Sell or Auction Your Johnny Cash at Folsom Prison Signed Album for up to Nearly $5,000 or More at Nate D. Sanders Auctions
FREE VALUATION. To buy, auction, sell or consign your Johnny Cash at Folsom Prison signed album that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Sell Your Johnny Cash at Folsom Prison Signed Album
Johnny Cash at Folsom Prison is the first live album by American singer-songwriter Johnny Cash, released on Columbia Records on May 6, 1968. After his 1955 song “Folsom Prison Blues”, Cash had been interested in recording a performance at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash’s material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed by June Carter, Carl Perkins, and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968. The album consists of 15 songs from the first show and two from the second.
Below is a recent realized price for a Johnny Cash at Folsom Prison signed album. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Johnny Cash at Folsom Prison Signed Album. Sold for nearly $5,000.

Nate D. Sanders Auctions has sold the following memorabilia:
Johnny Cash Cane
Johnny Cash’s own cane. Wooden cane features carved and painted elements; an owl topping the cane and rattlesnake winding its way upward. Below the owl an engraving reads, “Burch 82″. Measures 35”. Near fine. With provenance from the sale of “Property from the Estate of Johnny Cash & June Carter Cash” at Sotheby’s New York, 14-16 September 2004. Sold for: $15,307.
Jerry Lee Lewis Johnny Cash & Carl Perkins Signed Photo
“Million Dollar Quartet” is a recording of an impromptu jam session involving Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash made on December 4, 1956, at the Sun Record Studios in Memphis, Tennessee. An article about the session was published in the Memphis Press-Scimitar under the title “Million Dollar Quartet”. The recording was first released in Europe in 1981 as The Million Dollar Quartet with 17 tracks. A few years later more tracks were discovered and released as The Complete Million Dollar Session. In 1990, the recordings were released in the United States as Elvis Presley – The Million Dollar Quartet. This session is considered a seminal moment in rock and roll.
The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with “Blue Suede Shoes”, had come into the studios that day accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to record some new material, including a revamped version of an old blues song, “Matchbox”. Sam Phillips, the owner of Sun Records, who wanted to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, Jerry Lee Lewis, still unknown outside Memphis, to play piano (at the time, a Wurlitzer Spinet) on the Perkins session. Lewis’s first Sun single would be released a few days later. Sometime in the early afternoon, 21-year-old Elvis Presley, a former Sun artist now with RCA Victor, arrived to pay a casual visit accompanied by a girlfriend, Marilyn Evans. After chatting with Phillips in the control room, Presley listened to the playback of Perkins’s session, which he pronounced to be good. Then he went into the studio and some time later, the jam session began. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hit records on the country charts, arrived as well. (Cash wrote in his autobiography Cash that he had been first to arrive at the Sun Studio that day, wanting to listen in on the Perkins recording session.) Jack Clement was engineering that day and remembers saying to himself “I think I’d be remiss not to record this,” and so he did. After running through a number of songs, Elvis and girlfriend Evans slipped out as Jerry Lee pounded away on the piano. Cash wrote in Cash that “no one wanted to follow Jerry Lee, not even Elvis.” Whatever Elvis’s feelings may or may not have been in regard to “following” Lewis, Presley was clearly the “star” of the impromptu jam session, which consisted largely of snippets of gospel songs that the four artists had all grown up singing. The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur-of-the-moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1950s.
Jerry Lee Lewis, Johnny Cash and Carl Perkins signed photo of their historic jam session with Elvis Presley on 4 December 1956, an impromptu once-in-a-lifetime recording session of the four men who would shape late 1950s rock ‘n roll. Large 14″ x 11″ glossy photo is signed by Lewis in orange felt-tip and by Cash and Perkins in black felt-tip. Photo is nicely framed to a size of 21.625″ x 17.75″. Not examined out of frame, but appears near fine. With COA from Odyssey Group. Sold for $5,960.
Early Johnny Cash Concert Poster From 1961
Johnny Cash concert poster for window display, promoting his show on Saturday, 15 April 1961 at the Division Street Corral in Portland, Oregon. Printed in navy blue against a yellow background, rare poster features an early publicity photo of Cash taken in 1955. Supporting acts include Rose Maddox, Buck Owens, Gordon Terry and the Tennessee Two. Printed on heavy card stock by Colby Poster Printing Co. in Los Angeles. Poster measures 14″ x 22″. Light wear, including foxing and some soiling, especially to top margin. Overall an attractive poster in very good condition. Sold for $2,200.
