Sell or Auction Your Annibale Marchese Tragedie Cristiane 1729 Intricate Fore-edge Painting for up to Over $5,000 or More at Nate D. Sanders Auctions
FREE APPRAISAL. To buy, auction, sell or consign your Annibale Marchese Tragedie Cristiane 1729 intricate fore-edge painting that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Sell Your Annibale Marchese Tragedie Cristiane 1729 Intricate Fore-edge Painting
Below is a recent realized price for an Annibale Marchese Tragedie Cristiane 1729 intricate fore-edge painting item. We at Nate D. Sanders Auctions can obtain up to these amounts or more for you:
Annibale Marchese Tragedie Cristiane 1729 Intricate Fore-edge Painting. Sold for over $5,000.
Here are some recent items that our auction house, Nate D. Sanders (http://www.NateDSanders.com) has sold:
Karl Bodmer Prince of Wied’s Travels in the Interior
Stunningly beautiful collection of 81 hand-colored aquatints by the Swiss artist Karl Bodmer, a complete collection from the illustrated travelogue, “Prince of Wied’s Travels in the Interior of North America”. Bodmer, who journeyed with the German Prince Maximilian of Wied-Neuwied from 1833-34 along the Missouri River, produced what is considered the best depictions of the indigenous peoples and landscapes during the frontier era, an America then still unspoiled by western migration. Of the Native American tribes of the Great Plains that they encountered, Bodmer’s depictions of the Blackfeet and Mandan tribes are especially important as the populations of these tribes were greatly affected by the smallpox epidemic of 1837, thus making Bodmer’s work the last visual testament to their culture.
Prince Max, as he was called, chose Bodmer to accompany him on the expedition along the Missouri River to visually depict the scenes that the Prince would write about. The result is this collection: three volumes of text by the Prince and two volumes of aquatints by Bodmer, in the first Paris edition published by Chez Arthus Bertrand, 1840-43 (“Voyage dans l’interieur de l’Amerique du Nord”). Text volumes in French also include 37 wood-engraved illustrations, only lacking the map in completeness. The two complete volumes of illustrations include the large folio volume with 48 oversized hand-colored aquatints measuring approximately 24.5″ x 18″, and the quarto volume with 33 hand-colored aquatints measuring approximately 12.5″ x 10.25″. The complete set of 81 aquatints is magnificent in their display, a time capsule with their hand-coloring evoking the sense of awe and discovery of the expedition. All volumes are bound in half black morocco and blue paper-covered boards with gilt accenting, and with black morocco labels to illustrated volumes. Minor handling wear to volumes, with a few small repaired tears to plates, some plates supplied with variance to margins, minute toning and foxing, a few plates beginning to separate from binding. Overall a very good plus set with excellent display quality. Sold for $175,000.
Gutenberg Bible Leaf 193 Chronicles of Old Testament
Scarce leaf from the Gutenberg Bible, one of the earliest major books printed from moveable metal type, the invention that ushered in the Age of Enlightenment by democratizing knowledge through mass production of literature. Printed by Johannes Gutenberg in Mainz, Germany from 1450-1455, less than 50 complete or near-complete copies of the Gutenberg Bible are now extant, with nearly all those housed in public institutions. Singular leaves are also scarce, with the leaf presented here having been acquired by bookseller Gabriel Wells, whose purchase of an incomplete Bible in 1920 gave way to selling the individual leaves alongside an essay by A. Edward Newton entitled “A Noble Fragment”. Leaf is number 193 of the full Latin Bible, with the recto being the Prologue to 1 Chronicles of the Old Testament, and the verso the first part of Chapter 1 of 1 Chronicles. Each page features two columns of 42 lines in dark black Gothic type, accented by red and blue rubrication. Each copy of the Gutenberg Bible differs in its rubrication and illumination, with buyers at the time deciding upon these embellishments after the Bible was printed. The six-line rubricated letters of this leaf were likely added later, restored to match the original style. Leaf measures 11.125″ x 15.375″, bound on edge to portfolio measuring 11.75″ x 16″. Paper quality is still bright with very little foxing or discoloration compared to other examples. A stunning example from the book that changed the course of history. Sold for $136,500.
Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.
Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”
French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing. Sold for $65,959.
Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.
Richard III signet-sealed document signed ”R. Gloucestre” as Duke of Gloucester, one of less than a dozen such documents signed with the others residing in public institutions. Richard’s brother, Edward IV, appointed Richard as Lord President of the Council of the North, which sought to exert greater governmental control over Northern England. Document is dated by title donned on Richard as ”Constable and Admyral of England” instead of ”Great Chamberlain,” which dates the document circa 1473-77. As Duke of Gloucester in his early 20’s, Richard III was given many responsibilities by his brother, becoming a powerful landowner and political force to be reckoned with in the north, further establishing his future reign as King of England. Document illuminates his growing power as he hereby intervenes in a land dispute between Ralph Neville, 2nd Earl of Westmorland and some of his tenants. Countersigned by the Duke’s secretary, John Kendal. Document is addressed to Sir Robert Claxton, William Claxton, Richard Bainbridge, ”and other of the ‘Counsell of our right entierly beloved Cousyn Therl of Wesm[or]land’, Pontefract, 22 April n.y. [1473 or 1476-77]”. Reads in part: ”c[er]ten cont[ro]v[er]sie’ between William Trotter, ‘ferrour’ [‘smith’?], Hugh Ile and others on the one hand and William Hunter and Robert Comyn on the other, concerning leaseholds belonging to the Earl of Westmorland. He writes now to a larger group of Westmorland councillors, asking that they examine the petitioners and settle the dispute according to their own discretion, so th[a]t neyther p[ar]tie have cause to sue unto us for remedy in that behalve heraft[er].” Measures 11.75” x 7” on one page. Framed to an overall size of 18.5″ x 14.25″; frame has a drawer that pulls up from the top edge holding a transcript of the document and a biography of Richard III. Document has been archivally restored, though still has paper loss to right side and various holes and chips throughout. Overall very good condition for such a preserved document. Document is exceedingly rare, one of only three documents signed by Richard III to come up for auction in the last 30 years. Sold for $52,417.
Important Henry VIII order signed ”Henry R”, as King of England and Ireland, commanding Sir Charles Brandon to gather troops in preparation for his planned invasion of France, as part of the Italian Wars. Dated 16 September 1512, only three years into his reign, Henry VIII here takes advantage of the Pope’s ”Holy League” against France to expand his territory in the northern part of that country. To that end, he orders the mustering of troops from the counties of Carnarvon, Merioneth, and Anglesey in Wales. Its compelling text reads in part: ”…’cause asmany of thaym as bee hable men for the warre to bee sufficiently furnisshed of thaire harneys and to bee always in arredynesse to doo unto us s[e]rvice under yo[u]r ledyng…” Those who refuse are ”…to be condignely punisshed according to his or thaire demerits in example of other that wolde semblably presume toffende herafter…” Sir Brandon, to whom this order is directed, went on to become the 1st Duke of Suffolk following success in August 1513 at the Battle of the Spurs — using the men culled from this initiative. A red seal is affixed to bottom center. Single page runs 16 lines on vellum and measures 11.25″ x 6.5″. Toning, creasing and some light staining, else near fine. An important document in the early years of the Italian Wars, which raged for more than sixty years, ultimately involving most of Europe in a complex conflict that spawned wars within wars. Sold for $40,954.
Consign your Annibale Marchese Tragedie Cristiane 1729 intricate fore-edge painting at Nate D. Sanders Auctions. Send a description and images of your item to us at [email protected].
