Sell or Auction Your Magna Carta London John Pine 1733 1st Impression Vellum for up to Nearly $50,000 or More at Nate D. Sanders Auctions
FREE ESTIMATE. To buy, auction, sell or consign your Magna Carta London John Pine 1733 1st impression vellum that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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Below is a recent realized price for a 1st impression engraving of the Magna Carta by designer and engraver John Pine in 1733. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Magna Carta London John Pine 1733 1st Impression Vellum. Sold for Over $50,000.
The following are some related items we have sold:
81 Beautiful Hand-Colored Aquatints by Karl Bodmer Depicting the American Frontier in the 1830s — Contained in the Illustrated Travelogue “Prince of Wied’s Travels in the Interior of North America”
Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.
Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.
1843 Force Declaration of Independence From Original Copper Plate — Beautiful Copy
1843 Force Declaration of Independence from the original copper plate by William Stone, one of the earliest copies of the Declaration of Independence. In 1823, Congress authorized the production of facsimile copies of the Declaration of Independence for two reasons: the original was deteriorating rapidly and many of the aging original Signers sought copies. John Quincy Adams, then Secretary of State, oversaw the project and commissioned noted engraver William J. Stone to reproduce the document. Stone used a new Wet-Ink transfer process to create a copper plate from which facsimile copies were made. By wetting the original document, some of the original ink was transferred to the copperplate, which was then used for printing. Stone printed 201 copies on vellum, keeping one copy for himself (now residing in the Smithsonian) and distributing other copies to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. In 1843, Peter Force used the original Stone copperplate to print additional copies of the Declaration of Independence on rice paper for inclusion in his book, ”American Archives”. Congress authorized up to 1,500 copies of the book to be printed, and while the actual number of copies printed is unknown, it’s generally estimated at 500. The Stone and Force copies represent an irony: certainly, they allowed additional people and institutions to obtain an identical facsimile of this most beloved of all historic American documents, but Stone’s Wet-Ink transfer process contributed to the deterioration of the original signed copy of the Declaration. The parchment did not respond well to water, with the unfortunate result being that the original Declaration of Independence, on display in our nation’s capitol, is in a rather sad state of preservation. This Force Declaration measures approximately 24.75” x 29.5” on rice paper. Folded for its original purpose of inclusion in Force’s book. A very good to near fine copy except for archival tape repairs on verso, and some creasing to front. The paper quality is very good, without as much brittleness as we usually see. A visually stunning example of one of America’s most beloved documents. Sold for $21,963.
Rare 1843 Declaration of Independence Print — Peter Force Printing From the Original William Stone Copper Plate — In the Original Book — With Complete Set of Volumes
Extremely rare fold-out Force print of William J. Stone’s official engraving of the Declaration of Independence from “American Archives,” Volume I of the Fifth Series. With complete set of nine volumes edited by Peter Force. Washington, D.C.: M. St. Clair Clarke and Peter Force: 1843. Folio Volume I with marbled boards and endpapers runs 951pp. Most extant copies of this volume are missing the highly sought after fold-out rice paper Declaration of Independence. When Congress commissioned Peter Force to compile the nine-volume, 15,500pp. “American Archives” series documenting the nation’s history in 1843, it was determined that a copy of the Declaration would be included in the volume covering 1776. Twenty-three years earlier, as the original document was rapidly deteriorating, Secretary of State John Quincy Adams had authorized engraver William J. Stone to create a copperplate of the Declaration via painstaking wet-ink transfer. It took Stone three years to create a plate with absolute fidelity to the original, although the process caused additional deterioration to the original document, now exhibited in the Capitol Rotunda in Washington, D.C. Stone printed 201 copies on vellum. He kept one copy for himself, now residing in the Smithsonian, and the other copies were distributed to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. The remaining dozen vellum examples are rarely offered for sale. The “American Archives” copies were made from Stone’s plate, now housed in the National Archives. Congress authorized up to 1,500 copies of the book to be printed, but subscriptions fell far short of that number. The actual number of copies of the book printed is unknown, with estimates ranging at around 500 copies. Fewer than half are believed to have survived, in varying states of preservation, most missing the Declaration. This is an extremely rare opportunity to find the book with the Declaration still intact and in such pristine condition. The fold-out document measures 26″ x 29″ and is stamped at lower left, “W.J. Stone S.C. Washn.” Document shows minor ink transfer from being folded and has a horizontal split approximately 3″ towards the middle of the right edge from folding, as well as two other small tears and along folds affecting words in the center of the document. Very good condition. All other American Archives volumes present as a set. Boards on several books show separation and wear. Books are in good condition. Sold for $20,000.
