Sell or Auction Your Andrew Duluc First View of The Battle of Patapsco Neck Engraving for Over $10,000 or More at Nate D. Sanders Auctions
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Sell Your Andrew Duluc First View of The Battle of Patapsco Neck Engraving
The Battle of North Point was fought on September 12, 1814, between General John Stricker’s Maryland Militia and a British force led by Major General Robert Ross. Although the Americans retreated, they were able to do so in good order having inflicted significant casualties on the British, killing one of the commanders of the invading force, significantly demoralizing the troops under his command and leaving some of his units lost among woods and swampy creeks, with others in confusion. This combination prompted British colonel Arthur Brooke to delay his advance against Baltimore, buying valuable time to properly prepare for the defense of the city as Stricker retreated back to the main defenses to bolster the existing force. The engagement was a part of the larger Battle of Baltimore, an American victory in the War of 1812.
Below is a recent realized price for an Andrew Duluc First View of the Battle of Patapsco Neck engraving item. We at Nate D. Sanders Auctions can obtain up to these amounts or more for you:
Andrew Duluc First View of The Battle of Patapsco Neck Engraving. Sold for over $10,000.
Here are some recent items that our auction house, Nate D. Sanders (http://www.NateDSanders.com) has sold:
Baltimore From Federal Hill Hand-Colored Folio Aquatint
Stunning hand-colored aquatint of “Baltimore From Federal Hill” by the “master of the aquatint view”, William James Bennett. During the 1830s, Bennett produced a series of 19 large, folio-sized aquatints of American cities, of which has been said, “constitute the crowning point of his career as an artist and printmaker…The aquatints, rightfully considered the finest collection of folio views of American cities, provide abundant evocation of nineteenth-century America with particular emphasis on cities that owed their existence and prosperity to the presence of water…Bennett’s Baltimore view, declared the Baltimore American on September 28, 1831, has been ‘pronounced by judges to be the best print of the kind ever published in the United States’”. Measuring 26.25″ x 20″, aquatint published by Henry I. Megarey in 1831 is the second state with printer’s name listed. Some closed tears at center of sky have been professionally repaired, barely visible upon close inspection, and some repair to trimmed margins. Mounted on a sheet of wove paper. Overall in very good plus condition with virtually no toning and still exceptionally bright colors. Sold for $6,825.
17th Century Hand-Colored Map of the Americas by Noted Cartographer Willem Blaeu — Entitled “A New Map of America”
One of the few maps of the Americas by renowned 17th century Dutch cartographer Willem Blaeu, published in Amsterdam, circa 1640s, entitled “Americae Nova Tabula” or “A New Map of America”. Hand-colored engraved map is accentuated with a sea monster and galleon ships in the body of the map, with Blaeu further decorating the side borders with semi-nude and costumed figures, and the top border with geographical areas such as Mexico and Havana. Of this particular map, the expert Philip Burden has stated, “This is one of only a few maps relating to North America by Blaeu. Its visual appeal is enhanced greatly by the inclusion of three decorative borders. These are drawn from various sources, including Theodore de Bry.” Map measures 23.75″ x 19.25″, matted to 28″ x 22.25″. French text printed on verso. Mild, uniform toning and archival repair to verso, overall in exceptional near fine condition given age. Sold for $4,000.
Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.
Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.
Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”
Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.
Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.
Pierre-Auguste Renoir Drawing — Portrait of a Young Girl ”Fillette”
French Impressionist master Pierre-Auguste Renoir drawing, pen and ink with ink wash of a young girl with a hat, entitled ”Fillette”. The drawing, created circa 1882, is signed with the initial, ”R”. Renoir, who had been painting Parisian scenes for many years, saw his fame take off when, along with other Impressionist painters, including Monet, Degas and Cezanne, his work was represented in the first Impressionist Exhibition in 1874. He painted scenes of people at work and play, often painting women and girls. He was known for his free brush strokes and the warm sensuality present in the light and color of his palette. Two of Renoir’s most famous paintings, ”Luncheon of the Boating Party” and ”Girl With a Hoop”, were completed during the early 1880’s when this drawing was made. The drawing, measuring 5.5” x 7.75”, is in fine condition. With provenance from Sotheby’s. Also featured in: (1) page 171, Vol. II of ”Pastels & Drawings of Pierre-Auguste Renoir” by Ambroise Vollard. Paris: 1918; (2) page 568, Vol. II of ”Renoir. Catalogue Raisonne of the Paintings, Pastels, Drawings and Watercolours 1882-1894” by Guy-Patrice & Michel Dauberville. Paris: 2009. Superb Renoir drawing. Sold for $65,959.
Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.
Andy Warhol 1965 Red ”Liz” Lithograph — Limited to Approximately 300
Andy Warhol lithograph of Hollywood superstar, Elizabeth Taylor. Made with acrylic and silkscreen ink on canvas and limited to approximately 300. Warhol signs and dates the piece at lower right in black pen, ”Andy Warhol 65”. Simply titled ”Liz”, this red version is part of a series with different background colors. Warhol began his Taylor paintings in 1963 and used a publicity photo for the film ”Butterfield 8” as his source. Measures 22” x 22”. Matted and framed, measures 29” x 29”. Not examined out of the frame, but viewable portion is near fine. Sold for $42,250.
Very scarce receipt signed by Paul Revere regarding one of his famous horseback rides, dated 15 February 1775 just two months before his Midnight Ride warning colonists that ”The British Are Coming” before the Battle of Lexington & Concord. As official courier for the Boston Committee of Public Safety, Revere was tasked with riding from Boston to Philadelphia and New York, with historians documenting 18 such rides from December 1773 to November 1775. This was likely the last of the rides before the Revolutionary War began, and is only one of two receipts for the rides ever to appear at auction, with the other selling at Christie’s for $140,000 in 2002. Composed entirely in the hand of Revere, receipt documents expenses ”from Boston to N. York” in the amount of 4 pounds, 3 shillings, and additional expenses for his Horse, and his time, all totaling 13 pounds, 19 shillings. Dated 15 February 1775 by Revere. Document measures 7.5” x 2.25”, framed with an engraving of Revere on horseback to a size of 15.75” x 18”. Uneven edges, clean vertical separation and light chipping at lower left edge. Overall very good plus condition with legible and strong handwriting. With Profiles in History COA. Sold for $36,603.
Currier & Ives Hand-Colored Lithograph Measuring — 19th Century Print Remains Boldly Colored
Currier and Ives was a successful American printmaking firm based in New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored. Lithographic prints could be reproduced quickly and purchased inexpensively, and the firm called itself “the Grand Central Depot for Cheap and Popular Prints” and advertised its lithographs as “colored engravings for the people”. The firm adopted the name “Currier and Ives” in 1857.
Beautiful Currier & Ives hand-colored lithograph entitled “The Life of a Hunter. ‘A tight fix’”. Produced in 1861 on wove paper, lithograph measures 28″ x 21.5″, framed to 39″ x 32.25″. Very well-preserved with deep, rich colors. A few small repaired tears to margin, with two extending slightly into the image at top and bottom right, though nearly indiscernible; also with faint discoloration to margins, else near fine condition. A rare lithograph so well preserved by the storied print makers. Sold for $31,680.
Consign your Andrew Duluc First View of the Battle of Patapsco Neck engraving at Nate D. Sanders Auctions. Send a description and images of your Andrew Duluc First View of the Battle of Patapsco Neck engraving to us at [email protected].
Jasper Johns “Between the Clock and the Bed” Lithograph
Jasper Johns lithograph entitled ”Between the Clock and the Bed”, printed in colors in 1989. Signed by Johns in pencil, dated and numbered 21/32, apart from the 11 artist’s proofs. Printed on HMP paper with Friends of the Philadelphia Museum watermark, and publisher’s blindstamp of ULAE (245) of West Islip, New York. Image measures 33.75” x 19.5”, framed to 51.5” x 39.25”. In very good condition with a few very small spots of foxing in margin and minor buckling, overall in very good condition. Sold for $18,000.
Pablo Picasso Signed “Modele nu et Sculptures” Etching — From the Desirable Vollard Suite of Etchings
Pablo Picasso “Modele nu et Sculptures” etching, signed by Picasso in pencil on the lower margin. Created in May 1933 in Paris, etching is plate 72 of the desirable Vollard Suite, a set of neoclassical etchings commissioned by dealer Ambroise Vollard. From an edition of 250, on Montval laid paper with the Galatea watermark just underneath Picasso’s signature. Paper measures 15.25″ x 19.75″, framed to 24.25″ x 28″. In very good to near fine condition with two imperceptible spots of foxing at edge of image. Catalog raisonne reference: Bloch 185 and Baer 344. Sold for $11,550.
Consign your Andrew Duluc First View of the Battle of Patapsco Neck engraving at Nate D. Sanders Auctions. Send a description and images of your Andrew Duluc First View of the Battle of Patapsco Neck engraving to us at [email protected].