Sell or Auction Your Arthur Szyk Cecil Roth Haggadah of 125 Signed 1940 for up to Nearly $25,000 or More at Nate D. Sanders Auctions

FREE VALUATION. To buy, auction, sell or consign your Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).

Sell Your Arthur Szyk & Cecil Roth The Haggadah of 125 Signed 1940

Below is a recent realized price for a copy of The Haggadah (1940) signed by Arthur Szyk and Cecil Roth, one of just 125 copies. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:

Arthur Szyk and Cecil Roth The Haggadah of 125 Signed 1940. Sold for Nearly $25,000.

Here are some related items we have sold:

E.H. Shepard Artwork of Winnie-the-Pooh and Piglet, Likely Made for “The House at Pooh Corner” in “The World of Pooh” — Artwork by Shepard Is Very Scarce as Made for a Winnie-the-Pooh Book

Enchanting and scarce artwork of Winnie-the-Pooh and Piglet by E.H. Shepard, the illustrator chosen by A.A. Milne to bring his literary characters to life. Original Shepard artwork from Winnie-the-Pooh is scarce in its own right, here even more so as from one of the Milne books, well-known by fans as from Chapter 8 of “The House at Pooh Corner”, titled “In Which Piglet Does a Very Grand Thing”. Pooh and Piglet are shown in front of Owl’s tree house on that notoriously blustery day.

Large artwork measuring 8″ x 7.5″ is rendered in watercolor, pencil and ink, likely created by Shepard for “The World of Pooh”, a collection of Winnie-the-Pooh stories published in 1957 that included “The House at Pooh Corner”. It is one of the only color Winnie-the-Pooh illustrations made by Shepard in finished form, rather than a rough draft, that has ever come to auction. A smaller watercolor, titled “Christopher Robin’s Braces”, made for a magazine without content from one of the books, sold for over $100,000 in 2013. Interestingly, this artwork features titling in Italian on Owl’s sign, perhaps for an Italian edition of the book. Artwork on Winsor & Newton watercolor board measures 10.5″ x 8.875″. Minute uniform toning but overall near fine with bright coloring. Accompanied by original frame backing, signed by Shepard with his address and his handwritten title, “House at Pooh Corner / ‘A very grand thing’ / The trouble at Owls House”. Backing also contains a sticker from F.W. Charman & Sons, who exhibited Shepard’s work in Haslemere, England in 1965 where this piece was sold. Sold for $85,000.

Exceedingly Rare First Printing Dust Jacket of “The Great Gatsby” — Scarce Jacket Houses First Printing of the Classic Novel

Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s “The Great Gatsby”, with the nearly impossible to find first printing dust jacket, showing the lowercase “j” in “Jay Gatsby” on the rear flap hand-corrected in ink, indicative of the first printing. New York: Charles Scribner’s Sons, 1925. Designed by artist Francis Cugat, the dust jacket echoes the romantic tone of the novel, with hints of loss and opulence at its core, showing a pair of feminine eyes, with two nude figures in her irises, gazing over a Coney Island carnival. Fitzgerald’s reaction to the jacket was captured in a 1924 letter to editor Maxwell Perkins, “For Christ’s sake, don’t give anyone that dust jacket you’re saving for me. I’ve written it into the book.” It is perhaps one of the few instances where the jacket design actually influenced the novel, and is one of the scarcest first printing jackets in modern literature.

For the book itself, every first printing point is present: 1925 printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; “chatter” appears on page 60; “northern” appears on page 119; “it’s” printed on line 16 of page 165; “sick in tired” found on page 205; “Union Street station” mistyped on line 7-8 of page 211. Bound in teal cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Book runs 218pp., and measures 5.5″ x 7.75″. Minor shelf wear and discoloration to half-title page, overall in very good plus condition for book. Light chipping to spine of jacket, and small losses on spine and upper front portion expertly restored, as well as light edgewear. Also in very good plus condition. Housed in custom blue morocco slipcase. A very seldom-encountered true first printing of an enduring classic. Sold for $84,000.

Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”

Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.

Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.

