Sell or Auction Your 1963 Frederick Vail Beach Boys Poster for up to Nearly $9,000 or More at Nate D. Sanders Auctions
FREE ESTIMATE. To buy, auction, sell or consign your 1963 Frederick Vail Beach Boys poster that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Free Appraisal, Auction or Sell Your 1963 Frederick Vail Beach Boys Poster
Below is a recent realized price for a 1963 Frederick Vail Beach Boys poster. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
1963 Frederick Vail Beach Boys Poster. Sold for Nearly $9,000.
Here are some related items we have sold:
The Beach Boys RIAA Gold Record Award for ”Still Cruisin”’
The Beach Boys RIAA award for selling 500,000 copies of ”Still Cruisin”’ by The Beach Boys. Released in 1989 through Capitol Records, ”Still Cruisin”’ achieved the status of gold. Framed presentation includes gold record, cassette and plaque reading, ”PRESENTED TO / MICHELE PEACOCK / TO COMMEMORATE THE SALE OF MORE THAN 500,00 COPIES OF THE / CAPITOL RECORDS, INC. / ALBUM AND CASSETTE / ‘STILL CRUISIN””. Framed by Fitzgerald Hartley Marketing, RIAA framer. Frame measures 17” x 21”. Near fine condition. Sold for $938.
The Beatles Last Concert Poster as a Touring Band, From 29 August 1966 at Candlestick Park — First Printing
The Beatles concert poster from 29 August 1966 at Candlestick Park in San Francisco, their last performance as a touring band. Original printing bears the yellow union bug at bottom right, very rare as one of only approximately 300 printed for the event. Poster #AOR-1.115 was designed by 1960s designer Wes Wilson, featuring a yin yang inspired symbol of the Union Jack and United States flags above a stylistic photograph of the Fab Four. Printed on card stock measuring 17.125″ x 24.125″. Poster is featured in Paul Grushkin’s book “The Art of Rock Posters from Presley to Punk”, page 64. Approximate 1.5″ closed tear at right mid-low margin, and .5″ closed tear at upper left margin. Minimal creasing, and no pinholes or mounting remnants. Displays beautifully with bright colors, in very good plus condition. Sold for $6,038.
Rolling Stones Signed Limited Edition Poster for the Licks World Tour — With Epperson COA
Rare limited edition Licks 2002-03 tour poster signed by the Rolling Stones. Limited edition is number 240/1,000, signed by Keith Richards, Mick Jagger, Charlie Watts, Ronnie Wood, and artist Jeff Koons. Vivid, colorful poster with metallic stamping measures 39.5″ x 19″. Near fine condition. With Roger Epperson COA. Sold for $5,914.
Rare Led Zeppelin Poster Measuring 12″ x 19″ for Their Show on 1 May 1969 in Irvine, California
Led Zeppelin concert poster for their 1 May 1969 show at University of California Irvine’s Crawford Hall. Psychedelic poster designed by Chris Boulton is rare in this size of 12″ x 19″, with handbills more often seen at auction. It would also be their last concert poster without the appearance of a dirigible, the first showing of which occurred the next night in a poster for their show in Pasadena, and then started to appear in all their promotional materials. Poster on glossy paper measures 12″ x 19″. A few pinholes, light creasing, edgewear along margins, and a peace sign stamped to lower right corner. Some mounting remnants to verso. Overall very good condition, one of the most desirable Led Zeppelin posters. Sold for $5,825.
Exceptionally Rare Sex Pistols & The Clash 1976 “Anarchy in the UK” Tour Poster — From Cancelled Bournemouth Show
Scarce Sex Pistols concert poster, from the 1976 “Anarchy in the UK” tour. Poster lists tour dates and supporting acts, including “The Clash,” “Damned” and “Johnny And the Heartbreakers.” Poster advertises the tour’s cancelled Bournemouth Village Bowl appearance for 7 December 1976, never performed on account of the The Sex Pistols’ profanity laden television appearance. Poster measures 19.5″ x 29″, with some minor scratches, two 1.5″ tears at bottom and one 2″ tear at top. Three of the corners are chipped from mounting. Very good. Sold for $4,967.