Fantastic, Large Johnny Cash Poster From 1970 — Measures 22″ x 28″
Johnny Cash concert poster, made of heavy card stock for window display. Poster promotes Cash’s appearance at the Charlotte Coliseum in Charlotte, North Carolina in a “Country Music Spectacular” on Saturday, 24 October 1970. Event also features Cash’s wife June Carter, the Carter Family, the Statler Brothers and Carl Perkins. Black and red poster on cream background shows a full-length photo of Cash with guitar in hand, as he promoted the LP “Hello, I’m Johnny Cash”. Poster measures 22″ x 28″. Well-preserved poster has a bit of foxing at lower right and minute creasing at corners. Overall in near fine condition. Sold for $1,954.
Johnny Cash Handwritten Set List Ex Sotheby’s
Set list handwritten by Johnny Cash himself, one of the most important musicians of the 20th century. Piece appears to be a working set list, as 6 songs are crossed out and 10 are marked with an X. Songs are separated into two columns, songs he would play with the Tennessee 3 and songs he would play with the full band. The Tennessee 3 side contains one more song and many more early hits, including “Folsom”, “I Walk the Line” and “Ring of Fire”. The list was most likely written in 1994 or 1995 when the Tennessee 3 briefly came back together. Date can also be estimated by the handwriting and release dates of the songs listed, including Kris Krostofferson’s “Why Me” (written as “Why Me Lord”), which Cash featured on his album “American Recordings” in 1994. Popular songs from the list include Cash’s first single, “Hey Porter”, “Cry Cry Cry”, “Folsom Prison Blues” (written as simply “Folsom”) and the iconic “Ring of Fire”. Comes with original Sotheby’s auction card which reads: “Property from the Estate of Johnny Cash & June Carter Cash”. List is written on white, wide-ruled school paper and has one vertical and one horizontal fold. All songs written in black ink except “Hey Porter” in blue. Measures 7.5″ x 10.5″. Very good condition. Sold for $1,954.
Unique Patsy Cline Signed Souvenir Photo Album — Signed by Johnny Cash and Five Other Country Music Stars
Pocket-sized Country and Western photo album with a personalized signature by Patsy Cline plus signatures by Johnny Cash, George Jones and four other stars. Album depicts Cline, Cash and 28 other singers in photographs. Cline signs ”To Connie — best of luck. Thanks, Patsy Cline”. Johnny Cash also signs his name on his page. Album also signed by George Jones, Carl Perkins, Johnny Western, Gordon Terry and Georgie Riddle. 31pp. album measures 3.25” x 5” including vintage front and back covers, red comb-bound. Very good condition. Sold for $686.

Johnny Cash Signed Grammy Ballot
Johnny Cash signed Grammy ballot for the 35th Annual Grammy Awards in 1993. Cash signs his name ”Johy Cash” and also prints his name ”John R. Cash”. He fills in nearly the entire ballot, with numbers corresponding to the nominated artists; only the ballot is present so it’s not clear who Cash votes for, though this could be researched relatively easily. Pale pink ”Final Ballot” sheet is numbered 4798 and also 0176. Most of content appears on front, though verso also has categories filled in. Measures 8.5” x 11”. Folds, else near fine. Sold for $317.
Here are some albums we have sold in the past:
Richard Wright’s personally owned RIAA Platinum award for “The Dark Side of the Moon” by Pink Floyd, the band’s most successful album and consistently ranked one of the greatest rock albums of all time. White matte award features a gold vinyl record above the album’s cover art and a plaque reading “PRESENTED TO / RICHARD WRIGHT / TO COMMEMORATE THE SALE OF MORE THAN / ONE MILLION DOLLARS WORTH OF THE / HARVEST RECORDS / LONG-PLAYING RECORD ALBUM / ‘THE DARK SIDE OF THE MOON’”. Award is in original frame, with RIAA framer, New York Frame & Picture Co. label on paper backing. Measures 17.75″ x 21.5″. Some nicks to wood frame, and a few spots of discoloration to matte at the very bottom, otherwise near fine condition. Accompanied by an LOA from Wright’s second wife, Franka Wright. Richard Wright’s Platinum RIAA album for “The Wall” sold in 2005 for over $40,000. Sold for $25,000.