E.H. Shepard Original Artwork of Winnie-the-Pooh, Tigger, Eeyore and Piglet, Published on Page 29 of “The House at Pooh Corner” by A.A. Milne

Scarce Winnie-the Pooh artwork by E.H. Shepard, showing Pooh, Tigger, Eeyore and Piglet as they appear on page 29 of A.A. Milne’s book, “The House at Pooh Corner” in Chapter II, “In which Tigger Comes to the Forest and has Breakfast”. Original Winnie-the-Pooh artwork by Shepard is scarce, even more so as published, with this illustration depicting the scene where Tigger takes a mouthful of thistle, unintentionally putting a bee in his mouth. Artwork is rendered in ink, with Chinese white corrections, on Neman’s Artist illustration board, and signed by Shepard at lower left. With the caption in pencil below the drawing, as it appears in “House at Pooh Corner”, reading, “‘Your friend,’ said Eeyore, ‘appears to have bitten on a bee.'” Illustration board measures 10.5″ x 6.875″ with drawing itself measuring approximately 7.25″ x 3.125″. Some toning, though fortunately confined to margins and not illustration itself. Overall very good condition. A scarce and enchanting drawing, originally from the Mary K. Young illustration art collection. Sold for $78,750.

First Edition, First Printing of Charles Darwin’s Masterpiece, “On the Origin of Species” — “The most important biological book ever written”

First edition, first printing of “On the Origin of Species” by Charles Darwin, one of the most important books in the scientific canon. London: John Murray, 1859. In this revolutionary book that upended man’s own view of himself, Darwin posits natural selection as the engine driving species’ evolution, an argument so persuasive that even 19th century religious leaders adjusted their teachings to allow for evolution to work in concert with divine planning. Its importance has only grown in the 150+ years since publication, with Freeman concluding it to be “the most important biological book ever written”. First released on 24 November 1859, its scarcity nearly matches its importance, with the first printing consisting of only 1,250 copies, and the number of extant copies now significantly fewer.

All first printing points are present, including original binding, variant B, title page with copyright information on verso, Table of Contents (pages v-ix) with binder instructions to verso, complete pages 1-502, and folding table present between pages 116-117. Bound in publisher’s full green boards, stamped and lettered in gilt. Overall in very good condition; ads at back of volume have been removed as has half-title page, and endpapers have been replaced. Volume is rebacked using morocco, with original spine laid down. Some shelf wear to boards. Light foxing throughout book, with some chipping, small closed tears with repairs to a few pages, and a few dogeared pages. One small mark on page 109, otherwise no internal writing or marks. Housed in a custom quarter-leather clamshell box. Overall in very good condition, a handsome, presentable copy of this scarce first printing. Sold for $68,250.

First Edition, First Printing Hardback of “Harry Potter and the Philosopher’s Stone” by J.K. Rowling — One of Only 500 Copies, the Book That Started It All

The most coveted book in the Harry Potter canon, the first edition, first printing hardback of J.K. Rowling’s first novel, “Harry Potter and the Philosopher’s Stone”. This book is one of only 500 hardback copies published in the first printing, more scarce and collectible than the softcover published at the same time.

With all first printing points present, including “First published in Great Britain in 1997” on the copyright page, along with “Joanne Rowling” credited rather than J.K., and no space between Thomas Taylor and the copyright date (“Taylor1997”). Full number line “10 9 8 7 6 5 4 3 2 1” is present, as is the 10.99 pound price on rear board, Wendy Cooling quote to front board, and the spelling error of “Philospher’s” on rear board. Other early printing points are also present, including the repeat of “1 wand” on page 53, and “highchair” on page 8.

Since most of the 500 copies of the hardcover book were intended for library use, the number of extant copies is unknown, though estimated to be significantly fewer than the 500 published. All 500 were issued without a dust jacket, which wasn’t introduced until the third printing. This copy has part of the library laminate peeled off, corners of board professionally retouched, and previous owner’s inscription to front free endpaper. Some sunning to spine and minute cocking. A wonderful first printing, still in very good condition. A hallmark of children’s literature, one of the few hardback copies still available. Sold for $53,550.

Exceedingly Rare First Printing Dusjacket of ”The Great Gatsby” — Much More Rare Than the Legendary Novel It Houses

Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s ”The Great Gatsby,” published by Charles Scribner’s Sons: New York: 1925, with the nearly impossible to find first printing dustjacket. Every point is present: 1925 is printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; ”chatter” appears on page 60; ”northern” appears on page 119; ”it’s” is printed on line 16 of page 165; ”sick in tired” is found on page 205; ”Union Street station” is mistyped on line 7-8 of page 211. Bound in dark green cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Francis Cugat’s scarce original unrestored first printing dustjacket has the lowercase ”j” in ”jay Gatsby” on the back panel hand-corrected in ink.  Sold for $50,000.

Dean Ellis Painting Commissioned for the Cover of Ray Bradbury’s Book ”The Illustrated Man” — From the Bradbury Estate

Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.