1969 Woodstock Concert Poster
1969 “Woodstock Music & Art Fair” poster with Arnold Skolnick artwork. Second printing. Framed and matted ad for the legendary music festival, originally billed as “Three Days of Peace & Music – August 15, 16 & 17″ and featuring performances by Jimi Hendrix, Joe Cocker, Janis Joplin, The Grateful Dead, Sly and the Family Stone, Crosby, Stills, Nash & Young, The Who, Creedence Clearwater Revival, Sha Na Na, and myriad other legendary rock acts. Framed print measures 18″ x 24.5”. An amazing 1960’s artifact in mint condition. Sold for $4,790.
Janis Joplin First Printing Concert Poster — For Show on 25 October 1969 in Oklahoma City
Rare first printing concert poster for Janis Joplin for a show on 25 October 1969 at the Fairgrounds Arena in Oklahoma City. Johnny Dark Productions concert had the James Cotton Blues Band opening for Joplin and her band (the Kozmik Blues), promoted here in the poster designed by R. McIntosh and B.G. Vesper. Attractive poster in orange-brown is coolly accented in metallic blue-grey. Measures 17.5″ x 22.5″. A few small chips to edges and light creasing. Overall in very good plus condition. Sold for $4,400.
One of the Rarest of 1960s Rock Posters — Janis Joplin & Big Brother and the Holding Company Poster From April 1968 — Featured in “Art of Rock”
Extremely rare poster for a 19 April 1968 Fresno concert by Janis Joplin, and Big Brother and the Holding Company, with The Mint Tattoo opening. In this psychedelic explosion of colors, font and visuals, designer Dale Oftedal uses a rainbow of colors to convey his aesthetic, including the depiction of Janis Joplin as a free spirited bird perched upon a branch. This poster was printed in a very limited run, and thus scarce, especially in the condition found here. It was chosen for its uniqueness and scarcity by Paul Grushkin for his reference book, “The Art of Rock from Presley to Punk”, found on plate 3.30 and thus identified as AOR-3.30. Measures 17″ x 24.25″. A well preserved poster with light creasing and edge wear, and a few small scuffs. Overall in very good plus condition. Sold for $4,000.
Very Rare Doors Poster From a 1967 Performance at the Kaleidoscope Club in Hollywood
Original circular hand-pulled silkscreen poster, promoting a three day performance by the up-and-coming band The Doors, at the Kaleidoscope Club in Hollywood on 21-23 April 1967. A series of 20 posters were issued by Kaleidoscope in 1967, one for each concert that year. This dayglo fluorescent poster is considered to be the most rare in the Kaleidoscope series because of the type of ink used by artist John Douglas Kline in production. Posters in this series are almost non-existent because they were issued for promotion only, and the silkscreens used to produce the posters were burned in a fire. The Kaleidoscope was a psychedelic rock venue run by the management of the band Canned Heat. It was only open for roughly six months in 1967, with many memorable bands performing in that brief time. The venue was housed at the Earl Carroll Theater, which was then located at 6230 Sunset Boulevard in Hollywood, and featured two concentrically rotating stages at the center of the venue. For The Doors performance, the show was moved to a club called Ciros, at 8433 W. Sunset Boulevard in West Hollywood, (which is now the Comedy Store) since the original location of the club at the Earl Carroll Theatre had yet to be finalized. Circular poster depicts a silhouette of the faces of The Doors, with the band names in psychedelic 60’s font, and is printed in bright shades in a color combination meant to play tricks on the eye, as if looking through a psychedelic kaleidoscope. Previously owned by Alan Brackett, the original bass player in the Peanut Butter Conspiracy, who played with The Doors at this venue, along with The UFO. Poster measures 18.75″ in diameter, with some pinholes around the edge and very minor creasing. Near fine condition. Sold for $3,936.
Charles Schulz original hand-drawing of Snoopy, signed by Schulz. Illustration of Snoopy in a ranger’s hat and backpack was used for a poster to promote the ”Open Nature” concert on 27 April 1999, with members of the Grateful Dead playing. Drawing is accompanied by the concert poster, signed by Grateful Dead members Bob Weir, Phil Lesh, Mickey Hart and by Van Halen frontman Sammy Hagar. Illustration of Snoopy is complemented by a nature scene of mountains and trees, drawn by Brooks Anderson, and signed ”Brooks ’99”. Lot also includes a laminated pass to the event, also showing the illustration of Snoopy. Schulz illustration measures 8” x 10” inside of black frame measuring 12.5” x 14.5”. Poster measures 13” x 19.5” inside of gold frame measuring 17.5” x 22”. Near fine. Sold for $3,933.
