Sell or Auction Your Julian Cannonball Adderley Signed Photo for up to Over $1,500 or More at Nate D. Sanders Auctions
FREE APPRAISAL. To buy, auction, sell or consign your Julian Cannonball Adderley signed photo that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Free Appraisal, Auction or Sell Your Julian Cannonball Adderley Signed Photo
Julian Edwin “Cannonball” Adderley was an American saxophonist during the 1950s and 1960s who may be best known for the single “Mercy, Mercy, Mercy”. The Cannonball Adderley Quintet consisted of Cannonball and his younger brother Nat Adderley, who played the trumpet. Other songs made popular by him include “This Here”, “The Jive Samba”, “Work Song” and “Walk Tall”. Cannonball was inducted into the Jazz Hall of DownBeat magazine in 1975. Fame.
Below is a recent realized price for a Julian Cannonball Adderley signed photo. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Julian Cannonball Adderley Signed Photo. Sold for Over $1,500.
Here is some music memorabilia we have sold:
Michael Jackson’s famous glove worn at the 1984 American Music Awards, accompanied by an autograph book signed four times, attesting to the authenticity of the glove; Jackson writes, ”My original glove / Love / M.J*”. Regarded globally as the greatest entertainer in recorded history, the 25-year old was honored at the 16 January 1984 ceremony for his record ”Thriller,” the best-selling album of all time. The Grammy awards he won that same year made his award-winning volume unprecedented. A radiant Jackson was heavily photographed wearing this glove at the AMA’s, and video footage documents him wearing it in each of his numerous and effusive acceptance speeches that evening. A gloved right hand had been a trademark of Jackson’s, but typically the star wore the glove in white. This is likely the first example of Jackson wearing a black glove to an award show and possibly even the first for any public appearance. Of the glove’s singularity, Jackson told Barbara Walters in a 1999 interview, ”Why one glove? Cooler than two.” He also speaks about it in his autobiography ”Moonwalk.” Extensive provenance includes documentation from Julien’s as well as news clippings and photos from the first owner of the glove after Jackson: a terminally ill boy named David Smithee, to whom Jackson gifted the glove upon a visit arranged by a charity. Jackson later named Smithee in the dedication of the Jacksons’ ”Victory” album: ”…Finally, best wishes and love to…our friend, little David Smithy [sic].” Included in the lot is the autograph book in which Jackson penned a COA for the child in black felt tip: ”My original glove / Love / M.J*”. He signs ”Michael Jackson” to three additional pages. Red velvet book with gilt lettering and all edges gilt measures 5.75” x 4.5”. Dark brown cloth glove is encrusted with black Swarovsky crystal beading and features a single snap closure. Custom-sewn glove bears no size labeling. Measures 8.75” at its longest from cuff to fingertip and 4.25” across the center. Two stones are inconspicuously absent from the seam on the outer edge of the cuff and two from the second finger, with sunning to the seam around the thumb, else near fine. A stunning artifact worn and owned by the entertainer of the century at the height of his superstardom. Sold for $199,069.
Bob Dylan Handwritten & Signed Lyrics to “The Times They Are a-Changin'” — The Song of a Generation
Scarce handwritten and signed lyrics by Nobel-Prize winning lyricist Bob Dylan of his classic, “The Times They Are a-Changin'”. Considered one of the greatest songs ever written, its powerful lyrics have transcended the political turbulence of the 1960s that gave birth to them to inspire subsequent generations, revealing their timelessness in the human experience. In recent years, Dylan has shied away from playing his masterpiece in concert which has imbued it with an almost mythical quality. Dozens of major recording artists have covered the song through the years, including Simon & Garfunkel, Peter Paul & Mary, The Beach Boys, Nina Simone, Billy Joel, Joan Baez, Tracy Chapman, Bryan Ferry and Bruce Springsteen to name a few. Dylan wrote the song in the fall of 1963, shortly after Martin Luther King Jr.’s March on Washington, wanting to create an anthem for social justice. As he said, folk music and the Civil Rights movement were natural allies and he felt he could make a contribution to the movement by writing a powerful, “hypnotic” anthem. It is one of the songs that earned Dylan a Nobel Prize in Literature, as the Nobel Committee wrote: “for having created new poetic expressions within the great American song tradition.” Handwritten lyrics by Dylan read in full, “The Times They Are-A-Changin’ Come gather around people wherever you roam And admit that the waters around you have grown And accept it that soon you’ll be drenched to the bone If your time to you is worth saving Then you better start swimmin’ or you’ll sink like a stone For the times they are-a-changing Come writers and critics who prophesize with your pen And keep your eyes wide the chance won’t come again And don’t speak too soon for the wheel’s still in spin And there’s no telling who that it’s naming For the loser now will be later to win For the times they are-a-changing Come senators congressmen please heed the call Don’t stand in the doorway don’t block up the hall He that gets hurt will be he who has stalled There’s a battle outside and it’s raging It’ll soon shake your windows and rattle your walls For the times they are-a-changin’ Come mothers and fathers throughout the land And don’t criticize what you can’t understand Your sons and your daughters are beyond your command Your old road is rapidly aging Get out of the new one if you can’t lend a hand For the times they are-a-changin’ The line it is drawn the curse it is cast The slow one now will later be fast As the present now will later be past The order is rapidly fading And the first one now will later be last For the times they are-a-changin’ Bob Dylan”
Handwritten lyrics and signature have been authenticated by Bob Dylan’s manager. Single page measures 8.5″ x 11″. In near fine condition. Apart from the original draft, these are the only known lyrics of “The Times They Are a-Changin'” that have been offered at auction. Sold for $89,505.