Scarce Jonathan Swift autograph letter signed as Dean of St. Patrick’s Cathedral. The satirist datelines his letter from the Deanry-house in Dublin, 14 October 1736, just two years before becoming debilitated by mental illness. He writes to Lionel Sackville, 1st Duke of Dorset, in full: ”My Lord, In a former Letter to Your Grace, I taxed you with a Debt of 110 lb a year in church Livings, being by Arithmetic an Arrear of 150 lb a year which Your Grace was pleased to promise me for a Friend, and of which I onely received 40 lb a year. I often did my self the Honor of being so bold (which – is no great Honor) of telling you that a very worthy Clergyman had been long a weight upon my Shoulders to get him some addition, and that his circumstances were such that the addition I desired must consist with the small Preferment he hath already. There is now a Prebendary vacant, which will answer my Wish. One Mr. Williamson dyed about 36 hours ago; He was Treasurer of Christ-church in Dublin, the Place is worth between ninety and a hundred pounds a year, and no more; The Person whom I desire may have it is Mr John Jackson, Minister of Santry three miles from Dublin, and a Relation of the Grattans, he hath been often and earnestly recommended by me to Your Grace, and your answers have been favorable; I have added severall times that you would by such a favor oblige this whole City, and the most honest gentlemen in the Kingdom, and I hope such a consideration will have weight with you. I do therefore hope and expect that Your Grace will by the next Post, send an Order to have a Patent made out for Mr. John Jackson Vicar of Santry Rector (which ever he be) to confer on him the Treasurership of Christ-church, Dublin; and at the same time (which is now near the twentyth) that my chief Regard is to Your Grace’s honor, that you will reward a most deserving Gentleman of this Kingdom, who had the misfortune to be born in it, with one mark of Your Favor. Otherwise, I shall think it very hard, that as I am of some station, and perhaps of some little Distinction, beside the Honor of being so long known to your Grace and family, I could never have the least Power of prevayling on you to reward Merit, for which no Party will repine…Jonath: Swift”. Dean Swift and the date are handwritten on a panel to verso. 2pp. on card-style stationery measures 7.5” x 9”. Light toning, some show through and a small tear to the right edge, else near fine. Sold for $19,103.
Dominic Serres’ “Frigate Ablaze”
“A Frigate Ablaze Offshore” by Dominic Serres. Intricate image captures a battle scene during the American Revolution. In the foreground, British soldiers watch from rescue boats as their ship is destroyed. The main ship appears at center, highlighted by brilliant flames of orange and yellow; a British flag is prominently displayed on the bow. Though French by birth, Dominic Serres spent most of his life in Britain and was influenced by the styles of 17th century Dutch maritime artists. His paintings frequently feature naval battle scenes set during the American Revolution and the Seven Years’ War. Oil on metal image measures 16.75″ x 12.5″; 22.5″ x 18.5″ framed. Slight metal pitting, not affecting image. Excellent condition. Sold for $3,573.
Consign your Annibale Marchese Tragedie Cristiane 1729 intricate fore-edge painting at Nate D. Sanders Auctions. Send a description and images of your Annibale Marchese Tragedie Cristiane 1729 intricate fore-edge painting to us at [email protected].
Stanislas Lepine French Oil Painting
Landscape painting by French painter Stanislas Lepine. Oil on wood panel. Signed to lower left. Born in Caen, Normandy in 1835, Lepine began studying art as a young man under Jean-Baptiste-Camille Corot, a master expressionist painter whose work significantly influenced the likes of Monet, Degas and Picasso. The critic Georges Lecomte called Lepine the direct artistic descendant of the great Corot. The influence of Johann Barthold Jongkind is also evident in Lepine’s paintings, particularly in his use of light. In this brooding atmospheric piece, Lepine depicts a view of Notre Dam from the foggy banks of the Seine River. The Seine drew his attention throughout his career, and is a common subject of his paintings. Though he was highly regarded by his peers, Lepine gained little recognition during his lifetime. In 1874, he was invited to exhibit at the first Impressionist Exhibition, and in 1889 he took the top prize at the Exposition Universelle. He died three years later, poor and still relatively unknown, at the age of 57. Only after his death did his paintings begin to win wider acclaim, and in 1892 a retrospective of his work was held at Durand-Ruel. Image measures 9.5″ x 6″; framed, 13″ x 9″. Frame, which shows chipping and other edgewear, appears to be original to the piece; a small wood name plate to the lower center of the frame reads “S. Lepine.” Panel is slightly warped from age but paint shows no cracking. Mild surface grime, otherwise near fine condition. Sold for $2,455.
FREE APPRAISAL. To buy, auction, sell or consign your Annibale Marchese Tragedie Cristiane 1729 intricate fore-edge painting that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Consign your item at Nate D. Sanders Auctions. Send a description and images of your item to us at [email protected].