1843 Force Declaration of Independence From Original Copper Plate — Beautiful Copy
1843 Force Declaration of Independence from the original copper plate by William Stone, one of the earliest copies of the Declaration of Independence. In 1823, Congress authorized the production of facsimile copies of the Declaration of Independence for two reasons: the original was deteriorating rapidly and many of the aging original Signers sought copies. John Quincy Adams, then Secretary of State, oversaw the project and commissioned noted engraver William J. Stone to reproduce the document. Stone used a new Wet-Ink transfer process to create a copper plate from which facsimile copies were made. By wetting the original document, some of the original ink was transferred to the copperplate, which was then used for printing. Stone printed 201 copies on vellum, keeping one copy for himself (now residing in the Smithsonian) and distributing other copies to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. In 1843, Peter Force used the original Stone copperplate to print additional copies of the Declaration of Independence on rice paper for inclusion in his book, ”American Archives”. Congress authorized up to 1,500 copies of the book to be printed, and while the actual number of copies printed is unknown, it’s generally estimated at 500. The Stone and Force copies represent an irony: certainly, they allowed additional people and institutions to obtain an identical facsimile of this most beloved of all historic American documents, but Stone’s Wet-Ink transfer process contributed to the deterioration of the original signed copy of the Declaration. The parchment did not respond well to water, with the unfortunate result being that the original Declaration of Independence, on display in our nation’s capitol, is in a rather sad state of preservation. This Force Declaration measures approximately 25.5” x 29” on rice paper. Folded for its original purpose of inclusion in Force’s book. A near fine copy except for some archival tape repairs on verso, so subtle as not to be noticed even upon close examination. A visually stunning example of one of America’s most beloved documents. Sold for $18,750.
1843 Force Declaration of Independence From Original Copper Plate
1843 Force Declaration of Independence from the original copper plate by William Stone, one of the earliest copies of the Declaration of Independence. In 1823, Congress authorized the production of facsimile copies of the Declaration of Independence for two reasons: the original was deteriorating rapidly and many of the aging original Signers sought copies. John Quincy Adams, then Secretary of State, oversaw the project and commissioned noted engraver William J. Stone to reproduce the document. Stone used a new Wet-Ink transfer process to create a copper plate from which facsimile copies were made. By wetting the original document, some of the original ink was transferred to the copperplate, which was then used for printing. Stone printed 201 copies on vellum, keeping one copy for himself (now residing in the Smithsonian) and distributing other copies to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. In 1843, Peter Force used the original Stone copperplate to print additional copies of the Declaration of Independence on rice paper for inclusion in his book, ”American Archives”. Congress authorized up to 1,500 copies of the book to be printed, and while the actual number of copies printed is unknown, it’s generally estimated at 500; it is the oldest Declaration apart from the original and the Stone copies. Declaration measures approximately 25.25” x 29.5”. Folded for its original purpose of inclusion in Force’s book. A very good to near fine copy with foxing at bottom affecting some signatures and discreet archival repairs on verso. A bright copy with virtually no toning. Sold for $18,750.
1843 Force Declaration of Independence From Original Copper Plate — Near Fine Condition
1843 Force Declaration of Independence from the original copper plate by William Stone, one of the earliest copies of the Declaration of Independence. In 1823, Congress authorized the production of facsimile copies of the Declaration of Independence for two reasons: the original was deteriorating rapidly and many of the aging original Signers sought copies. John Quincy Adams, then Secretary of State, oversaw the project and commissioned noted engraver William J. Stone to reproduce the document. Stone used a new Wet-Ink transfer process to create a copper plate from which facsimile copies were made. By wetting the original document, some of the original ink was transferred to the copperplate, which was then used for printing. Stone printed 201 copies on vellum, keeping one copy for himself (now residing in the Smithsonian) and distributing other copies to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. Sold for $18,750.