First Edition, First Printing Hardback of ”Harry Potter and the Philosopher’s Stone” by J.K. Rowling — One of Only 500 Copies, the Book That Started It All

The most coveted book in the Harry Potter canon, the first edition, first printing hardback of J.K. Rowling’s first novel, ”Harry Potter and the Philosopher’s Stone”. This book is one of only 500 hardback copies published in the first printing, more scarce and collectible than the softcover published at the same time.

With all first printing points present, including ”First published in Great Britain in 1997” on the copyright page, along with ”Joanne Rowling” credited rather than J.K., and no space between Thomas Taylor and the copyright date (”Taylor1997”). Full number line ”10 9 8 7 6 5 4 3 2 1” is present, as is the 10.99 pound price on rear board, Wendy Cooling quote to front board, and the spelling error of ”Philospher’s” on rear board. Other early printing points are also present, including the repeat of ”1 wand” on page 53, and ”highchair” on page 8.

Since most of the 500 copies of the hardcover book were intended for library use, the number of extant copies is unknown, though estimated to be significantly fewer than the 500 published. All 500 were issued without a dust jacket, which wasn’t introduced until the third printing. Book measures 5.25” x 8” and runs 223 pages. This copy has been professionally restored, which is common since they were distributed to libraries, including a rebacked spine with original laid down, board retouching and the removal of several library stamps and labels. The front free endpaper is also missing. Overall in very good condition. A hallmark of children’s literature, one of the few hardback copies still available. Sold for $41,250.

Original Ink and Watercolor Drawing by E.H. Shepard of Winnie-the-Pooh and Piglet — Extraordinarily Scarce Drawing by Shepard of the Most Famous Children’s Character

Beautifully rendered watercolor and ink drawing of Winnie-the-Pooh and Piglet by E.H. Shepard, the illustrator chosen by A.A. Milne to bring his literary characters to life. Here, Shepard draws Pooh and Piglet upon a letter to his agent, allowing the characters to express his feelings of gratitude and joy. In the autograph letter signed, dated 29 February 1932, Shepard thanks his agent for a letter, writing that he has “done splendidly” and that “this view is shared by others.” To emphasize his feelings, Shepard draws Winnie-the-Pooh reaching up and Piglet excitedly jumping at his side. Shepard must have been very pleased with his agent, as he very seldom drew his most famous characters; this drawing, done early in the illustrator’s career and just a few years after the Pooh series, is a rare exception. Single page is written from Long Meadow, Guildford. Light uniform toning and mounted to card. Overall in very good to near fine condition. Sold for $40,954.

E.H. Shepard Artwork of Winnie-the-Pooh, Piglet & Owl, Likely Made for “The House at Pooh Corner” in “The World of Pooh” — Artwork by Shepard Is Very Scarce as Made for a Winnie-the-Pooh Book

Beautifully rendered artwork of Winnie-the-Pooh, Piglet and Owl by illustrator E.H. Shepard, signed “EHS” at lower left. Original Shepard artwork from Winnie-the-Pooh is scarce in its own right, here even more so as from one of the Milne books, well-known by fans as from Chapter 8 of “The House at Pooh Corner”, titled “In Which Piglet Does a Very Grand Thing”. After Owl’s tree house becomes dislodged by the wind, Piglet is shown here being hoisted up by Winnie-the-Pooh to squeeze through the letter box while Owl looks on.

Artwork measuring 7.875″ x 3.75″ is rendered in watercolor, pencil and ink, likely created by Shepard for “The World of Pooh”, a collection of Winnie-the-Pooh stories published in 1957 that included “The House at Pooh Corner”. It is one of the only color Winnie-the-Pooh illustrations made by Shepard in finished form, rather than a rough draft, that has ever come to auction. A much smaller watercolor of Pooh and Piglet drawn on a letter to Shepard’s agent, without content from one of the books, was sold by us in 2012 for over $40,000. Artwork on Winsor & Newton watercolor board measures 10.5″ x 6″, titled at bottom “‘up we go’ said Pooh”, also with notation “No 4 House at Pooh Corner p. 285 / 17224” in pencil, and notes for framing in ink. In addition to his signature on artwork, Shepard also signs the back of the board, with his address. Minute uniform toning but overall near fine with bright coloring. Originally sold by Shepard at an exhibition by F.W. Charman & Sons in Haslemere, England in 1965. Sold for $40,000.

