Sell or Auction Your Alfred Jarry Les Minutes de Sable Memorial 1894 1st Edition of 19 for Nearly $5,000 or More at Nate D. Sanders Auctions

FREE APPRAISAL. To buy, auction, sell or consign your Alfred Jarry Les Minutes de sable memorial 1894 1st edition of 19 that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).

Sell Your Alfred Jarry Les Minutes de Sable Memorial 1894 1st Edition of 19

Alfred Jarry (French: [al.fʁɛd ʒa.ʁi]; 8 September 1873 – 1 November 1907) was a French symbolist writer who is best known for his play Ubu Roi (1896). He also coined the term and philosophical concept of ‘pataphysics.

Below is a recent realized price for an Alfred Jarry Les Minutes de sable memorial 1894 1st edition of 19 item. We at Nate D. Sanders Auctions can obtain up to these amounts or more for you:

Alfred Jarry Les Minutes de Sable Memorial 1894 1st Edition of 19. Sold for nearly $5,000.

Here are some recent items that our auction house, Nate D. Sanders (http://www.NateDSanders.com) has sold:

Karl Bodmer Prince of Wied’s Travels in the Interior

Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.

Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.

Gutenberg Bible Leaf 193 Chronicles of Old Testament

Scarce leaf from the Gutenberg Bible, one of the earliest major books printed from moveable metal type, the invention that ushered in the Age of Enlightenment by democratizing knowledge through mass production of literature. Printed by Johannes Gutenberg in Mainz, Germany from 1450-1455, less than 50 complete or near-complete copies of the Gutenberg Bible are now extant, with nearly all those housed in public institutions. Singular leaves are also scarce, with the leaf presented here having been acquired by bookseller Gabriel Wells, whose purchase of an incomplete Bible in 1920 gave way to selling the individual leaves alongside an essay by A. Edward Newton entitled “A Noble Fragment”. Leaf is number 193 of the full Latin Bible, with the recto being the Prologue to 1 Chronicles of the Old Testament, and the verso the first part of Chapter 1 of 1 Chronicles. Each page features two columns of 42 lines in dark black Gothic type, accented by red and blue rubrication. Each copy of the Gutenberg Bible differs in its rubrication and illumination, with buyers at the time deciding upon these embellishments after the Bible was printed. The six-line rubricated letters of this leaf were likely added later, restored to match the original style. Leaf measures 11.125″ x 15.375″, bound on edge to portfolio measuring 11.75″ x 16″. Paper quality is still bright with very little foxing or discoloration compared to other examples. A stunning example from the book that changed the course of history. Sold for $136,500.

Norman Rockwell Oil on Canvas Painting of Richard Nixon — The National Portrait Gallery Study for ”Mr. President (Richard Nixon)”, Painted in 1968

Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.

Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.

Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”

Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.

Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.

Auction your Alfred Jarry Les Minutes de sable memorial 1894 1st edition of 19 at Nate D. Sanders Auctions. Send a description and images of your Alfred Jarry Les Minutes de sable memorial 1894 1st edition of 19  to us at [email protected].

Charles Darwin On the Origin of Species 1st Edition

First edition, first printing of “On the Origin of Species” by Charles Darwin, one of the most important books in the scientific canon. London: John Murray, 1859. In this revolutionary book that upended man’s own view of himself, Darwin posits natural selection as the engine driving species’ evolution, an argument so persuasive that even 19th century religious leaders adjusted their teachings to allow for evolution to work in concert with divine planning. Its importance has only grown in the 150+ years since publication, with Freeman concluding it to be “the most important biological book ever written”. First released on 24 November 1859, its scarcity nearly matches its importance, with the first printing consisting of only 1,250 copies, and the number of extant copies now significantly fewer.

All first printing points are present, including original binding, variant B, title page with copyright information on verso, Table of Contents (pages v-ix) with binder instructions to verso, complete pages 1-502, and folding table present between pages 116-117. Bound in publisher’s full green boards, stamped and lettered in gilt. Overall in very good condition; ads at back of volume have been removed as has half-title page, and endpapers have been replaced. Volume is rebacked using morocco, with original spine laid down. Some shelf wear to boards. Light foxing throughout book, with some chipping, small closed tears with repairs to a few pages, and a few dogeared pages. One small mark on page 109, otherwise no internal writing or marks. Housed in a custom quarter-leather clamshell box. Overall in very good condition, a handsome, presentable copy of this scarce first printing. Sold for $68,250.

Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”

French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing.  Sold for $65,959.

Pablo Picasso “Le Dejeuner Sur L’herbe” (“Lunch on the Grass”), No. 517 — Stunning Plaque Created at Madoura Pottery Studios Measures 24″ x 20″ in Classic Picasso Style — Picasso’s Artist Proof

Unmistakably Pablo Picasso terre de faience (earthenware) plaque ”Le Dejeuner Sur L’herbe” (”Lunch on the Grass”) created at the famed Madoura pottery studio in the south of France, where Picasso collaborated the last 25 years of his life. Painted 24” x 20” plaque is Picasso’s own artist proof, apart from the very limited edition of 50 made by Picasso in his quintessential style in 1964. Inscribed ”Edition Editeur”, with both the Empreinte Originale de Picasso and Madoura stamps. Measures 24” x 20”. In very good plus condition with a few minute chips along verso of right edge. Number 517 in Alan Ramie’s ”Picasso, Catalogue of the Edited Ceramic Works, 1947-1971”. Sold for $55,125.

Exceedingly Rare First Printing Dusjacket of ”The Great Gatsby” — Much More Rare Than the Legendary Novel It Houses

Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s ”The Great Gatsby,” published by Charles Scribner’s Sons: New York: 1925, with the nearly impossible to find first printing dustjacket. Every point is present: 1925 is printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; ”chatter” appears on page 60; ”northern” appears on page 119; ”it’s” is printed on line 16 of page 165; ”sick in tired” is found on page 205; ”Union Street station” is mistyped on line 7-8 of page 211. Bound in dark green cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Francis Cugat’s scarce original unrestored first printing dustjacket has the lowercase ”j” in ”jay Gatsby” on the back panel hand-corrected in ink.  Sold for $50,000.

Dean Ellis Painting Commissioned for the Cover of Ray Bradbury’s Book ”The Illustrated Man” — From the Bradbury Estate

Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.

Andy Warhol 1965 Red ”Liz” Lithograph — Limited to Approximately 300

Andy Warhol lithograph of Hollywood superstar, Elizabeth Taylor. Made with acrylic and silkscreen ink on canvas and limited to approximately 300. Warhol signs and dates the piece at lower right in black pen, ”Andy Warhol 65”. Simply titled ”Liz”, this red version is part of a series with different background colors. Warhol began his Taylor paintings in 1963 and used a publicity photo for the film ”Butterfield 8” as his source. Measures 22” x 22”. Matted and framed, measures 29” x 29”. Not examined out of the frame, but viewable portion is near fine. Sold for $42,250.

Charles Addams Signed Painting Personally Owned by Ray Bradbury — Selected to Become the Cover of Bradbury’s Book, ”From the Dust Returned”

”Addams Family” cartoonist and creator Charles Addams original 1946 painting personally owned by Ray Bradbury. True to Addams’ whimsical and macabre tone, painting depicts a landscape scene at twilight with a Gothic mansion overlooking a shore, and with ghoulish creatures and spirits ascending towards the house. Signed, ”Chas Adams” at upper right. Mixed media on illustration board was selected to be the cover image for Bradbury’s book, ”From the Dust Returned”, which was released in 2001. Painting measures 17” x 12” and is matted and framed to an overall size of 24” x 19”. Chip to frame, otherwise near fine. With a COA from the Ray Bradbury estate. Sold for $25,000.

Ray Bradbury Personally Owned Oil Painting, Titled ”Carnival” by Joseph Mugnaini — The Very First Mugnaini Painting Purchased by Bradbury & Which Ignited Their Professional Collaboration

Art by Joseph Mugnaini from the personal collection of Ray Bradbury, and indeed the painting which began the collaboration between the two creative men. Painting known as both ”Carnival” and “Caravan” is a nighttime scene depicting a train perched precariously high, filled with faceless figures, their arms raised in apparent cheering, waving pennant-style flags. The carnival theme is inextricable from Bradbury’s work, serving not only as the setting of his famous novel, ”Something Wicked This Way Comes”, but also as his inspiration to become a writer; Bradbury credits his interaction as a child with a carnival magician named ”Mr. Electrico”, who told him to ”Live Forever!”, as the impetus for his writing career. Painting, composed in oil on board, is circa 1952. Measures approximately 31” x 25”, matted and framed to an overall size of 36” x 30”. Frame shows wear but art appears near fine. With a COA from the Ray Bradbury estate. Sold for $23,153.