Rare and Beautiful 1843 Force Declaration of Independence From Original Copper Plate
1843 Force Declaration of Independence from the original copper plate by William Stone, one of the earliest copies of the Declaration of Independence. In 1823, Congress authorized the production of facsimile copies of the Declaration of Independence for two reasons: the original was deteriorating rapidly and many of the aging original Signers sought copies. John Quincy Adams, then Secretary of State, oversaw the project and commissioned noted engraver William J. Stone to reproduce the document. Stone used a new Wet-Ink transfer process to create a copper plate from which facsimile copies were made. By wetting the original document, some of the original ink was transferred to the copperplate, which was then used for printing. Stone printed 201 copies on vellum, keeping one copy for himself (now residing in the Smithsonian) and distributing other copies to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. In 1843, Peter Force used the original Stone copperplate to print additional copies of the Declaration of Independence on rice paper for inclusion in his book, ”American Archives”. Congress authorized up to 1,500 copies of the book to be printed, and while the actual number of copies printed is unknown, it’s generally estimated at 500. The Stone and Force copies represent an irony: certainly, they allowed additional people and institutions to obtain an identical facsimile of this most beloved of all historic American documents, but Stone’s Wet-Ink transfer process contributed to the deterioration of the original signed copy of the Declaration. The parchment did not respond well to water, with the unfortunate result being that the original Declaration of Independence, on display in our nation’s capitol, is in a rather sad state of preservation. This Force Declaration measures approximately 25.5” x 29” on rice paper. Folded for its original purpose of inclusion in Force’s book. Separation starting along folds, especially along lowermost horizontal fold, otherwise in near fine condition. The points of separation can be repaired with archival tape to be almost indiscernible when framed. A visually stunning example of one of America’s most beloved documents. Sold for $15,625.
1843 Force Declaration of Independence From Original Copper Plate — Beautiful Copy
1843 Force Declaration of Independence from the original copper plate by William Stone, one of the earliest copies of the Declaration of Independence. In 1823, Congress authorized the production of facsimile copies of the Declaration of Independence for two reasons: the original was deteriorating rapidly and many of the aging original Signers sought copies. John Quincy Adams, then Secretary of State, oversaw the project and commissioned noted engraver William J. Stone to reproduce the document. Stone used a new Wet-Ink transfer process to create a copper plate from which facsimile copies were made. By wetting the original document, some of the original ink was transferred to the copperplate, which was then used for printing. Stone printed 201 copies on vellum, keeping one copy for himself (now residing in the Smithsonian) and distributing other copies to Thomas Jefferson, President James Monroe, members of Congress, surviving original Signers, various colleges and universities, and others. Of the original 201 copies, only 31 examples are currently known to exist, 19 of which are permanently housed in museums. In 1843, Peter Force used the original Stone copperplate to print additional copies of the Declaration of Independence on rice paper for inclusion in his book, ”American Archives”. Congress authorized up to 1,500 copies of the book to be printed, and while the actual number of copies printed is unknown, it’s generally estimated at 500. The Stone and Force copies represent an irony: certainly, they allowed additional people and institutions to obtain an identical facsimile of this most beloved of all historic American documents, but Stone’s Wet-Ink transfer process contributed to the deterioration of the original signed copy of the Declaration. The parchment did not respond well to water, with the unfortunate result being that the original Declaration of Independence, on display in our nation’s capitol, is in a rather sad state of preservation. This Force Declaration measures approximately 24.75” x 29.5” on rice paper. Folded for its original purpose of inclusion in Force’s book. A near fine copy except for some archival tape repairs on verso, so subtle as not to be noticed even upon close examination. A visually stunning example of one of America’s most beloved documents. Sold for $15,000.
Pablo Picasso Signed “Modele nu et Sculptures” Etching — From the Desirable Vollard Suite of Etchings
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.
FREE ESTIMATE. To buy, auction, sell or consign your Magna Carta London John Pine 1733 1st impression vellum that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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