Sir John Tenniel Illustration Used in the First Edition of ”Through the Looking-Glass” — With a Presentation Signing by Tenniel From ”Christmas 1876”

Sir John Tenniel original illustration from ”Through the Looking Glass”, the sequel to the enormously successful ”Alice’s Adventures in Wonderland”. This illustration appears on page 201 of the first edition of ”Looking Glass”, done to illustrate the text, ”She was standing before an arched doorway over which were the words QUEEN ALICE in large letters…” A presentation inscription by Tenniel is written to the lower margin, ”With Mr. Tenniel’s kind regards / Christmas 1876”. Pencil drawing was done sometime between 1869-1871 when Tenniel again collaborated with Lewis Carroll in illustrating his novel, an undertaking that Tenniel first rejected due to the time-consuming nature of the work: after drawing preliminary sketches, Tenniel would transfer the artwork onto woodblocks using tracing paper and then finish shading on the blocks. The Brothers Dalziel would then produce engravings from the blocks. Tenniel at first rejected Carroll’s offer to illustrate ”Looking Glass”, but ultimately relented as Carroll could find no other illustrator that matched Tenniel’s ”grotesque” interpretation of the fantasy creatures he envisioned. Drawing measures 3.25” x 4.5”, archivally matted and framed to 11.25” x 12.75”. Very light foxing to margins and light uniform toning, overall near fine condition. From the Bronson Winthrop collection of Tenniel drawings: Parke-Bernet sale of 12 March 1945, lot 164. Sold for $37,500.

Ludwig Bemelmans Painting for ”Madeline and the Bad Hat” — Gorgeous & Vivid Painting Measures 31.75” x 19”

Ludwig Bemelmans painting for his ”Madeline” series of children’s books, illustrating a scene here for ”Madeline and the Bad Hat”. Rendered in mixed media on board, signed ”Bemelmans” at lower right. Painting measures 31.75” x 19”, with vividly rich colors. Back of board is stamped by the Hammer Galleries, who originally sold Bemelmans’ work for him, with an additional stamp reading ”Sketch for MADELINE And the Bad Hat by LUDWIG BEMELMANS”. Additional provenance includes sale by the Lenox Hill Neighborhood Association, Inc. in its 16 January 1987 auction. With frame, painting measures 40.5” x 28.5”. Some toning to board consistent in color with the scene, support for painting is bowed, and a small amount of surface cracking on the water. Overall in very good plus condition. Sold for $28,000.

Charles Addams Signed Painting Personally Owned by Ray Bradbury — Selected to Become the Cover of Bradbury’s Book, ”From the Dust Returned”

”Addams Family” cartoonist and creator Charles Addams original 1946 painting personally owned by Ray Bradbury. True to Addams’ whimsical and macabre tone, painting depicts a landscape scene at twilight with a Gothic mansion overlooking a shore, and with ghoulish creatures and spirits ascending towards the house. Signed, ”Chas Adams” at upper right. Mixed media on illustration board was selected to be the cover image for Bradbury’s book, ”From the Dust Returned”, which was released in 2001. Painting measures 17” x 12” and is matted and framed to an overall size of 24” x 19”. Chip to frame, otherwise near fine. With a COA from the Ray Bradbury estate. Sold for $25,000.

Robert Watson Painting Entitled ”The Martian Chronicles” — Used for the Cover Art of the 1953 Second Edition — Painting Owned by Ray Bradbury

Robert Watson painting entitled ”The Martian Chronicles”, as the artist provided this cover art for the book’s second edition, printed in 1953. Signed ”R. Watson” in paint at lower left, oil on canvas painting depicts a solitary human being, surrounded by decaying structural columns on a desolate landscape; this piece exactly matches the cover of the 1953 edition, with the exception that the book has a red background. With the artist’s name, painting title and ”Collection of Ray Bradbury” handwritten to verso. Painting measures 14” x 18”. Minor scratch to front, else near fine. With a COA from the estate of Ray Bradbury. Sold for $22,986.

Ayn Rand first edition, signed copy of “Anthem”

Hardcover with dustjacket. Caldwell, Idaho: The Caxton Printers, LTD.: 1953. Copy given to Nathaniel Branden, her purported protege and lover. Signed and inscribed by Rand in blue ink, “To Barbara and Nathan – – who are now fully my children – to mark your first six-months wedding anniversary – Ayn / July 14, 1953.” Book, which measures 6″x 8.5″, runs 105pp. Thinly-veiled sci-fi-ish allegory supports Rand’s classic Objectivist thesis regarding the subjugation of the ego for the greater whole of society. Dust jacket in near fine condition with minor chips at top. Slight cloth board spotting and very mild toning to interior. A near-perfect signed Ayn Rand first edition copy. Our most expensive Ayn Rand first edition that we have handled. Sold for $22,500.

