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Views of Havana Philip Orsbridge Circa 1765. Sold for Over $20,000.
The following are some related items we have sold:
81 Beautiful Hand-Colored Aquatints by Karl Bodmer Depicting the American Frontier in the 1830s — Contained in the Illustrated Travelogue “Prince of Wied’s Travels in the Interior of North America”
Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.
Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.



Scarce collection of 63 photographs from Carleton Watkins’ groundbreaking publication, ”Yosemite Valley: Photographic Views of the Falls and Valley of Yosemite in Mariposa County, California”. San Francisco, 1863. One of the most complete collections, lot comprises a total of 63 photographs, with two of the title page and map, and 61 of the Yosemite Valley, each measuring 11.625” x 7.5”. Scarce as such.
Lured out to California for the Gold Rush, Watkins soon turned his pursuits to photography, a calling for which he was naturally gifted. In 1861, he traveled to Yosemite outfitted with both mammoth-plate and stereoscopic cameras to make the first photographic narrative of the majestic valley, with these photographs the result. They were so impactful, after having been shared amongst Congressmen and Abraham Lincoln, that the Yosemite Grant Act was passed in 1864, a precursor to the creation of the U.S. National Park System in 1872.
Interestingly, no complete accounting of Watkins’ Yosemite photos from 1863 is documented, but next to a collection of 65 photographs, this grouping is the most complete at 63 photographs. Only a handful of other collections even claim more than 50 photographs. The views are exquisite, capturing the rock formations, foliage and natural water sources of the Valley as they appeared in 1861, yet unspoiled by overcrowding. Watkins’ ability to capture the depth of the images – with distant mountains hovering over meadows and streams, is particularly beautiful, aided by the use of his two camera systems.
Photographs retain superb contrast and tonality, all disbound in a period brown morocco gilt slipcase, tooled in gilt on the cover, ”Watkins’ Yosemite Gallery.” Overall in very good to near fine condition. Sold for $112,500.

Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.

Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”
French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing. Sold for $65,959.

Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.

Currier & Ives Hand-Colored Lithograph Measuring — 19th Century Print Remains Boldly Colored
Beautiful Currier & Ives hand-colored lithograph entitled “The Life of a Hunter. ‘A tight fix’”. Produced in 1861 on wove paper, lithograph measures 28″ x 21.5″, framed to 39″ x 32.25″. Very well-preserved with deep, rich colors. A few small repaired tears to margin, with two extending slightly into the image at top and bottom right, though nearly indiscernible; also with faint discoloration to margins, else near fine condition. A rare lithograph so well preserved by the storied print makers. Sold for $31,680.

Revolutionary War Map 1776
Revolutionary War map dated March 1776. “The Theatre of War in North America, With the Roads and a Table of the Distances…” Printed in London for R. Sayer and J. Bennett. Map depicts the area east of the Mississippi River from James Bay to Cape Canaveral, and locates provincial boundaries, towns, forts, roads, Indian villages, New England fishing waters, and the like. An inset is comprised of “Evan’s Polymetric Table of America,” which allows one to calculate the distance between most of the prominent towns. Text below the map reads, “A Compendious Account of the British Colonies in North America,” which devotes a paragraph of description to each of the North American colonies, including Florida, Canada, and the Province of Quebec. Issued separately by Sayer and Bennett, who also published “the American Military Pocket Atlas,” that year for the use of British officers. A notable map of the American Revolution, published the same year as the American Declaration of Independence. 20.75″ x 28.5″; 29.25″ x 37.5″ framed. Excellent condition. Sold for $6,000.

Map of Texas, Oregon and California From 1846
“A New Map of Texas Oregon and California with the Regions Adjoining. Compiled from the most recent authorities.” By cartographer Samuel Augustus Mitchell, published in 1846 as a pocket map, and considered the definitive map for settlers in the nation’s westward expansion during the Gold Rush. Philadelphia: Published by S. Augustus Mitchell, 1846. With contemporary hand-coloring, folding map by engraver H.N. Burroughs was Mitchell’s most important map, considered the defacto standard and thereby affecting subsequent maps of the area. It was the first to include recent explorations in the Great Basin, with boundary lines of Rio Grande to the south, and Oregon to the north at 54 degrees 40 minutes, above which are “British Possessions”. An inset to lower left entitled “Emigrant Route from Missouri to Oregon”, provides the distance between western cities and landmarks, undoubtedly aiding weary travelers. With decorative scrollwork along the margins, map measures 21″ x 22.5″ unfolded, nicely matted and framed to a size of 34.5″ x 41.5″. Some expert repair at fold separations and mild fading, overall in very good condition. Sold for $4,800.

Hand-Colored “Grey Fox” Lithograph From the 1843 Edition of John James Audubon’s “The Viviparous Quadrupeds of North America” — Measures 28″ x 21.75″
Original hand-colored lithograph of “Canis (Vulpes) Virginianus, Grey Fox”, plate XXI, from John James Audubon’s “The Viviparous Quadrupeds of North America”. Philadelphia: J.T. Bowen, 1843. Lithograph measures 28″ x 21.75″. Very light soiling and wear to margins and slight fading, overall in very good plus condition. A beautiful example from Audubon’s masterpiece. Sold for $3,000.

Lotter New and Correct Map of North America 1784
Large four-sheet engraved map measuring nearly 4′ x 3.5′ showing North America in 1784, with sovereignty of the thirteen colonies belonging to the United States following the Treaty of Paris that concluded the Revolutionary War. Published in Ausburg, Germany by Mathew Albert Lotter and Georg Frederic Lotter, 1784. Map is titled at upper right, “A new and correct map of North America with the West India Islands. Divided according to the last Treaty of Peace, concluded at Paris the 20th of Jan. 1783. wherein are particularly distinguished the Thirteen Provinces wich [sic] compose the United States of North America”. A cartouche underneath shows tradesmen and workers on the banks of Bermuda, and two insets show Baffin and Hudson’s Bay beneath the Arctic, and land bordering the “Sea of California” partially described as “The Passage by Land to California”. Map measures 46.875″ x 41″. Professionally backed to linen and lightly mounted to board. Minute foxing and a few spots of repair. Overall very good to near fine condition given age including superior color contrast. With fascinating detail, map would anchor a room and serve as an excellent topic of ongoing reflection and discussion. Sold for $1,750.

Hand-painted map of Korea by Hayashi Shihei, from Japan, circa 1785. Fold-out map shows the kingdoms outside Japan’s boundaries, but with the Kingdom of Joseon (Korea) being an important trading partner, the map was considered dangerous, and consequently banned by the Shogun in 1792. Has original cover boards and title slip. Measures 20” x 29” when folded out, and 7” x 9.5” when closed. Lightly toned and soiled, overall very good condition. Sold for $1,563.

John Audubon 1846 “The Cougar” Lithograph From “The Viviparous Quadrupeds of North America” — Measures 20″ x 26″
Gorgeous lithograph by John Woodhouse Audubon of “The Cougar, Male”, published in “The Viviparous Quadrupeds of North America”. Philadelphia: J.T. Bowen, 1846. Printed and hand-colored by Bowen, lithographed plate is number XCVI. Measures 20″ x 26″. Minute foxing and small spot of discoloration at lower margin. Overall a stunning example in near fine condition. Sold for $1,400.

FREE VALUATION. To buy, auction, sell or consign your Views of Havana Philip Orsbridge circa 1765 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Views of Havana Philip Orsbridge circa 1765