Robert Watson Painting Entitled ”The Martian Chronicles” — Used for the Cover Art of the 1953 Second Edition — Painting Owned by Ray Bradbury

Robert Watson painting entitled ”The Martian Chronicles”, as the artist provided this cover art for the book’s second edition, printed in 1953. Signed ”R. Watson” in paint at lower left, oil on canvas painting depicts a solitary human being, surrounded by decaying structural columns on a desolate landscape; this piece exactly matches the cover of the 1953 edition, with the exception that the book has a red background. With the artist’s name, painting title and ”Collection of Ray Bradbury” handwritten to verso. Painting measures 14” x 18”. Minor scratch to front, else near fine. With a COA from the estate of Ray Bradbury. Sold for $22,986.

Jasper Johns “Between the Clock and the Bed” Lithograph 

Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.

”Gone With the Wind” Cast Signed Novel — Signed by 12, Including Clark Gable, Vivien Leigh, Olivia de Havilland, Leslie Howard & Hattie McDaniel — With PSA/DNA COA

Very rare ”Gone With the Wind” novel signed by the cast. New York: The MacMillan Co., 1938, later edition. Novel is signed on the front endpapers by the leading cast members: Clark Gable, Vivien Leigh, Olivia de Havilland, Leslie Howard, Hattie McDaniel, Ona Munson, Evelyn Keyes, Ann Rutherford, Thomas Mitchell, Carroll Nye, Oscar Polk, and unit manager William J. Scully. Underneath their signatures are the names of their ”Gone With the Wind” characters, written in another hand. Housed in a custom leather clamshell box with five raised bands and gilt lettering to spine, ”Gone With the Wind / Autographed by Twelve Members of Cast”. Book measures 6” x 9”. Toning to signature page, otherwise very good. With PSA/DNA for all actor’s signatures. Sold for $15,000.

James Joyce Autograph and an Henri Matisse Autograph in a Scarce Limited Edition of “Ulysses”

Scarce copy of “Ulysses” rare book by James Joyce, illustrated by Henri Matisse. New York: The Limited Editions Club: 1935.  Number 297 of a limited edition run of 1500 copies.  One of only 250 such copies signed by both Joyce and Matisse.  Boldly signed by the author and illustrator on limitation page.  Full brown buckram boards with gilt embossing to front cover and backstrip.  Large octavo measures 9″ x 11.5″.  Volume runs 420pp. with an introduction by Stuart Gilbert and illustrations by Henri Matisse including 20 reproductions of preliminary drawings and six original soft-ground etchings.  In 1935 George Macy, founder of the fledgling Limited Editions Club, made the bold decision to commission Matisse to illustrate Joyce’s controversial and previously banned masterpiece, “Ulysses.”  Matisse, understanding that Joyce’s work parodied the original eighteen episodes of the “Odyssey,” chose to create his 26 full-page illustrations as actual illustrations of Homer’s original work.  Matisse later signed all 1500 of Macy’s limited edition, however, as legend has it, when Joyce realized that Matisse had been working from Homer’s “Odyssey” rather than his novel, he refused to sign any more than the 250 copies he had already signed making this double-signed edition exceedingly rare.  Rare book without original slipcase, else fine condition.  Sold for $14,460.

Ernest Hemingway Signed First Limited Edition of ”A Farewell to Arms” — Scarce in Original Slipcase

Ernest Hemingway signed limited first edition of his post-WWI classic, ”A Farewell to Arms”, housed in its original limited edition slipcase, with numbers matching. New York: Charles Scribner’s Sons, 1929. Published on 27 September 1929 in a limited edition of 510 numbered copies, this being #214, signed boldly ”Ernest Hemingway” in black fountain pen. In matching slipcase with Charles Scribner’s Sons plate, again listing the limited edition as #214. Measures 6.5” x 9.5”. Some chipping to seams of slipcase, overall in very good condition. Chipping to spine label, otherwise book is near fine. Sold for $10,313.

FREE ESTIMATE. To buy, auction, sell or consign your Alfred Jarry Les Minutes de sable memorial 1894 1st edition of 19 that is for sale, please email your description and photos to  [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).