Sell or Auction Your George Jenson Close Encounters Third Kind Painting Art for up to Over $5,000 or More at Nate D. Sanders Auctions
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Sell Your George Jenson Close Encounters Third Kind Painting Art
Close Encounters of the Third Kind is a 1977 American science fiction film written and directed by Steven Spielberg, and starring Richard Dreyfuss, Melinda Dillon, Teri Garr, Bob Balaban, Cary Guffey, and François Truffaut. It tells the story of Roy Neary, an everyday blue-collar worker in Indiana, whose life changes after an encounter with an unidentified flying object (UFO).
George Jenson Close Encounters Third Kind Painting Art. Sold for Nearly $5,000.
Consign your George Jenson Close Encounters Third Kind painting art at Nate D. Sanders Auctions. Send a description and images to us at [email protected].
Here are some items we have sold in the past at Nate D. Sanders Auctions:
Artist Dean Ellis original ”Red Illustrated Man” painting commissioned for the cover art of Ray Bradbury’s ”The Illustrated Man”. Ellis’ depiction was used for the cover of the Bantam Books 1969 paperback edition of ”The Illustrated Man”. Composed in casein on illustration board. Painting measures 17” x 26.5” and is framed to an overall size of 26” x 35”. Near fine condition. With a COA from the Ray Bradbury estate. Sold for $45,894.

Consign your George Jenson Close Encounters Third Kind painting art at Nate D. Sanders Auctions. Send a description and images to us at [email protected].
Scarce model from the 1979 film ”Alien” of the famed ”Space Jockey” character aboard the ”Derelict Spaceship”, designed and hand-painted by H.R. Giger. One of the most recognizable scenes in sci-fi cinema, the haunting Space Jockey aka The Pilot, found dead aboard the alien spaceship, was conceived and designed by famed Swiss surrealist painter, sculptor and visual effects artist H.R. Giger, whose work on ”Alien” won an Academy Award in 1980.
The enormous Space Jockey and cavernous spaceship are quintessential Giger, renowned for human-machine melded beings called biomechanoids; the walls of the spaceship appear to be either vertebrae from a once living creature, or cogs in a vast industrial machine system, or perhaps both. Space Jockey is fused into his command station and wears either a mask, or has a elephantine trunk extending from his face. In the ”Alien” set — which was built based on this model — Space Jockey sits 26 feet tall, dwarfing the characters of Kane, Dallas and Lambert who find him dead, his rib cage blasted open, serving as foreshadowing to what awaits the crew later in the film.
So pivotal was the scene — establishing the world of the Alien creature and serving as ground zero for the film’s mythology — that Ridley Scott insisted upon its construction, despite the enormous cost of building the life-size (or larger than life) set. Space Jockey so enthralled the audience of ”Alien”, that the character would even go on to serve as a critical and central story point in Scott’s ”Promethus”, the ”Alien” origin story released in 2012.
The model is reportedly one of only three or four known to exist and comes from the collection of Peter Beale, former 20th Century Fox executive who was given the model by Giger and whose LOA accompanies the piece. The original mold was intentionally cut into smaller parts to be used by the technicians who constructed the set, so the remaining models are the only extant original sculptures of the scene. This model measures 43” wide x 36” long x 16.25” high, hand painted in tones of grey, brown and black by Giger. Space Jockey is fused into his pilot seat, which swivels around on a circular platform. The swiveling piece can be removed and measures 13.5” long x 10.25” high x 4.5” wide. Entire model weighs over 47 lbs., glued to a painted sheet of plywood. A few chips to the resin, otherwise in near fine condition. One of the finest ”Alien” props ever to be sold at auction. Sold for $31,250.

”Addams Family” cartoonist and creator Charles Addams original 1946 painting personally owned by Ray Bradbury. True to Addams’ whimsical and macabre tone, painting depicts a landscape scene at twilight with a Gothic mansion overlooking a shore, and with ghoulish creatures and spirits ascending towards the house. Signed, ”Chas Adams” at upper right. Mixed media on illustration board was selected to be the cover image for Bradbury’s book, ”From the Dust Returned”, which was released in 2001. Painting measures 17” x 12” and is matted and framed to an overall size of 24” x 19”. Chip to frame, otherwise near fine. With a COA from the Ray Bradbury estate. Sold for $25,000.
“The Empire Strikes Back” Original Concept Sketch Hand Drawn Original Star Wars Movie Poster Art by Tom Jung — Redone to Include Harrison Ford as “Han Solo” — Measures 19″ x 24″
Concept art by famed designer Tom Jung for “The Empire Strikes Back”, revised here to include Harrison Ford as “Han Solo”, who emerged from “Star Wars” as one of the lead characters in the franchise. The large, dramatic artwork features Darth Vader with a beckoning, outstretched arm, standing ominously over his horde of Stormtroopers, with Luke Skywalker riding a tauntaun and Han Solo firing his DL-44 blaster. Artwork is rendered on acid-free paper, done in HB pencili and graphite stick. Measures 19″ x 24″. Light wear, otherwise near fine. Sold for $13,650.

Disney Original Concept Painting From 1946 for “Song of the South” by Mary Blair — Measures 13.5″ x 11″
Mary Blair 1946 concept painting for Disney’s “Song of the South”. A “Disney Legend” who designed concept art for several Disney films including “Cinderella”, Mary Blair famously visited the South before creating concept art for “Song of the South”, with her research evident here in the landscape and mood. Gouache painting on board shows Br’er Bear, Br’er Fox and Tar-Baby about to set a trap for Br’er Rabbit. Board measures 13.5″ x 11″. Light edge wear and pinholes at corners, otherwise near fine. Sold for $11,025.
Alien Concept Original Drawings by Famed Artist Ralph McQuarrie — 52 Sheets With Dozens of Drawings
Large collection of original alien and spaceship concept drawings by artist Ralph McQuarrie, the illustrator, concept artist and designer for a slew of blockbusters including “Star Wars”, “Close Encounters of the Third Kind”, “Raiders of the Lost Ark”, “The Empire Strikes Back”, “Return of the Jedi”, “E.T. the Extra-Terrestrial” and “Cocoon”, for which he won an Academy Award. Sketches number in the dozens, composed on 52 sheets, replete with various alien creatures (one resembling his E.T. character), and spaceships resembling parasites. One sheet shows cars in bubbles populating the sky, as the artwork was done for a Chevrolet-Showscan collaboration; Showscan was a high-speed, large-format movie process designed by Douglas Trumbull in the late 1970s. Many of the sheets are initialed “R.M.Q.” by McQuarrie, who also adds “Showscan ‘Chevy’” at the bottom. Size of sheets vary, with most measuring 12″ x 9″ and some as large as 17″ x 11″. Most sketches are done in pencil, with some in colored pencil and watercolor. In very good to near fine condition. From the collection of Peter Beale, 20th Century Fox executive on “Star Wars” and “Alien”. Sold for $8,011.
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