executive who was given the model by Giger and whose LOA accompanies the piece. The original mold was intentionally cut into smaller parts to be used by the technicians who constructed the set, so the remaining models are the only extant original sculptures of the scene. This model measures 43” wide x 36” long x 16.25” high, hand painted in tones of grey, brown and black by Giger. Space Jockey is fused into his pilot seat, which swivels around on a circular platform. The swiveling piece can be removed and measures 13.5” long x 10.25” high x 4.5” wide. Entire model weighs over 47 lbs., glued to a painted sheet of plywood. A few chips to the resin, otherwise in near fine condition. One of the finest ”Alien” props ever to be sold at auction. Sold for $31,250.

Consign your item at Nate D. Sanders Auctions. Send a description and images of your item to us at [email protected].

Marilyn Monroe’s ”Something’s Got to Give” Personal Copy of the Final Script — The Final Film She Starred in Before Her Tragic Death in 1962

Marilyn Monroe’s personal copy of the unfinished 1962 film ”Something’s Got to Give,” abandoned after the star’s untimely death in 1962. In fact, most of the film’s completed footage remained unseen for many years. Monroe notoriously had missed a slew of shooting days due to a ”sinus infection” that disappeared at night, when she was photographed about town. This infuriated director George Cukor, and Twentieth Century-Fox went so far as to fire her on 11 June 1962 for missing 17 of the 30 shooting days. But, when co-star Dean Martin countered with, ”No Marilyn, no picture”, the studio relented and took her back, though she sadly died less than two months later. Script runs 161pp. long with 51 revised pages. Spine of script has the film’s title printed in black lettering with the date ”March 29, 1962.” Cover has ”Final / Confidential / For Planning Purposes Only” printed on it, as well as, ”Something’s Got to Give / March 29, 1962” and ”Property of / Twentieth Century-Fox Film Corporation” imprinted with the studio logo. Script measures 8.5” x 11” with some minor creasing, else very good. Housed in a custom-made red cloth box with a matching red leather slipcase. With Christie’s provenance. Sold for $25,428.

Marilyn Monroe Heavily Hand-Annotated Script for Her Last Role, ”Something’s Got to Give” — Marilyn Makes Copious Notes to Herself About Her Character, ”easy/very intimate/very real”

A fascinating peek inside Hollywood legend Marilyn Monroe’s creative process. Heavily annotated in her own hand, this 149-page screenplay from Monroe’s last and unfinished film, 1962’s ”Something’s Got To Give”, reveals Monroe as an actor who took deep care in finding the meaning behind each line of dialogue and her character’s motivations throughout the script. Monroe’s handwritten pencil notes begin with her character’s (Ellen Wagstaff Arden) introduction in the script on page 12 and carry through to the end on page 149, even including notes on the verso of the last page and back cover, such as a note reading, ”Joke writers Mel Brooks / Herb Gardner / Need spice / raisins / Need some funny lines”. There are notes in Monroe’s hand on approximately 42 pages in the script, ranging from simple dialogue corrections and changes to in-depth sense memory notes when doing a scene that required a deeper emotional connection and understanding. Regarding her character’s introduction, as she interacts with naval personnel who saved her after being marooned on an island for five years, Monroe writes, ”1 – Gayity [sic] 2 – Excitement 3 – Then Dazed”. In one scene, Monroe references Arthur Miller’s children to better help her relate to her character’s children, ”Bobby M. / and early Janie / except their [sic] mine.” Throughout the script, Monroe writes succinct dialogue and character notes: ”Stunned / Dazed – sky high with adventure”, ”dead pan/I really don’t know”, ”anticipating the joys”, ”Trying to think or remember”, ”start to wonder what’s from now on”, ”I don’t know he knows”, ”easy/very intimate/very real”, ”[L]et me get into something more comfortable / leading him on -”. Included is a small card with call times and scenes to be shot, and a small scrap of paper with a note in Monroe’s hand wondering why they are shooting out of sequence, as well as notes about using Miss vs. Mrs. Script measures 9.5” x 11.5”. Worn from use by Monroe, but with pages present and intact. Overall very good condition.  Sold for $25,000.

Original ”War of The Worlds” Radio Broadcast Script Draft, as Read by Orson Welles in 1938 — This Broadcast Famously Caused Mass Panic of an Alien Landing

Original typewritten draft of ”The War of the Worlds”, as famously read by Orson Welles on his radio series, Mercury Theater. Airing on CBS on 30 October 1938, the episode (titled ”An Attack by the Men of Mars” on the script) is known for its realistic depiction which many duped listeners took as fact after tuning in past the introduction. Welles was then forced to give a press conference in which he apologized for the panic he caused, stating it was not intentional, even though the story was read as a news bulletin. 17pp. script is typewritten on cream paper with numerous misspellings, corrections and incomplete sentences with one staple at top left and extra page inserted as 12-A. Comes with provenance from previous owner who purchased script from the estate of the radio pioneer James Jewell. Measures 8.5” x 11”. Last page is detached, minor holing at top left of first page, otherwise near fine condition. Sold for $14,000.

Consign your Night Skies 1982 pre ET Extra Terrestrial script  at Nate D. Sanders Auctions. Send a description and images to us at [email protected]. 

Moe Howard’s 30pp. Script Dated August 1940

Moe Howard’s 30pp. Script Dated August 1940 for The 1941 Three Stooges Film ”An Ache in Every Stake” — Annotations in Moe’s Hand on Cover & Title Page — Very Good Condition . Sold for $13,589.

Consign your Night Skies 1982 pre ET Extra Terrestrial script  at Nate D. Sanders Auctions. Send a description and images to us at [email protected]. 

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