Sell or Auction Your National Conference Artists Portfolio Negro Artists of 500 for up to Nearly $10,000 or More at Nate D. Sanders Auctions
FREE VALUATION. To buy, auction, sell or consign your National Conference Artists Portfolio Negro Artists of 500 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Sell Your National Conference Artists Portfolio Negro Artists of 500
Below is a recent realized price for a National Conference Artists Portfolio Negro Artists of 500 item. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
National Conference Artists Portfolio Negro Artists of 500. Sold for nearly $10,000.
Nate D. Sanders Auctions has sold the following similar items:
Karl Bodmer Prince of Wied’s Travels in the Interior
Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.
Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.
Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.
Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.
Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.
Pablo Picasso “Le Dejeuner Sur L’herbe” (“Lunch on the Grass”), No. 517 — Stunning Plaque Created at Madoura Pottery Studios Measures 24″ x 20″ in Classic Picasso Style — Picasso’s Artist Proof
Unmistakably Pablo Picasso terre de faience (earthenware) plaque ”Le Dejeuner Sur L’herbe” (”Lunch on the Grass”) created at the famed Madoura pottery studio in the south of France, where Picasso collaborated the last 25 years of his life. Painted 24” x 20” plaque is Picasso’s own artist proof, apart from the very limited edition of 50 made by Picasso in his quintessential style in 1964. Inscribed ”Edition Editeur”, with both the Empreinte Originale de Picasso and Madoura stamps. Measures 24” x 20”. In very good plus condition with a few minute chips along verso of right edge. Number 517 in Alan Ramie’s ”Picasso, Catalogue of the Edited Ceramic Works, 1947-1971”. Sold for $55,125.
Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.
Andy Warhol 1965 Red ”Liz” Lithograph — Limited to Approximately 300
Andy Warhol lithograph of Hollywood superstar, Elizabeth Taylor. Made with acrylic and silkscreen ink on canvas and limited to approximately 300. Warhol signs and dates the piece at lower right in black pen, ”Andy Warhol 65”. Simply titled ”Liz”, this red version is part of a series with different background colors. Warhol began his Taylor paintings in 1963 and used a publicity photo for the film ”Butterfield 8” as his source. Measures 22” x 22”. Matted and framed, measures 29” x 29”. Not examined out of the frame, but viewable portion is near fine. Sold for $42,250.
Consign your Jacob Lawrence Builders Family screenprint signed to 300 at Nate D. Sanders Auctions. Send a description and Jacob Lawrence Builders Family screenprint signed to 300 to us at [email protected].
Jasper Johns “Between the Clock and the Bed” Lithograph
Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.
Pablo Picasso Signed “Modele nu et Sculptures” Etching — From the Desirable Vollard Suite of Etchings
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.
Oscar E. Berninghaus Oil on Board Landscape
Framed Oscar Berninghaus oil on board landscape, circa late 1800’s. Painted by the Taos Society of Artists founder, Berninghaus captures a lush morning landscape of Western Rocky Mountains and towering birch trees in his semi-Impressionistic style. The St. Louis, MO native excelled at drawing animals and figures in Southwestern landscapes. Painting, measuring 9″ x 12″, in excellent condition. Sold for $9,350.
Dominic Serres’ “Frigate Ablaze”
“A Frigate Ablaze Offshore” by Dominic Serres. Intricate image captures a battle scene during the American Revolution. In the foreground, British soldiers watch from rescue boats as their ship is destroyed. The main ship appears at center, highlighted by brilliant flames of orange and yellow; a British flag is prominently displayed on the bow. Though French by birth, Dominic Serres spent most of his life in Britain and was influenced by the styles of 17th century Dutch maritime artists. His paintings frequently feature naval battle scenes set during the American Revolution and the Seven Years’ War. Oil on metal image measures 16.75″ x 12.5″; 22.5″ x 18.5″ framed. Slight metal pitting, not affecting image. Excellent condition. Sold for $3,573.
Stanislas Lepine French Oil Painting
Landscape painting by French painter Stanislas Lepine. Oil on wood panel. Signed to lower left. Born in Caen, Normandy in 1835, Lepine began studying art as a young man under Jean-Baptiste-Camille Corot, a master expressionist painter whose work significantly influenced the likes of Monet, Degas and Picasso. The critic Georges Lecomte called Lepine the direct artistic descendant of the great Corot. The influence of Johann Barthold Jongkind is also evident in Lepine’s paintings, particularly in his use of light. In this brooding atmospheric piece, Lepine depicts a view of Notre Dam from the foggy banks of the Seine River. The Seine drew his attention throughout his career, and is a common subject of his paintings. Though he was highly regarded by his peers, Lepine gained little recognition during his lifetime. In 1874, he was invited to exhibit at the first Impressionist Exhibition, and in 1889 he took the top prize at the Exposition Universelle. He died three years later, poor and still relatively unknown, at the age of 57. Only after his death did his paintings begin to win wider acclaim, and in 1892 a retrospective of his work was held at Durand-Ruel. Image measures 9.5″ x 6″; framed, 13″ x 9″. Frame, which shows chipping and other edgewear, appears to be original to the piece; a small wood name plate to the lower center of the frame reads “S. Lepine.” Panel is slightly warped from age but paint shows no cracking. Mild surface grime, otherwise near fine condition. Sold for $2,455.
FREE VALUATION. To buy, auction, sell or consign your National Conference Artists Portfolio Negro Artists of 500 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).