The original Ludwig drum kit used for the recording of ”Love Me Do”, The Beatles’ first single on their first album ”Please Please Me”, released on 22 March 1963 and ushering in Beatlemania. The session was recorded on 11 September 1962 at EMI London, with this recording of ”Love Me Do” used on the Beatles’ first album ”Please Please Me” as well as the first Beatles U.S. release of ”Love Me Do” and the 1982 re-release of the song. In addition to ”Love Me Do”, this Ludwig drum kit is also heard on ”P.S. I Love You”, which plays on the B-side of the British single and on the ”Please Please Me” album. The kit was played by Andy White during the recording session, who played with the Fab Four that day, with Ringo playing tambourine on ”Love Me Do”. Kit comprises a 14” x 22” bass drum, 16” x 16” floor tom, 9” x 13” tom-tom (which is date-stamped 1956 inside) and 5.5” x 14” snare. Drum head is new. The original Black Diamond Pearl wrapping is present and matches exactly the photo of White playing the drum kit. From the personal collection of Clive Edwards, who studied drum playing under Reg Weller, one of Andy White’s best friends. Weller procured the kit for Edwards after White secured an endorsement deal with Ajax drums. With an LOA from Thea White, the widow of Andy White. Sold for $67,500.
David Crosby’s Own Gibson ES-335 Guitar — From His Days in “The Byrds”
David Crosby’s personally owned and played Gibson guitar, used by Crosby in “The Byrds,” one of the most influential bands of the 1960’s. Crosby’s role in “The Byrds” from the iconic group’s formation in 1964 until his departure in 1967 garnered him his first of two inductions into the Rock and Roll Hall of Fame. Guitar is the widely recognized Gibson ES-335, with a Bigsby Vibrato tailpiece tremolo. Dating to 1958, this model was the first electric guitar to introduce the semi-hollow body design. Neck is one-piece mahogany beneath a rosewood fingerboard with mother of pearl inlays. Measures 16.5″ wide, 20″ long, and 1.75″ deep. Housed in a black hardshell case lined in orange velvet. Scattered nicks and bumping to top of headstock, else near fine. With an LOA from David Crosby. Sold for $25,428.
Eddie Van Halen Personally Designed, Stage Played & Signed Guitar
Eddie Van Halen personally designed (hand-striped) custom guitar, owned and played onstage by Eddie at the 16 February 2008 show in Jacksonville, Florida. Charvel guitar is signed by Eddie in silver marker, with the Jacksonville concert date also written by him as well as ”Van Halen ’08”. In custom EVH (Eddie Van Halen) Charvel guitar case, and with COA signed by Eddie Van Halen showing serial number of 173, matching EVH plate on guitar. Near fine condition. A fantastic rock collectible personally designed, played and signed by one of the greatest guitar players of all time. Sold for $37,500.
Charlie Parker Rare Signed 8″ x 10″ Photo — With Roger Epperson COA
A very rare signature by jazz legend Charlie Parker, who here signs an 8″ x 10″ photo, writing, “To The Madcaps, The most in entertainment! Charlie Parker”. Addendum in red ink reads “Joe of”, referring to Madcaps member Joe DiFulvio; the Madcaps were a harmonica duet comprised of DiFulvio and Carl Ford, who performed with big acts of their day, including Frank Sinatra, Bob Hope and likely Charlie Parker. Glossy publicity photo has some light creasing, otherwise near fine. With Roger Epperson COA. Sold for $10,000.
Billie Holiday Signed 8” x 10” Photograph — ”Stay as Great as you Are / Billie Holiday”
Billie Holiday signed 8” x 10” glossy photograph. Holiday elegantly signs ”Stay as Great as you Are / Billie Holiday” in blue ink to publicity photograph. Lot also includes LP of Holiday’s 1954 release ”Volume 3” with colorful cover designed by renowned artist Burt Goldblatt. Very light creasing to photograph, overall near fine. Sold for $3,750.
Lovely lot by American composer Cole Porter. Includes an autograph manuscript quotation signed of ”Night and Day” where Porter draws a stanza in bass clef under which he writes, ”Night + day, you are the one!” Porter also signs a matte photo portrait of himself, ”Sincerely / Cole Porter”. Porter wrote ”Night and Day” for the stage production of the musical ”Gay Divorce” starring Fred Astaire, and it gained widespread popularity with its inclusion in the film version. Some of the most acclaimed musicians in the world have covered the jazz standard, including Billie Holiday, Ella Fitzgerald, Frank Sinatra, U2, Ringo Starr, Etta James, and many more. Lore surrounds Porter’s inspiration for writing the atypically-structured piece, with one legend holding that he was moved by the Islamic prayer ritual in Morocco. Lot includes original envelope, from the Waldorf-Astoria in New York to a Miss Suzanna Lovett. Envelope is postmarked New York, 6 January 1953. Photo measures 2.75” x 3.75” and AMQS measures 3.5” x 2.5”. Discoloration from tape residue to the top of each, else fine condition. Sold for $2,772.
FREE APPRAISAL. To buy, auction, sell or consign your Julian Cannonball Adderley signed photo that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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