Sell or Auction Your Francois Avril Art for up to Nearly $10,000 or More at Nate D. Sanders Auctions
FREE ESTIMATE. To buy, auction, sell or consign your Francois Avril art that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Sell Your Francois Avril Art
A graduate of the National School of Applied Arts and Crafts (Olivier de Serres), from which he graduated in 1984, François Avril began his career as an illustrator for the magazine press, advertising and publishing. Aged 23, he published his first stories in Je bouquine and collaborated in parallel with the magazine press and publishing. His drawings regularly illustrate the columns of Liberation , Read , The New Yorker etc . Not very prolific comic book author, François Avril nevertheless claims it in his pictorial work. The style of François Avril is inherited from the clear line . His subjects are mainly urban (Paris, Tokyo, Brussels and New York). But since 2006, on the occasion of the Dinard exhibition, François Avril has been inspired by landscapes, and in particular those of the Breton coast. Nature has been more important in his work since then, so that in 2019 he is offering an exhibition on the theme of landscapes and walks, at the Château Beychevelle .
Below is a recent realized price for a piece of Francois Avril art. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Francois Avril Art. Sold for nearly $10,000.
Nate D. Sanders Auctions has sold the following similar items:
Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.
Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.
Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.
Charles Schulz original hand-drawn ”Peanuts” comic strip, published 24 January 1953. Having debuted as a character in September 1952, this is one of Linus Van Pelt’s earliest appearances, even shown without his signature blanket, which wouldn’t debut until 1954. Although Linus was also non-verbal until 1954, he does make a ”MEOW!” sound here to get Snoopy to move out of his way so he can watch TV. Strip measures 28.75” x 6.5”. Some light foxing and discoloration, and very faint tracing in pencil over parts of Snoopy. Overall very good condition. Sold for $79,585.
One of the greatest pieces of artwork by Hal Foster in his career, the original artwork for the 120th ”Prince Valiant” Sunday comic strip from 28 May 1939. In this instantly recognizable piece — featured on the cover of Fantagraphics’ ”Prince Valiant Vol. 2: 1939-1940” and in numerous ”Prince Valiant” publications — Val sees the foreboding castle of Andelkrag in person, surrounded by Huns as they prepare to attack it. The six panel strip measures 26” x 34.5”, (the large Andelkrag panel measures 17” x 21” by itself), with incredible detail showing the seemingly impregnable fortress, the mountains behind it, the flames roiling up aside it and Prince Valiant standing upon a hillside, gazing at its beauty and enormity. In this strip, Val makes his approach and plunges into the river moat at darkness, to find a fire-raft built by the Huns in order to destroy Andelkrag’s bridge. As Prince Valiant destroys their handiwork, the Huns vow revenge in return. Artwork is signed by Foster on the second panel, inscribed to ”Edward W. Larson / with friendly greetings / Hal Foster”. With King Features Syndicate, Inc. label on fifth panel, with 1939 copyright. The date of 28 May 1939 appears on the fourth panel, along with ”120”, the number of this Prince Valiant strip in the life of the series. Artwork is mounted to board and matted to a size of 33” x 41.5”, with matting strips separating the panels. With minute amount of soiling, artwork is in near fine condition. Accompanied by the color newsprint of this artwork and two ”Prince Valiant” books featuring this strip. Sold for $70,461.
Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”
French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing. Sold for $65,959.
Charles Schulz original hand-drawn ”Peanuts” comic strip from 25 October 1952, just two years into the series’ run. Strip features Charlie Brown and also Patty, the only female character in the strip’s early days. Here the two play bridge, with Charlie Brown having to take notes to keep up. Strip measures 29” x 6.75”. Light soiling and moisture spots, overall very good condition. Sold for $65,773.
Very Early 1951 ”Peanuts” Comic Strip by Charles Schulz — Featuring Charlie Brown & Patty
Original ”Peanuts” comic strip from 1951 by Charles Schulz, a very early strip published 12 October 1951, featuring Charlie Brown and Patty. In this clever play on words, Charlie Brown buys a photo of a sidewalk from a ”sidewalk photographer”, to Patty’s bewilderment. Strip measures 28” x 6”. Label has been removed from fourth panel, with white-out painted over area, and also over the date. Taped along edges on verso to custom mat board. In nicely preserved condition, with virtually no toning. Very good to near fine condition. Sold for $62,500.
Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.
Andy Warhol 1965 Red ”Liz” Lithograph — Limited to Approximately 300
Andy Warhol lithograph of Hollywood superstar, Elizabeth Taylor. Made with acrylic and silkscreen ink on canvas and limited to approximately 300. Warhol signs and dates the piece at lower right in black pen, ”Andy Warhol 65”. Simply titled ”Liz”, this red version is part of a series with different background colors. Warhol began his Taylor paintings in 1963 and used a publicity photo for the film ”Butterfield 8” as his source. Measures 22” x 22”. Matted and framed, measures 29” x 29”. Not examined out of the frame, but viewable portion is near fine. Sold for $42,250.
Andy Warhol 1965 Red ”Liz” Lithograph — Limited to Approximately 300. Click to enlarge.
Incredible Robert Crumb original cover art for ”The Complete Crumb Comics”, Volume 6 entitled ”On the Crest of a Wave”, published by Fantagraphic Books in 1991. This fantastic example of original Crumb artwork shows Crumb himself riding the crest of a wave of flesh and humanity, populated with familiar faces from 1960s counterculture, including Jerry Garcia. This piece served as the cover for Volume 6 of a 17 volume exhaustive series of Crumb’s artistic output, with Vol. 6 documenting approximately two years from the late 1960s into the early 1970s. Ink on illustration board, cover measures 13” x 17” with ”The Complete Crumb Comics” header affixed; artwork alone measures 10” x 13”. Artwork is affixed at the top to the backing mat by two pieces of tape, measuring 16” x 20” with mat. Near fine condition. Sold for $41,250.
”Prince Valiant” Comic Strip by Hal Foster From 5 October 1941
Original “Prince Valiant in the Days of King Arthur” strip in two parts, dated 5 October 1941. In this chapter, we witness the wizard Belsatan cast a powerful spell for the return of his wife and its dramatic aftermath (which is “beyond description!”). In earlier action, Belsatan had concocted a scheme to use Val to get rid of his beautiful, but nagging wife, Acidia. The schemed worked, but the wizard soon grew lonely, leading to the action featured in this strip, a fantastic example by Hal Foster, the strip’s creator, working at the absolute top of his game. Foster inscribes the strip to his “favorite comic artist ‘Chick’ Young”. Hand-drawn strip measures 29″ x 15″ and 29″ x 22″. Both parts of the strip are mounted, with very light toning, overall very good to near fine. From the estate of “Blondie” creator, Chic Young. Sold for $27,981.
Consign your Francois Avril art at Nate D. Sanders Auctions. Send a description and images of your Francois Avril art to us at [email protected].
Jasper Johns “Between the Clock and the Bed” Lithograph
Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.
Pablo Picasso Signed “Modele nu et Sculptures” Etching — From the Desirable Vollard Suite of Etchings
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.
Consign your Francois Avril art at Nate D. Sanders Auctions. Send a description and images of your item to us at [email protected].
FREE APPRAISAL. To buy, auction, sell or consign your Francois Avril art that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).