Sell Your Beatles Glyn Johns Lacquer Disc Recording Acetate Record for up to Over $30,000 or More at Nate D. Sanders Auctions
FREE APPRAISAL. To buy, auction, sell or consign your Beatles Glyn Johns lacquer disc recording acetate record that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Sell Your Beatles Glyn Johns Lacquer Disc Recording Acetate Record
Below is a recent realized price for a Beatles Glyn Johns lacquer disc recording acetate record. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Beatles Glyn Johns Lacquer Disc Recording Acetate Record. Sold for over $30,000.
Here are some related items that our auction house, Nate D. Sanders (http://www.NateDSanders.com), has sold:
The original Ludwig drum kit used for the recording of ”Love Me Do”, The Beatles’ first single on their first album ”Please Please Me”, released on 22 March 1963 and ushering in Beatlemania. The session was recorded on 11 September 1962 at EMI London, with this recording of ”Love Me Do” used on the Beatles’ first album ”Please Please Me” as well as the first Beatles U.S. release of ”Love Me Do” and the 1982 re-release of the song. In addition to ”Love Me Do”, this Ludwig drum kit is also heard on ”P.S. I Love You”, which plays on the B-side of the British single and on the ”Please Please Me” album. The kit was played by Andy White during the recording session, who played with the Fab Four that day, with Ringo playing tambourine on ”Love Me Do”. Kit comprises a 14” x 22” bass drum, 16” x 16” floor tom, 9” x 13” tom-tom (which is date-stamped 1956 inside) and 5.5” x 14” snare. Drum head is new. The original Black Diamond Pearl wrapping is present and matches exactly the photo of White playing the drum kit. From the personal collection of Clive Edwards, who studied drum playing under Reg Weller, one of Andy White’s best friends. Weller procured the kit for Edwards after White secured an endorsement deal with Ajax drums. With an LOA from Thea White, the widow of Andy White. Sold for $67,500.
George Harrison’s sitar from 1965, almost certainly the one he used to record ”Norwegian Wood”, the Beatles song that not only launched ”The Great Sitar Explosion” in rock music, but also deepened Harrison’s involvement with Indian music, its culture and the Hindu religion that would shape the rest of his life. More than any guitar that Harrison used during his career with the Beatles and as a solo artist, the sitar is perhaps the instrument most closely associated with Harrison, who was first introduced to it in August of 1965 by David Crosby before buying his own and using it to record ”Norwegian Wood” on 12 October 1965.
Harrison’s purchase of his first sitar (sometime between August-October 1965) is best explained in his own words, from ”The Beatles Anthology”: ”I went and bought a sitar from a little shop at the top of Oxford Street called Indiacraft – it stocked little carvings, and incense. It was a real crummy-quality one, actually, but I bought it and mucked about with it a bit. Anyway, we were at the point where we’d recorded the Norwegian Wood backing track and it needed something. We would usually start looking through the cupboard to see if we could come up with something, a new sound, and I picked the sitar up – it was just lying around; I hadn’t really figured out what to do with it. It was quite spontaneous: I found the notes that played the lick. It fitted and it worked.” Over the next several months Harrison continued to play the sitar and decided to exchange his older-style ”crummy-quality one” with a more sophisticated style designed to play better into microphones.
In the meantime, Harrison married Pattie Boyd in January 1966 and left for Barbados with her for their honeymoon. While in Barbados, George and Pattie were hosted by Pattie’s friend, George Drummond, who lived on the island and to whom Harrison gave this sitar. Drummond, the Godson of King George VI whose full name is George Albert Harley de Vere Drummond, is featured in the book “Beatles ’66: The Revolutionary Year” by Steve Turner. Turner describes the events on the island leading up to the gift, ”During the days Pattie sunbathed and George practiced on his sitar. George even had a better sitar flown to Barbados for him, and when it arrived he gave his old one – probably the one he had bought from Indiacraft – to Drummond as a gift.”