The Great Rarity of the Signed Book Trade — A Thomas Pynchon ”Gravity’s Rainbow” Autographed 1st Edition, 1st Printing — With PSA/DNA COA

Thomas Pynchon first edition, first printing of his masterpiece, ”Gravity’s Rainbow,” inscribed and signed by Pynchon on the half-title page, ”10/86 / To Michael Urban, / Best Wishes, / Thomas Pynchon.” Published by Viking: New York: 1973. Original pictorial dustjacket with minor creasing to the jacket spine, else a gorgeous copy. Publisher’s red-orange cloth with dark red spine titles and an arch design blind-stamped on the front cover. Top edge stained red. In near fine condition. Accompanied by COA from PSA/DNA. Sold for $21,013.

James Joyce Autograph and an Henri Matisse Autograph in a Scarce Limited Edition of “Ulysses”

Scarce copy of “Ulysses” rare book by James Joyce, illustrated by Henri Matisse. New York: The Limited Editions Club: 1935.  Number 297 of a limited edition run of 1500 copies.  One of only 250 such copies signed by both Joyce and Matisse.  Boldly signed by the author and illustrator on limitation page.  Full brown buckram boards with gilt embossing to front cover and backstrip.  Large octavo measures 9″ x 11.5″.  Volume runs 420pp. with an introduction by Stuart Gilbert and illustrations by Henri Matisse including 20 reproductions of preliminary drawings and six original soft-ground etchings.  In 1935 George Macy, founder of the fledgling Limited Editions Club, made the bold decision to commission Matisse to illustrate Joyce’s controversial and previously banned masterpiece, “Ulysses.”  Matisse, understanding that Joyce’s work parodied the original eighteen episodes of the “Odyssey,” chose to create his 26 full-page illustrations as actual illustrations of Homer’s original work.  Matisse later signed all 1500 of Macy’s limited edition, however, as legend has it, when Joyce realized that Matisse had been working from Homer’s “Odyssey” rather than his novel, he refused to sign any more than the 250 copies he had already signed making this double-signed edition exceedingly rare.  Rare book without original slipcase, else fine condition.  Sold for $14,460.

Original Illustration by Arthur Rackham of the Cheshire Cat, Drawn for Page 106 of “Alice in Wonderland” — With His Signature Mischievous Grin

Original and beguiling illustration of the Cheshire Cat from the 1907 edition of Lewis Carroll’s timeless classic, “Alice’s Adventures in Wonderland,” by noted British illustrator Arthur Rackham. Known as one of England’s “Golden Age” illustrators during the beginning of the 20th century, Rackham illustrated various whimsical scenes for this edition of the book. Illustration appears on p. 106 of the book, in the chapter entitled “The Queen’s Croquet Ground.” Drawn in pen, black ink and watercolor heightened with gum arabic and gouache paint for an opaque effect, illustration depicts the face of the unforgettable cheshire cat grinning widely in a dreamy smoke plume. Rackham signs his initials boldly “AR” at lower left. Drawing measures 8.5″ x 6″, with some later additions added by Rackham, and a glazing over the artwork for further protection. Near fine condition. Sold for $13,613.

Original Artwork by ”Madeline” Author and Illustrator Ludwig Bemelmans — Singular Illustration From the Early 1940’s

Very rare original artwork by the beloved creator of the ”Madeline” books, Ludwig Bemelmans, for Mary MacArthur, daughter of actress Helen Hayes. Ink and watercolor drawing depicts a busy Parisian street scene with Miss Clavel herding twelve little girls through town. Three Parisian buildings stand in the background and in the foreground, a constable stands in salute donning a hat that reads, ”Au Revoir Paris” on the bill. Whimsical and quintessential of Bemelmans’ work. Signed and inscribed in black ink along the bottom, ”To Mary with love / Ludwig Belemans”. Someone has written the year ”1942” in light pencil beneath his signature. Mary MacArthur, a tween in 1942, would die at age 19 of polio. Measures 7” x 8” with very minor toning, else near fine. From the estate of Helen Hayes. Sold for $11,858.