Bob Dylan Handwritten & Signed Lyrics to “The Times They Are a-Changin’” — The Song of a Generation
Scarce handwritten and signed lyrics by Nobel-Prize winning lyricist Bob Dylan of his classic, “The Times They Are a-Changin’”. Considered one of the greatest songs ever written, its powerful lyrics have transcended the political turbulence of the 1960s that gave birth to them to inspire subsequent generations, revealing their timelessness in the human experience. In recent years, Dylan has shied away from playing his masterpiece in concert which has imbued it with an almost mythical quality. Dozens of major recording artists have covered the song through the years, including Simon & Garfunkel, Peter Paul & Mary, The Beach Boys, Nina Simone, Billy Joel, Joan Baez, Tracy Chapman, Bryan Ferry and Bruce Springsteen to name a few. Dylan wrote the song in the fall of 1963, shortly after Martin Luther King Jr.’s March on Washington, wanting to create an anthem for social justice. As he said, folk music and the Civil Rights movement were natural allies and he felt he could make a contribution to the movement by writing a powerful, “hypnotic” anthem. It is one of the songs that earned Dylan a Nobel Prize in Literature, as the Nobel Committee wrote: “for having created new poetic expressions within the great American song tradition.” Handwritten lyrics by Dylan read in full, “The Times They Are-A-Changin’ Come gather around people wherever you roam And admit that the waters around you have grown And accept it that soon you’ll be drenched to the bone If your time to you is worth saving Then you better start swimmin’ or you’ll sink like a stone For the times they are-a-changing Come writers and critics who prophesize with your pen And keep your eyes wide the chance won’t come again And don’t speak too soon for the wheel’s still in spin And there’s no telling who that it’s naming For the loser now will be later to win For the times they are-a-changing Come senators congressmen please heed the call Don’t stand in the doorway don’t block up the hall He that gets hurt will be he who has stalled There’s a battle outside and it’s raging It’ll soon shake your windows and rattle your walls For the times they are-a-changin’ Come mothers and fathers throughout the land And don’t criticize what you can’t understand Your sons and your daughters are beyond your command Your old road is rapidly aging Get out of the new one if you can’t lend a hand For the times they are-a-changin’ The line it is drawn the curse it is cast The slow one now will later be fast As the present now will later be past The order is rapidly fading And the first one now will later be last For the times they are-a-changin’ Bob Dylan”
Handwritten lyrics and signature have been authenticated by Bob Dylan’s manager. Single page measures 8.5″ x 11″. In near fine condition. Apart from the original draft, these are the only known lyrics of “The Times They Are a-Changin’” that have been offered at auction. Sold for $89,505.
Michael Jackson’s iconic ”Beat It” jacket, worn by Jackson during the 1988 Madison Square Gardens tour, and signed by the superstar. The globally-renowned and beloved entertainer signs the jacket just below the collar in the back, ”To Ari / Love / Michael Jackson / 1988” in black felt tip. Red leather jacket with fine chain mail detailing to the shoulders is universally recognizable as the design worn by Jackson in the music video for ”Beat It.” The chart-topping single was responsible for launching the entire ”Thriller” record on a trajectory toward its ultimate position as the best-selling album of all time. Designed by J. Parks, Jackson wore the ”Beat It” jacket while performing in 1988. Michael gave this jacket to Epic Records President Ron Alexenburg’s son; Alexenburg signed the Jackson 5 to Epic Records, where Michael’s career took off. Size 40 jacket has Alexenburg’s name handwritten on the label; overall near fine condition. With provenance from Julien’s Auctions. Sold for $84,422.