Bob Dylan Signed “The Lyrics: Since 1962” — #15 of Only 50 Signed by Dylan
Bob Dylan signed deluxe edition of “The Lyrics: Since 1962″, #15 of a very limited edition of 50 signed copies. New York: Simon & Schuster, 2014, with book design done by The Un-Gyve Limited Group. This limited edition is set apart not only by Dylan’s signature, but also by its outstanding craftsmanship, beginning with the custom slipcase, accented with antique gilt tooling. Book displays gilded edges, headband and ribbon, and acid free text paper showcasing the literary stylings of the Nobel Prize winner for Literature. Book runs 961pp. with lyrics interspersed with album artwork from Dylan’s career. Slipcase measures 13.75″ x 13”, snugly fitting the book. In pristine, fine condition. With LOA from Un-Gyve Ltd., as well as with original shipping box. Sold for $9,432.

Bob Marley Signed ”Kaya” Album — Signed ”Rasta Love Kaya / Bob Marley” — With Roger Epperson COA
Bob Marley signed ”Kaya” album, inscribed by the legend in blue ballpoint pen, ”Rasta Love Kaya / Bob Marley”. Released in 1978, ”Kaya” include the iconic songs ”Is This Love” and ”Sun Is Shining”, promoted by Bob Marley & The Wailers in a worldwide tour in 1978, where this autograph was obtained on their stop in Paris in June. Some creasing to album cover, small bit of abrasion at upper left and inconspicuous tape along left side. On the verso is written ”Pascal 78” in orange marker. Vinyl record included, which has some shallow scratching. With Roger Epperson COA. A visually interesting and rare signed piece by Marley, ideal for display. Sold for $6,655.
Bob Dylan Signed Double Album ”Blonde on Blonde”
Bob Dylan signed album, ”Blonde on Blonde”, one of rock’s first double albums released in 1966. Many consider it one of the greatest rock albums of all time, with the classic songs ”Just Like a Woman”, ”Visions of Johanna”, ”I Want You” and ”Rainy Day Women #12 & 35”. Signed by Dylan on the famous blurred focus cover. Measures 12.25” square. Signature has been authenticated by Bob Dylan’s manager and album is from the stock of the manager and Bob Dylan. Near fine condition. Sold for $6,250.
Pink Floyd rare signed ”Ummagumma” album, signed by all four band members in large black marker on the album’s front cover: Roger Waters, Richard Wright, Nick Mason and David Gilmour. The ”Ummagumma” double album, released in October 1969, is considered by many to be one of the best live albums ever produced. Some dampstaining to top edge, light ring wear and partially separated spine. Overall in good plus condition. With a COA from Roger Epperson for all four signatures. Sold for $5,000.
The Eagles Signed Test Pressing for ”Hotel California” — With PSA/DNA COA
The Eagles signed test pressing of their LP ”Hotel California”. This pressing is from 1976, shortly before the album debuted in February 1977 and would go onto win a Grammy for Record of the Year, making the Eagles a household name. Pressing was given to a journalist who interviewed the band, to whom the album is inscribed, ”J.J., Enjoyed the interview / Thanks” under which they sign ”Glenn Frey”, ”Don Henley”, ”Joe Walsh”, ”Randy Meisner” and ”Don Felder”. Album cover measures 12.5” square. Minor wear and spotting to album cover, overall very good condition. Vinyl records appears near fine. With a COA from PSA/DNA. Sold for $4,063.
David Bowie Signed Aladdin Sane Album Epperson COA
David Bowie signed album cover of “Aladdin Sane” with the iconic photograph of a lightning bolt painted on Bowie’s face, one of the most recognizable album covers of all time. Cover is signed and dated 1991 in silver pen by Bowie. Album measures 12.25″ square, with record included. A bit of edgewear to front of album and small spot of abrasion to back. Overall in very good plus condition. With Roger Epperson COA. Sold for $3,414.
Consign your item at Nate D. Sanders Auctions. Send a description and images of your item to us at [email protected].
FREE APPRAISAL. To buy, auction, sell or consign your Johnny Cash at Folsom Prison signed album that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).