Original Artwork for the Cover of “Harry Potter and the Chamber of Secrets” — Illustration by Cliff Wright Depicts the Charming & Memorable Flying Car Scene

Original ink, pencil and watercolor artwork for the 1998 release of J.K. Rowling’s second book in the groundbreaking series, “Harry Potter and the Chamber of Secrets.” Illustration is by British artist Cliff Wright, whom J.K. Rowling tapped to illustrate most of her Harry Potter characters, including Hedwig the Owl and Harry Potter himself, both displayed here in this watercolor. Unsigned illustration, which appears on the book’s cover, depicts the memorable scene in the book when Ron Weasley steals his father’s Ford Anglia to escort Harry back to Hogwarts. Wright charmingly brings each character to life in the illustration – Potter is depicted in his signature glasses and red pullover, and Ron is depicted with flaming red hair and freckles. Both Harry and Ron are pictured grinning at their flying car feat, while Potter’s famed owl, Hedwig, is perched in the back seat. Illustration is mounted and framed to an overall size of 22.5″ x 19″, with two annotations written along top reading: “please return Aw [artwork] to: / (undamaged)” and “For: Harry Potter shop display / To: Rosamund Walker — Bloomsbury”. Bloomsbury then superimposed this illustration with a background landscape also done by Wright to create the finished cover design. Near fine. Recently sold for 12,500 GBP as lot 170 in Sotheby’s 10 July 2012 sale. Sold for $11,550.

First Edition, Third Printing of F. Scott Fitzgerald’s Second Novel, “The Beautiful and Damned” — With a Charming Inscription to Actor Edward Everett Horton

Signed and inscribed first edition, third printing of F. Scott Fitzgerald’s “The Beautiful and Damned.” New York: Charles Scribner’s Sons: 1922. Fitzgerald’s second novel paints a vivid portrait of the Eastern elite during the Jazz Age in America. Copy is inscribed by Fitzgerald on the front free endpaper: “This book oddly enough is responsible from its title for the phrase ‘beautiful and dumb.’ I doubt if it has any other distinction. For Edward Everett Horton from F. Scott Fitzgerald / Encino 1939.” In publisher’s original green cloth boards with some soiling. Includes a later printing dustjacket from the A.L. Burt edition with minor wear. Very good condition. Sold for $10,781.

Ernest Hemingway Signed First Limited Edition of ”A Farewell to Arms” — Scarce in Original Slipcase

Ernest Hemingway signed limited first edition of his post-WWI classic, ”A Farewell to Arms”, housed in its original limited edition slipcase, with numbers matching. New York: Charles Scribner’s Sons, 1929. Published on 27 September 1929 in a limited edition of 510 numbered copies, this being #214, signed boldly ”Ernest Hemingway” in black fountain pen. In matching slipcase with Charles Scribner’s Sons plate, again listing the limited edition as #214. Measures 6.5” x 9.5”. Some chipping to seams of slipcase, overall in very good condition. Chipping to spine label, otherwise book is near fine. Sold for $10,313.

David Ben-Gurion Signed Limited Edition of ”Israel: A Personal History”

David Ben-Gurion signed limited edition of ”Israel: A Personal History”, his 862pp. tribute to the country he founded and led as its first Prime Minister. New York: Funk and Wagnalls Inc., 1971. Ben-Gurion signs ”D. Ben-Gurion” below his frontispiece portrait. Volume is #473 of 2,000 in the limited edition, beautifully bound in navy leather boards with top edge gilt and silk moire endpapers. Measures 7.25” x 10.25”. Separation starting to front joint, light foxing throughout and light wear. Overall very good condition. Sold for $3,661.

Maurice Sendak Original ”Wild Things” Sketch Signed — 12.25” x 14.75”

Maurice Sendak original pencil sketch of his ”Wild Things” creations. The author of the 1963 children’s book ”Where the Wild Things Are” draws a captivating scene involving a dinosaur fossil and some Wild Things. He signs the lower right ”Maurice Sendak”. The story of a little boy’s foray into an imaginary world of endearingly sensitive oversized creatures is one of the most popular children’s stories of all time. Matted to an overall size of 17.5” x 20”, visible area of drawing measures 12.25” x 14.5”. Small .5” tear to top edge at center, light smudging, and a smudge to mat bottom edge, else near fine. Sold for $3,125.

FREE VALUATION. To buy, auction, sell or consign your Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).

We offer the following for your Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940:

• Appraise Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940.
• Auction Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940.
• Consign Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940.
• Estimate Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940.
• Sell Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940.
• Arthur Szyk Cecil Roth The Haggadah of 125 signed 1940 valuation.