The original Ludwig drum kit used for the recording of ”Love Me Do”, The Beatles’ first single on their first album ”Please Please Me”, released on 22 March 1963 and ushering in Beatlemania. The session was recorded on 11 September 1962 at EMI London, with this recording of ”Love Me Do” used on the Beatles’ first album ”Please Please Me” as well as the first Beatles U.S. release of ”Love Me Do” and the 1982 re-release of the song. In addition to ”Love Me Do”, this Ludwig drum kit is also heard on ”P.S. I Love You”, which plays on the B-side of the British single and on the ”Please Please Me” album. The kit was played by Andy White during the recording session, who played with the Fab Four that day, with Ringo playing tambourine on ”Love Me Do”. Kit comprises a 14” x 22” bass drum, 16” x 16” floor tom, 9” x 13” tom-tom (which is date-stamped 1956 inside) and 5.5” x 14” snare. Drum head is new. The original Black Diamond Pearl wrapping is present and matches exactly the photo of White playing the drum kit. From the personal collection of Clive Edwards, who studied drum playing under Reg Weller, one of Andy White’s best friends. Weller procured the kit for Edwards after White secured an endorsement deal with Ajax drums. With an LOA from Thea White, the widow of Andy White. Sold for $67,500.
Eddie Van Halen Personally Designed, Stage Played & Signed Guitar
Eddie Van Halen personally designed (hand-striped) custom guitar, owned and played onstage by Eddie at the 16 February 2008 show in Jacksonville, Florida. Charvel guitar is signed by Eddie in silver marker, with the Jacksonville concert date also written by him as well as ”Van Halen ’08”. In custom EVH (Eddie Van Halen) Charvel guitar case, and with COA signed by Eddie Van Halen showing serial number of 173, matching EVH plate on guitar. Near fine condition. A fantastic rock collectible personally designed, played and signed by one of the greatest guitar players of all time. Sold for $37,500.
Prince Worn Lace Glove From His ”Purple Rain” Concert in 1984
Prince concert-worn glove from his iconic ”Purple Rain” tour in 1984. A signature white lace glove adorned with rhinestones, Prince wore this glove during his performance on 15 December 1984 at Rupp Arena in Lexington, Kentucky before he tossed it into the audience. Glove is accompanied by a notarized letter from a contractor at Rupp Arena, who writes, ”…I was part of the set up and breakdown team – I’ve included my tax records to prove my employment at Rupp Arena…During the show Prince went up a twenty foot staircase to the scaffolding on the side of the stage while performing and took off and threw one of his gloves towards the audience. It didn’t reach the audience though – I watched the glove fall out of sight into the scaffolding below him. After the show, I kept an eye out for the glove as I was breaking down the lighting scaffolding in the area Prince threw it and sure enough, there it was…” As indicated in his letter, the consignor has included a copy of his 1099 record from 1985 showing his employment with IATSE Local 346 representing the Lexington area. Right-handed lace glove measures approximately 8” long including ruffle at bottom, and 6” at the wrist. Some age discoloration, partial tear at the ruffle and rhinestone chain, while present, has separated in two spots. Overall in good condition, consistent with wear. Sold for $26,121.
David Crosby’s Own Gibson ES-335 Guitar — From His Days in “The Byrds”
David Crosby’s personally owned and played Gibson guitar, used by Crosby in “The Byrds,” one of the most influential bands of the 1960’s. Crosby’s role in “The Byrds” from the iconic group’s formation in 1964 until his departure in 1967 garnered him his first of two inductions into the Rock and Roll Hall of Fame. Guitar is the widely recognized Gibson ES-335, with a Bigsby Vibrato tailpiece tremolo. Dating to 1958, this model was the first electric guitar to introduce the semi-hollow body design. Neck is one-piece mahogany beneath a rosewood fingerboard with mother of pearl inlays. Measures 16.5″ wide, 20″ long, and 1.75″ deep. Housed in a black hardshell case lined in orange velvet. Scattered nicks and bumping to top of headstock, else near fine. With an LOA from David Crosby. Sold for $25,428.
Gene Simmons Stage played AXE Bass from KISS EOR Tour 2019
Sold for $23,100.
Jon Bon Jovi Stage Played & Signed Acoustic-Electric Guitar
Jon Bon Jovi’s guitar, played onstage by Jon in Boston on 1 March 2011 during the Bon Jovi Live Tour, and signed in silver marker by him, along with the date played. Takamine acoustic-electric guitar is model EF 341SC, and serial #10110447, housed in Takamine hard-shell guitar case. Lot also includes a Bon Jovi COA, originally sold by the band a charity auction, as well as original glossy 8” x 10” photos of Bon Jovi playing this guitar in Boston, and him signing it. Near fine condition. A fantastic rock collectible. Sold for $21,250.
FREE ESTIMATE. To buy, auction, sell or consign your 1963 Frederick Vail Beach Boys poster that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
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