The sitar is accompanied by two letters of authenticity, one from Pattie Boyd and one from George Drummond. Pattie not only confirms the authenticity of the sitar, but writes that George used it to play ”Norwegian Wood” to her on their honeymoon. She writes, ”Before we left Barbados, George Harrison gifted the Sitar to George de Vere Drummond.” Drummond’s LOA likewise confirms that Harrison gave him this sitar in February 1966 and that it’s ”remained in my possession until I consigned it to Nate D. Sanders Auctions.”
Despite Harrison’s misgivings about its sound quality, visually the sitar is a stunning display of craftsmanship, made by the sitar company of Kanai Lal & Brother of Calcutta, and was approximately 10 years old – made in the late 1940s or 1950s – when Harrison played it. Elaborate wood carvings appear on the tumba and tabkandi (similar to the headstock and body of a guitar), with the tumba formed in the shape of a swan’s neck and head. A plaque below the tumba reads, ”Kanai Lal & Brother / 377 Upper Chitpur Road / Calcutta”. Ornamentation at the top of the tabkandi shows an ancient figure playing a sitar, below which wood carvings appear in relief. More elaborate wood carvings appear on the kaddu, a bulbous, gourd-shaped area on the back of the tabkandi which serves as a resonator for the sitar. The sitar measures 53” long, 13” at its widest point and 10” deep at the kaddu. At the top of the kaddu is a label attached by George Drummond, a photo of which is laminated to the back of Pattie Boyd’s LOA, matching her letter to this piece exactly. There are a few cracks to the kaddu, otherwise the sitar is in near fine condition, fully operable and a stunning piece to behold. Sold for $62,500.
Lot of exceptional Beatles items, including a ”Please Please Me” album signed by all four, without inscription. The Beatles’ first LP, ”Please Please Me” is here signed on the verso of the album cover in blue ink by Paul McCartney, John Lennon, Ringo Starr and George Harrison. Framed to a size of 35.5” x 23”. Not examined out of frame. Some wear to edges, light toning and discoloration. Overall in good condition. With Roger Epperson COA for all four signatures.
Lot also includes a John Lennon signed and handwritten Happy New Year card for 1978. Lennon writes, ”To Stan & Jan, Happy Holidays / love / John Yoko Sean”. Lennon then hand draws doodles, which appear to be little portraits of him, Yoko and Sean. Card measures 6.5” x 10” unfolded. Accompanied by original envelope postmarked 19 December 1977 from New York, all framed to a size of 25” x 22.25”. Not examined out of frame but card appears near fine. With Roger Epperson COA. Sold for $28,750.
Excellent Beatles signed concert program – without inscription, for a concert held on 25 April 1963 at Fairfield Hall in Croydon, Surrey. On the two-page spread devoted to The Beatles, each of the Fab Four sign next to their photo in blue ballpoint, ”I Love You / Yours / John Lennon / xxx”, ”Love, / Paul McCartney / xxx”, ”George Harrison / xx” and ”Love / Ringo Starr / [star sign]xx”. The event was organized by London concert promoter John Smith, and also featured John Leyton (who cancelled his appearance), The Big Three, Billy Kramer, and several more acts, with The Beatles headlining. Orange program bound by two staples runs six pages and measures 6.875” x 9.5”. Separation starting along bottom seam, and creasing throughout. Small hole to top right of cover. Overall in very good condition. With Roger Epperson COA for all four signatures. A rare uninscribed Beatles concert program, signed at the cusp of their global fame. Sold for $9,375.
The Beatles Production Master Tape for ”Revolver”
The Beatles production master tape for ”Revolver”, used in Australia beginning in 1970 to replace the original master issued when the album debuted in 1966. Quarter-inch tape measures 10.5” in diameter, housed in its original EMI Recording Studios box, with all 14 ”Revolver” tracks and the timelog handwritten. Master tape is one of only a small number sent to regional record companies to press the vinyl albums for their local markets, perhaps the only one extant apart from the original master. Box measures 11” x 10.75”, with the ”Revolver” record labels attached. Very good condition. Sold for $3,575.
FREE APPRAISAL. To buy, auction, sell or consign your Beatles Glyn Johns lacquer disc recording acetate record that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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